Rudy Vallee Movies

This documentary, made for PBS' American Masters series, explores the life and career of the renowned screenwriter and director Preston Sturges (1898-1959), whose few but very influential films managed to change the entire film industry. The documentary features clips from his films, and interviews with those who knew him well, including ex-wives. He was the first screenwriter to make the move to become a film director. He is best known for his unerringly light touch in dealing humorously with difficult topics, and directed one of the first widely successful spoofs of Hollywood, The Great McGinty. The director had a life as eventful and fraught with coincidences as anything in the movies, and this is recounted also. ~ Clarke Fountain, All Movie Guide

This standard, tongue-in-cheek, gangsters and good guys saga is carried on the star power and screen presence of Clint Eastwood as Lt. Speer, a taciturn, tough, play-it-by-the-book cop, and on Burt Reynolds as Mike Murphy, Speer's old friend in the force, now turned private eye but still a captivating rogue at heart. With a sub-text of playing their well-known screen personas off each other, Eastwood and Reynolds provide more than a surface interpretation of the characters that made them famous. After Murphy's partner is murdered, he focuses on pitting one mob boss against another in an attempt to have both mobsters kill each other. In the meantime, Lt. Speer -- who has never approved of Murphy's private detective business -- does not really know if Murphy is for or against the two top gangsters. Set in the era of speakeasies and Prohibition, an added layer of "film noir" can be discerned under the complex plot, verbal repartée, and episodes of toned-down violence (a kind of parody in themselves). Although this may not be the best film either star has made, it is still interesting to see them together on screen. ~ Eleanor Mannikka, All Movie Guide

In this violent drama, two hippies head for the wilds of California to find a good buddy and end up assaulted and raped by two terrifying woodsmen. ~ Sandra Brennan, All Movie Guide

Singer Rudy Vallee guests in this episode as H.A. Smith, a powerful industrialist who has journeyed from Erie, Pennsylvania to repay his long-ago benefactor--none other than Uncle Joe (Edgar Buchanan). Smith has come Hooterville to offer Joe the opportunity to become a millionaire many times over. But Joe is both confused and suspicious: He has never been in Erie in his life--and he certainly has never met anyone named H.A. Smith! ~ Hal Erickson, All Movie Guide

Narrator Rudy Vallee announces that he knows we are a "real high class audience," thus he has "some swell story to tell." Thus begins The Night They Raided Minsky's, set in the rarefied world of burlesque in the 1920s. Amish girl Rachel Schpitendavel (Britt Ekland) comes to New York in hopes of securing work as a dancing interpreter of religious stories. She gets a job at Minsky's burlesque house, where the dance numbers are "Biblical" only when some gum-chewing stripper performs Salome's Dance of the Seven Veils. The many subplots leading up to Rachel's accidental invention of the striptease during a midnight Minsky's show involve many: top banana Chick Williams (Norman Wisdom) and womanizing straight-man Raymond Paine (Jason Robards Jr.); Billy Minsky (Elliot Gould), whose efforts to stage girlie shows at the National Winter Garden are looked down upon by Minsky Sr. (Joseph Wiseman), who holds the lease on the theater; gangster Trim Houlihan (Forrest Tucker), who intends to shut down Minsky's if he can't get a piece of the action; Ekland's preacher father Harry Andrews, who shows up in New York just in time to see his daughter bare all in front of a cheering audience; and Vance Fowler (Denhom Elliot), self-appointed protector of public morals, whom Paine hopes to embarrass by having Rachel perform her religious dance. A straightforward adaptation of Rowland Barber's novel The Night They Raided Minsky's would seem to be called for here, but novice director William Friedkin and film editor Ralph Rosenblum seem determined to turn the film into a kaleidoscope Hard Day's Night clone. Happily, producer Norman Lear is able to accommodate several nostalgic re-creations of such burlesque chestnuts as "Crazy House" and "Meet Me Round the Corner," as well as six delightful in-period songs penned by Bye Bye Birdie's Charles Strouse and Lee Adams, the best of which is the ribald "Perfect Gentleman." Bert Lahr makes his last appearance on screen in the role of washed-up funnyman Professor Spats; he died during production, and had to be extensively doubled throughout. ~ Hal Erickson, All Movie Guide

