Conrad Veidt Movies

Like so many German actors who played Nazis during World War II, Conrad Veidt was a fervent anti-Nazi and had fled Europe just one step ahead of the storm troopers. Veidt began his career at age 20 under the guidance of the great Max Reinhardt. His first taste of worldwide fame came by way of his highly stylized portrayal of the tormented Cesare in Cabinet of Dr. Caligari (1919). His performance in The Student of Prague (1926) led to his being briefly snatched by Hollywood, where he launched his American film career by donning several layers of age makeup and portraying the doddering Louis XI in The Beloved Rogue (1927). Veidt returned to Germany in 1929, but left for England with his Jewish wife when Hitler came to power. On a brief visit to his homeland, Veidt was detained by the German authorities for highly suspect reasons, and had to be rescued by his British studio. In 1940, he was back in America to complete his scenes in the U.S./British co-production The Thief of Baghdad. He remained in Hollywood for the rest of his career, essaying such villainous characters as the cunning Major Strasser in Casablanca (1942). Conrad Veidt died of a sudden heart attack after playing an Austrian undercover agent in Above Suspicion (1943). ~ Hal Erickson, All Movie Guide
1943  
 
If you believe all-American Fred MacMurray as an Oxford don, you'll probably swallow the rest of Above Suspicion. Newly married to Joan Crawford, MacMurray goes on a honeymoon in prewar Germany. Actually it's more business than pleasure: they are secret agents for the British, attempting to smuggle back information about a new superweapon being developed by the Nazis. Evil, mean, cruel and also wicked German officer Basil Rathbone imprisons and tortures Crawford (though she still looks like a million bucks), but McMurray comes to the rescue, paving the way for a suspenseful race-to-the-border climax. The tenor of Above Suspicion can be summed up in a scene in which, after being confronted by a monolingual stormtrooper, Fred MacMurray says in English "Nuts to you, dope!," whereupon the Nazi scratches his head and wonders aloud, "Vass iss das 'dope'?" ~ Hal Erickson, All Movie Guide

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Starring:
Joan CrawfordFred MacMurray, (more)
1942  
NR  
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One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's café has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. ~ Robert Firsching, All Movie Guide

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Starring:
Humphrey BogartIngrid Bergman, (more)
1942  
 
This Irving Asher production was that rarity, a genuine B-movie from posh MGM. Set in a pre-Pearl Harbor United States, Nazi Agent starred real-life Hitler refugee Conrad Veidt as identical twins, one a timid stamp collector and rare book store owner, the other the Nazi consul. The evil Veidt is killed during an argument between the two and the good Veidt shaves his beard in order to take his brother's place as head of a Nazi spy ring. He manages to quell the group's attempts to sabotage allied shipping routes before being exposed by, of all things, a pet canary. In order to save the life of a defecting fifth columnist (Ann Ayars), Veidt agrees to return to Germany, gaining strength for the upcoming ordeal in the Vaterland as his ship passes the Statue of Liberty. Relatively fast-paced and engrossing most of the way, Nazi Agent was the feature-film debut of director Jules Dassin, formerly of MGM's short subject department. Dassin went on to direct several groundbreaking crime dramas for Universal before finding himself blacklisted during the Hollywood "witch hunts." He continued his career in Europe, helming such genuine classics as Never on Sunday (1959). A lyric soprano, Ann Ayars spent the mostly unrewarding years between 1941 and 1943 in MGM potboilers before leaving films in favor of the New York City Opera. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Conrad VeidtAnn Ayars, (more)
1941  
 
Humphrey Bogart plays Gloves Donahue, a rough-hewn but essentially decent New York gambler. The Runyonesque plot gets moving when Gloves tries to find out what's holding up his favorite restaurant's daily shipment of cheesecake. Paying a call on the bakery, Gloves stumbles into a Nazi spy ring, masterminded by Conrad Veidt. Mixed up in all this is nightclub singer Kaaren Verne, whose loyalties are in question in her early scenes but who turns out to be as true-blue as the patriotic Gloves. Combining a quick wit with quicker fists, Gloves and his "mob" thwart the Nazis before they're able to skip the country. The cast is a movie buff's dream, ranging from Jane Darwell as Bogart's mom to Peter Lorre as a cynical Nazi flunkey to William Demarest, Frank McHugh, Phil Silvers and Jackie Gleason as Bogie's favorite cohorts. The film's best scene would have us believe that Bogart could confound a gang of erudite Nazis with a steady stream of Manhattan slang. One shudders to think how leaden All Through the Night would have been had George Raft accepted the role of Gloves Donahue. ~ Hal Erickson, All Movie Guide

