Henry Vidon Movies

This uneven black comedy went into production as My Last Duchess. It then went through three title changes, representing, in the words of historian Leslie Halliwell, "a descending order of wit": Arrividerci, Baby, Drop Dead, Darling, and You Just Kill Me! Tony Curtis plays a charming contemporary Bluebeard who murders a succession of wives in order to fatten his bank account. At the beginning of the film, the 42-year-old Curtis, decked out in Buster Browns, does in his own stepmother. The remaining murders alternate between moderately amusing and just plain silly; our favorite scene is the disposal of Zsa Zsa Gabor, but that's just on basic principles. Curtis finally meets his match in a much-married widow who plots his demise (a plot point which, incidentally, was planned and abandoned for Chaplin's far superior Monsieur Verdoux). Director Ken Hughes and Ronald Harwood based their screenplay upon the Richard Deming novel The Careful Man. ~ Hal Erickson, Rovi

Best known for his La Cage aux Folles, director Edouard Molinaro has a lesser film here in this occasionally erotic story about a summer romance. A young artist is traveling to the home of a glamorous friend for the summer season when he picks up an attractive woman at a bar. He decides to bring her along, which turns out to be too hasty a decision. While partying away the summer, the son of the hostess dallies with the artist's young woman and she vacillates in her feelings between the two men. The atmosphere and the woman's ambivalence add up to tragedy in the end. ~ Eleanor Mannikka, Rovi

Paul Decker (Peter Van Eyck) arranges what seems to be the perfect murder of his wife, while at her home in Italy. Lightly drugging her into unconsciousness, he seals the room she is in and turns on the gas, and then dons a diving snorkel with hoses drawing air from the outside -- he remains hidden in the room beneath the floorboards even as the police investigate the crime scene. As far as they know, he was just over the border in France when Mrs. Decker committed what appears to be suicide -- and there is no reason to investigate further, beyond a routine inquest. But he doesn't bargain on Candy (Mandy Miller), his wife's daughter by her previous marriage -- she has long believed that Paul killed her own father, and is positive that he was responsible for her mother's death. Try as those around her -- including her guardian (Betts St. John) -- do to convince her otherwise, she won't let go of this idea. And when Paul kills Candy's dog Toto, she tells him he will have to kill her, because otherwise she will kill him. From that moment on, they are on a collision course, as Paul tries at once to protect himself, covering tracks that he never thought anyone would trace -- not having bargained on the obsessive girl -- and to discredit her in preparation for possibly having to kill her. Meanwhile, Candy waits, watches, and asks question after question, hoping for one clue or slip that will allow all of her suspicions to fall into place. And finally, after several rounds of cat-and-mouse, and a near-fatal encounter, they meet face-to-face at the scene of the crime. ~ Bruce Eder, Rovi

Unseen Heroes, along with Missiles from Hell, represented the US titles of the British The Battle of the V1. Set in wartime Poland, the film involves the secret Nazi missile installation at Peenemunde. British guerilla fighter Michael Rennie leads a group of Polish partisans on a mission to destroy the base and cripple the German war effort. The basic storyline is a good one, though it is muddied by several arbitrary plot transitions. Further undermining Unseen Heroes is the editing, which at times seems to have been accomplished with a paper shredder. ~ Hal Erickson, Rovi

Lois Maxwell, the Canadian actress who achieved worldwide fame as Miss Moneypenny in the "James Bond" films, heads the cast of the made-in-Italy La Grande Speranza (The Great Hope). Ms. Maxwell plays a British nurse named Lily, one of several survivors of a submarine attack during WW2. Lily and the others are rescued by Renato Baldini, commander of the Italian submarine which sank their ship. At first, there's no love lost between the Italian crew and their Allied captives. Gradually, Baldini's essential humanity is revealed, as is his love for the now-friendly Lily. What starts as a traditional wartime melodrama concludes in the spirit of peace on earth, goodwill towards men. ~ Hal Erickson, Rovi