This evening of musical magic includes some of the greatest jazz artists and their exciting performances. ~ All Movie Guide

Marjorie Main is the whole show in the Universal programmer Ricochet Romance. Playing the outspoken new cook at a rundown dude ranch, Marjorie forces everyone around her to pitch in and bring some life back into the place. She also sets her sights on old layabout Chill Wills, scheming to rope the critter into marriage. Veteran comedy director Charles W. Lamont moves the proceedings along with style, never missing an opportunity for a low-comedy slapstick turn. The most surprising aspect of Ricochet Romance is that it is not an entry in Marjorie Main's Ma and Pa Kettle series. ~ Hal Erickson, All Movie Guide

The same studio that brought forth Father Was a Fullback was responsible for Mother is a Freshman. Loretta Young stars as Abbigail Abbott, the widowed mother of coed Susan Abbott (Betty Lynn). In order to legally validate Susan's scholarship fund (a legacy of her late grandmother), Abigail enrolls in the university as a freshman. Here she is wooed by Professor Richard Michaels (Van Johnson)--much to Susan's dismay, since she'd set her cap for the professor herself. Rudy Vallee reprises the "stuffy middle-aged suitor" characterization he'd essayed in such previous comedies as The Palm Beach Story and Bachelor and the Bobby-Soxer. Mother is a Freshman afforded audiences the opportunity of glimpsing 20th Century-Fox's familiar "college campus" sets in full Technicolor (these standing sets were also seen in black & white in such 1949 releases as Mr. Belvedere Goes to College and It Happens Every Spring). ~ Hal Erickson, All Movie Guide

First came 20th Century-Fox's Mother Was a Freshman; then, a few months later, the same studio's Father Was a Fullback. Fred MacMurray stars as college football coach George Cooper, whose team can't win a game to save its life. George finds some comfort in the arms of his wife Elizabeth (Maureen O'Hara), but his young daughters Connie (Betty Lynn) and Ellen (Natalie Wood) are too concerned with boys to pay their dad any attention. Connie causes no end of trouble for George by printing a highly imaginative article about her various romances. On the verge of losing his job, George is saved by the arrival of football champ Joe Burch (Richard Tyler). Rudy Vallee virtually repeats his stuffy-suitor characterization from Mother is a Freshman in Father Was a Fullback. ~ Hal Erickson, All Movie Guide

George Stevens's charming film version of Kathryn Forbes' collection of short stories entitled Mama's Bank Account features Irene Dunne as Mama in one of her finest and most ingratiating performances. The film is narrated by Mama's daughter Katrin (Barbara Bel Geddes), recalling the trials and tribulations of her family in turn-of-the-century San Francisco. Mama tries to keep her house in order and her family on their toes as a motley assortment of eccentric relatives, boarders, and friends -- including Uncle Chris (Oscar Homolka), Mr. Hyde (Cedric Hardwicke), Dr. Johnson (Rudy Vallee), Mr. Thorkelson (Edgar Bergen) -- weave in and out of their lives. ~ Paul Brenner, All Movie Guide

Preston Sturges' Unfaithfully Yours is a typically witty and wild screwball comedy starring Rex Harrison as a symphony conductor named Alfred de Carter who is convinced his wife (Linda Darnell) is having an affair. During one of his concerts, Alfred begins planning three different ways of solving the problem -- including murder -- setting each to a different classical piece. Sturges' script and direction are lively and the actors are perfectly cast, capable of wringing all the humor, both physical and verbal, out of the story. Despite the artistic success of the film, Unfaithfully Yours was unsuccessful at the time of its release, yet it was well-regarded by critics and film buffs. It was remade in 1984, featuring Dudley Moore in the lead role. ~ Stephen Thomas Erlewine, All Movie Guide