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Starring:
Humphrey BogartConrad Veidt, (more)
1941  
 
Loretta Young is (mis)cast as a prima ballerina, who reaches the top of her profession and marries her demanding instructor (Conrad Veidt). Still, Loretta can't help reminiscing on the past loves in her life. She flashes back to her early days as a circus bareback rider and recalls all her former beaux (including Dean Jagger and John Shepperd, a.k.a. Shepperd Strudwick). Loretta comes to the conclusion that the most important person in her life has been her loving mother (Eugene Leontovich), with whom she has a tear-stained reconciliation. Men in Her Life was based on the novel Ballerina, by Lady Eleanor Smith. ~ Hal Erickson, All Movie Guide

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Starring:
Loretta YoungConrad Veidt, (more)
1941  
 
Though based on a stage play by Laurence Gross and Edward Childs Carpenter (previously filmed as an Ernest Truex vehicle in 1933), MGM's Whistling in the Dark was clearly inspired by the success of Paramount's Bob Hope comedy-mystery The Ghost Breakers. In his first film starring role, Red Skelton plays radio actor Wally Benton, better known to his fans as that intrepid crime-solver "The Fox". On the eve of his wedding to perennial fiancee Carol Lambert (Ann Rutherford), Wally is summoned to the mansion of cult leader Joseph Jones (Conrad Veidt). Though he preaches a message of "radiant contentment" to his followers, Jones is actually a racketeer who hopes to get his hands on a $1,000,000 inheritance. The only person standing in the way of Jones' windfall is the sole heir, mild-mannered Mr. Upshaw (Lloyd Corrigan), who is about to take a business trip by plane. Impressed by "The Fox"'s encyclopedic knowledge of crime, Jones wants Wally to plan a "perfect murder", one which will put Upshaw out of the way without detection. Naturally, Wally balks at this, but he is persuaded to go along with Jones when the latter kidnaps both Carol and Fran Post (Virginia Grey), the daughter of Wally's sponsor (Henry O'Neill). Considerately, Jones gives Wally till 11 o'clock to come up with his plan, leaving our hapless hero in the "care" of hulking henchman Sylvester (Rags Ragland). Fully aware that neither his life nor those of Carol and Fran will be worth five cents once Upshaw is murdered, Wally spends most of the evening trying to concoct a way out of his jam. Full of hilarious one-liners and sidesplitting slapstick, Whistling in the Dark is also quite suspenseful--especially in the final reel, wherein the best line is delivered by the pop-eyed potential murder victim. So well received was Whistling in the Dark that MGM rushed out two sequels, also starring Red Skelton, Ann Rutherford and a "reformed" Rags Ragland. ~ Hal Erickson, All Movie Guide

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Starring:
Red SkeltonConrad Veidt, (more)
1941  
 
Add A Woman's Face to QueueAdd A Woman's Face to top of Queue
A remake of the Swedish film of the same name (see entry 55092), MGM's A Woman's Face was reshaped into one of Joan Crawford's best vehicles. Told in flashback from the vantage point of a murder trial, the story concerns a female criminal whose face is disfigured by a hideous scar. The plastic-surgery removal of this disfigurement has profound repercussions, both positive and tragically negative. The film's multitude of subplots converge when Conrad Veidt, Joan's lover and onetime partner in crime, is murdered. Melvyn Douglas costars as the beneficent cosmetic surgeon who becomes Joan's lover, while Osa Massen appears as Douglas' vituperative wife. Making his American screen debut in the role of Veidt's father is Albert Basserman, who spoke no English and had to learn his lines phonetically. Both A Woman's Face and its Swedish predecessor were based on Il Etait Une Fois, a play by Francis de Croiset. ~ Hal Erickson, All Movie Guide

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Starring:
Joan CrawfordMelvyn Douglas, (more)
1940  
 
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In ancient Bagdad, Abu, a good-natured young thief (Sabu), befriends the deposed king Ahmad (John Justin) as both are imprisoned in the palace dungeon, awaiting execution under orders from the evil vizier Jaffar (Conrad Veidt), who has seized the throne. But they escape and make their way to Basra, where Ahmad, now living as a beggar, meets and falls in love with the Princess (June Duprez), who has been betrothed by her father the Sultan (Miles Malleson, who also wrote the screenplay) to Jaffar. Their fight for the love of the Princess triggers a series of adventures for the young Abu that brings him halfway around the world and into mystical realms with help from a towering genie (Rex Ingram), brushing up against the gods and transforming the little thief into a hero in the process. Along the way, we encounter a wide array of characters, some of them charming, such as the gentle Old King (Morton Selton), and some sinister, such as the devious Halima (Mary Morris), plus a range of color and lushly designed sets and set pieces (and special effects) that still dazzle the eye seven decades later, even in the wake of various remakes (which include Disney Studios' Aladdin). And it all leads to an amazing and suspenseful ride on a magic carpet, and a race against time to save the king and his beloved. ~ Bruce Eder, All Movie Guide

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Starring:
Conrad VeidtSabu, (more)
1940  
 
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The Danish freighter Helvig approaches English waters in early 1940 and, in keeping with the needs of British security, it is boarded by customs and naval officials in search of contraband cargo. Her skipper, Captain Anderson (Conrad Veidt), is compelled to ascede to British demands, but dreads the delay, pointing out that the medical supplies in his cargo are vital. Anderssen is a dedicated seaman, all business, even where Mrs. Sorenson (Valerie Hobson), a headstrong passenger, is concerned. Then, on their first night in port, Mrs. Sorenson and a Mr. Pidgeon (Esmond Knight) disappear from the ship with Anderson's landing papers, the captain is in hot pursuit. Forced to join the woman in what seems a mad chase across London by night, he plunges into an Alice-in-Wonderland world of the blacked out city, following a set of clues through the maze of darkened streets and uncover a Nazi spy ring operating out of a basement in Soho. Each also discovers that there's a lot to admire and even possibly to love in the other -- the challenge is for Hobson, who is something other than the divorcee and mother she pretends to be, to stay alive long enough for Captain Anderson to effect a rescue and prevent the German spies from turning the British counter-intelligence effort against the Allies. ~ Bruce Eder, All Movie Guide

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Starring:
Conrad VeidtValerie Hobson, (more)
1940  
 
Based on a novel by Ethel Vance, Escape stars Robert Taylor as a young American, the son of a widowed European woman (Alla Nazimova). The mother has been imprisoned in a German concentration camp, compelling her son to ignore America's neutrality and attempt a rescue. Sneaking into German-occupied Europe, Taylor is befriended by a countess (Norma Shearer) who is the mistress of a Nazi general (Conrad Veidt). Taylor isn't certain of the countess' loyalties, but she proves herself by aiding in the rescue of the imprisoned woman. Escape is distinguished by a surprisingly subtle performance from Norma Shearer, though she gives in to her tendency to "ham" in her final denunciation of her Nazi paramour. ~ Hal Erickson, All Movie Guide

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Starring:
Norma ShearerRobert Taylor, (more)
1939  
 
In one of his last European film appearances, Conrad Veidt heads the cast of Le Joueur D'Echecs (The Checker Player). Set during the reign of Russia's Catherine the Great, the film recreates Poland's ongoing efforts to wrest free of Russian tyranny. Paul Cambo plays Polish patriot Bosleslas Vorosky, whose insurrection is aided by an eccentric Hungarian nobleman, Baron Kempelen (Conrad Veidt). Seemingly more interested in his various mechanical devices (including an automated checker player) than with human beings, Kempelen nonetheless proves to be the best friend the Poles could have, even sacrificing his own life for their cause. In the film's bizarre but historically accurate conclusion, the spiteful Catherine demands that Kempelen's beloved mechanical checker player be executed by firing squad (It makes sense within context--honest!) ~ Hal Erickson, All Movie Guide

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Starring:
Françoise RosayMicheline Francey, (more)
1939  
 
The Spy In Black is the story of a German World War I submarine captain (Conrad Veidt) who is given a mission to discover British intelligence secrets. Once he arrives in the Orkney Islands, he meets up with a female schoolteacher (Valerie Hobson), who happens to be a German agent. Veidt falls in love with Hobson before discovering she's actually a double agent for the British. In America, Spy in Black was originally released under the title U-Boat 29. ~ Stephen Thomas Erlewine, All Movie Guide

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Starring:
Conrad VeidtSebastian Shaw, (more)
1938  
 
Though its title translates as Storm over Asia, this French melodrama bears no relation to the Pudovkin film of the same name. Conrad Veidt stars as a soldier of fortune who spearheads an expedition in Mongolia in hopes of finding hitherto untapped oil reserves. Veidt heads deep into uncharted territory, with his mistress Madeline Robinson by his side and 200 hired hands at his beck and call. As the only woman on the expedition, Robinson has quite a time fending off the lecherous advances of the other oil prospectors. When Veidt manages to offend tribal chieftan Sessue Hayakawa, a native uprising is the inevitable result. Nearly everyone gets killed except the plucky Robinson and the expedition's doctor, Roger Duchesne, who has loved her all along. Tempete sur L'Asie bears a striking resemblance to the 1965 Ursula Andress vehicle Once Before I Die. ~ Hal Erickson, All Movie Guide

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Starring:
Madeleine RobinsonConrad Veidt, (more)
1937  
 
The unorthodox teaming of Vivien Leigh and Conrad Veidt is but one of the many pleasures of the 1937 spy yarn Dark Journey. Leigh plays a Stockholm dress-shop owner during World War I, who, being a neutral, is permitted to travel unmolested to and from France. Veidt plays a supposedly disgraced German officer who is actually head of his country's secret service. The two fall in love, despite the fact that Leigh has a secret as well: she is a double agent, sympathetic towards the Allied cause. During one of Leigh's voyages to France, her ship is captured by a German U-boat. Veidt swaggers on board, threatening to sink the ship if Leigh is not turned over to him. But the circumstances reverse themselves, and Veidt finds himself Leigh's prisoner--a circumstance that is not altogether unpleasant for him. When originally released in England, Dark Journey bore the title The Anxious Years. ~ Hal Erickson, All Movie Guide

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Starring:
Conrad VeidtVivien Leigh, (more)
1936  
 
The Passing of the Third Floor Back, Jerome K. Jerome's mystical 1908 stage play, was given perfunctory treatment in this 1935 film version. Conrad Veidt assumes the old J. Forbes Robertson role as the Mysterious Stranger who moves into a cheap boarding house run by despicable landlord Wright (Frank Cellier). The other tenants are selfish, lecherous, mercenary, envious and overall not very good company. One by one, the tenants are rechanneled into more positive pursuits by the Stranger -- but being mere mortals, they soon forget the lessons learned and revert to their old ways. That the Stranger is meant to be Jesus Christ is rather obvious from the outset, but such were the censorial restrictions of the era that the character's true identity is effectively clouded. ~ Hal Erickson, All Movie Guide

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Starring:
Conrad VeidtRenee Ray, (more)
1936  
 
Based on the stage melodrama by John Chancellor, King of the Damned takes place on a brutal prison colony that makes Devil's Island look like Disneyland. Cruel governor Courvin believes in strict discipline, and isn't above breaking a few backs to get what he wants. Finally the convicts, led by Number 83 (Conrad Veidt), overpower the guards and assume control of the island. Rather than escape, however, Number 83 establishes a communal farming system, with everyone working together for the common good. He also falls in love with Anna (Helen Vinson), the slain governor's daughter. Captured by the navy, Number 83 is brought back to his own country, where he successfully pleads for humane treatment and the right to self-determination for his fellow inmates. ~ Hal Erickson, All Movie Guide

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Starring:
Conrad VeidtNoah Beery, Sr., (more)
1936  
 
Famed Swedish director Victor Sjostrom was coaxed out of retirement to direct his final film, Under the Red Robe, a swashbuckling adventure that takes place in the France of Louis XIII. Conrad Veidt stars as Gil de Berault, quick with his sword yet set for execution. But right before his sentence is carried out, Cardinal Richelieu (Raymond Massey) offers a stay of execution if Gil will find and kill a duke suspected of leading the revolutionary antimonarchist Huguenots. Gil tracks the duke to a castle, sneaks into the guarded fortress, and ends up falling in love with the duke's sister, Lady Marguerite (Anabella). Gil now has to save the duke without bringing about his own execution. ~ Paul Brenner, All Movie Guide

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Starring:
Conrad VeidtAnnabella, (more)
1935  
 
This story is based both on a long-standing legend and a play by E. Temple Thurston. Veteran British director Maurice Elvey brought years of experience with theatrical adaptations to the difficult task of filming a movie that spans centuries and strains credulity. Conrad Veidt stars as the Jew who urges Roman authorities to crucify Jesus and release Barabbas. As a punishment, he is condemned by God to wander the Earth for many centuries, enduring innumerable trials and tribulations on several continents. ~ Michael Betzold, All Movie Guide

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Starring:
Conrad VeidtMatheson Lang, (more)
1935  
 
The title tells all in the German-made Legend of William Tell. Hans Marr is at his most nobly heroic as the title character, the 13th-century Swiss huntsman-patriot who defied the despotic dictatorship of Herr Gessler (Conrad Veidt). The famous scene wherein Tell is forced to shoot an apple off his son's head rather surprisingly comes in the middle of the picture. The climax consists of the hero's escape from Gessler's dungeon and his subsequent victory over his enemies. Within a few years, anti-dictator films would be on German propaganda minister Joseph Goebbels' no-no list, and Conrad Veidt would be plying his villainy in American films. ~ Hal Erickson, All Movie Guide

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1934  
 
That old theatrical war-horse Bella Donna (previously filmed in America by Alla Nazimova) was resurrected by Britain's Twickenham Studios in 1934. Conrad Veidt stars as sinister Egyptian Mahmoud Baroundi, who even before the film gets under way has left a long trail of ruined women behind him. His latest victim is American girl Mona Chepstow (Mary Ellis), whom Baroundi treats like dirt and makes her like it. The plot centers around a murder by poison, as evidenced by the film's deliberately exotic title. Critics in 1934 praised newcomer Mary Ellis for underplaying her role, but many film fans preferred Nazimova's arm-waving histrionics in the earlier version. ~ Hal Erickson, All Movie Guide

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Starring:
Conrad VeidtMary Ellis, (more)
1934  
 
Jew Suss was a well-worn stage drama based on an old novel by Lionel Feuchtwanger. The story involves an enterprising Jewish businessman (Conrad Veidt) who gains power and influence in the European community of Wurttemburg. He does this to help his people, who have suffered persecution under the Gentile burgomeisters. To his horror, Suss discovers that he is actually not Jewish at all. The question: Was his own suffering on behalf of the community's genuine Jews worth it, and will he continue to act in their best interest? Filmed as a protest against the rising tide of Anti-Semitism in Germany, Jew Suss (released in the U.S. as Power) was far from subtle, but its heart was in the right place. There would be a reprehensible 1940 German remake of Jew Suss, this time filmed under the aegis of Nazi propaganda minister Josef Goebbels, wherein the story was perverted into an anti-Jewish tract and Suss was portrayed as a drooling rapist! ~ Hal Erickson, All Movie Guide

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Starring:
Conrad VeidtBenita Hume, (more)
1934  
 
This story of espionage in World War I is based on a true story. Marthe McKenna (Madeleine Carroll) is a nurse from Belgium who uses her beauty and charm to serve her native land during the war. McKenna is able to ferret out secret information from German officers and pass it along to Allied intelligence officers with the help of fellow spy Stephan (Herbert Marshall). When the evil Commandant Oberaertz (Conrad Veidt) discovers what McKenna has been doing, she's sentenced to be executed, and Stephan must step in to save her. I Was a Spy was the first American sound feature for German actor Conrad Veidt, who electrified audiences with his performance in the silent classic Das Kabinett des Doktor Caligari; Veidt left his homeland when the Nazis began their rise to power, though ironically he was to play a number of Nazi villains during his stay in Hollywood. ~ Mark Deming, All Movie Guide

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Starring:
Madeleine CarrollConrad Veidt, (more)
1933  
 
In this musical the Empress' hairdresser finds herself mistaken for the Empress by a deranged aristocrat. Mayhem and music ensues as she tries to convince him otherwise. ~ Sandra Brennan, All Movie Guide

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Starring:
Mady ChristiansLilian Harvey, (more)

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