Brenda Vaccaro Movies

Based on a James Leo Herlihy novel, British director John Schlesinger's first American film dramatized the small hopes, dashed dreams, and unlikely friendship of two late '60s lost souls. Dreaming of an easy life as a fantasy cowboy stud, cheerful Texas rube Joe Buck (Jon Voight) heads to New York City to be a gigolo, but he quickly discovers that hustling isn't what he thought it would be after he winds up paying his first trick (Sylvia Miles). He gets swindled by gimpy tubercular grifter Rico "Ratso" Rizzo (Dustin Hoffman) but, when Joe falls in the direst of straits, Ratso takes Joe into his condemned apartment so that they can help each other survive. Things start to look up when Joe finally lands his first legit female customer (Brenda Vaccaro) at a Warhol-esque party; Ratso's health, however, fails. Joe turns a final trick to get the money for one selfless goal: taking Ratso out of New York to his dream life in Miami. One of the first major studio films given the newly minted X rating for its then-frank portrayal of New York decadence, Midnight Cowboy was critically praised for Schlesinger's insight into American lives, with the intercut mosaic of Joe's memories and Ratso's dreams lending their characters and actions greater psychological complexity. While they may have been drawn by the seamy content (tame by current standards), the young late '60s audience responded to Joe's and Ratso's confusion amidst turbulent times and to the connection they make with each other despite their alienation from the surrounding culture. Midnight Cowboy became one of the major financial and artistic hits of 1969, winning Oscars for Best Picture (the first for an X-rated film), Best Director, and former blacklistee Waldo Salt's screenplay. Though the one-two punch of Midnight Cowboy and The Graduate (1967) proved Hoffman's range and Voight's Joe Buck made him a star, both lost Best Actor to classical cowboy John Wayne for True Grit. The film was later re-rated R by the MPAA. ~ Lucia Bozzola, Rovi

A.C. Smith (David Janssen) is a Las Vegas casino operator whose son visits during his summer vacation from Princeton. His son Andy (Robert Drivas) would rather go to Europe, but daddy dearest wants him to learn the ropes of the gambling business. Pappy approves of and pays for a showgirl to teach his son an extracurricular lesson in erotica. Molly (Brenda Vaccaro) is A.C.'s worldly secretary who watches the office, and Don Rickles has a small role as a crooked blackjack dealer who is caught with his fingers in the pie. Andy catches on quickly and acquires two-thirds of the controlling interest in the casino. He'll have the best story about how he spent his summer vacation when he returns (if he does) to the hallowed halls of Princeton and Ivy League living. ~ Dan Pavlides, Rovi

Travis Logan, D.A. is a TV pilot film, originally telecast in March of 1971. Vic Morrow heads the cast as Logan, while Hal Holbrook earns "special guest star" billing as a clever murderer. Logan is prepared to go around with Holbrook's defense team when they try to cop an insanity plea. But a little ardent sleuthing reveals a vital trip-up clue in the form of a shotgun pellet. Though Travis Logan, D.A. did not result in a series, its pilot film was far and away superior to most one-shot of its ilk. ~ Hal Erickson, Rovi

As he lies dying in Vietnam, a young soldier (Michael Douglas) recalls the events leading up to this moment. He remembers his sweetheart (Brenda Vaccaro), to whom he couldn't make a commitment. He recalls the battles he'd had with his parents (Jack Warden, Barbara Bel Geddes), when he forsook college to become a musician and when he planned to evade the draft. And he remembers the "summertree" where he spent many of his happiest days before being shipped off to Southeast Asia. Based on Ron Cowen's off-Broadway play, Summertree has one or two compelling moments, but most of it is a compendium of 1970s movies cliches, right down to the fragmentary storyline and "hip" photography. ~ Hal Erickson, Rovi

In this comedy drama, an ingenious young woman from the Bronx impersonates a socialite so she can con a confused old man out of his money. ~ Sandra Brennan, Rovi

In this mystery, ace-detective Bancek looks into the case of a missing coin valued at $3-million. The priceless object was stolen from a hotel vault. ~ Sandra Brennan, Rovi

This 1973 episode features Brenda Vaccaro, the then girlfriend of series costar Michael Douglas (Steve Keller), as rookie SFPD officer Sherry Tate. When her roommate, likewise a cop, is murdered while tracking down an elusive rapist, Sherry volunteers to act as bait for the killer. Even after Stone (Michael Douglas) orders her off the case, Sherry persists in her efforts to nail the murderer all by herself--with shocking results. Intriguingly, this episode was directed by Lawrence Dobkin, who had played a demented serial killer in the two-hour Streets of San Francisco pilot film. ~ Hal Erickson, Rovi

In retaliation for the death of his son, a big-time hoodlum hires an expert female assassin known as Sydney to murder the three thugs responsible. At the same time, SFPD detective Keller (Michael Douglas) becomes romantically involved with his attractive new neighbor (played by Douglas' then-girlfriend Brenda Vaccaro. In this case, the viewer is way ahead of the detective: Keller's sweetheart is none other than the elusive Sydney. ~ Hal Erickson, Rovi

The Big Rip-Off was the pilot film for Tony Curtis' shortlived TV series McCoy. Curtis plays a sly but basically decent con artist who is engaged to recover $250,000 in ransom money from a recent high-society kidnapping. In the tradition of The Sting, Curtis uses scam tactics to get the money back--all the while keeping one step ahead from his own mobster creditors. Roscoe Lee Browne costars as Curtis' loyal assistant, a nightclub comedian, while Brenda Vaccaro guests as an investigate reporter who assists in the sting. When McCoy graduated to series status in the fall of 1975, Curtis and Browne were back, but Vaccaro was off to her own series, Sara. ~ Hal Erickson, Rovi

William Fruet directed this tense Canadian rape-revenge thriller which attempted to capitalize on the success of Wes Craven's Last House on the Left (1972). The film concerns a vacationing couple, Harry and Diane (Chuck Shamata and Brenda Vaccaro), who are terrorized in a remote house on a picturesque lake. Don Stroud leads the quartet of vicious psychos who break in and attack the pair, and when Harry is revealed to be a bit of a wimp, Diane takes matters of revenge into her own hands. Vaccaro and Stroud give much better performances than the material requires, and although Fruet's film is hardly as excoriating as its predecessor, it is altogether more polished. ~ Robert Firsching, Rovi

In this animated holiday outing, a good-hearted little donkey is the butt of many jokes because of his exceptionally long ears. Despite the constant ribbing, Nestor grows up to perform a very important task on the very first Christmas Eve. ~ Sandra Brennan, Rovi

Dear Inspector and Dear Detective were the English-language titles of Philippe De Broca's Tendre Poulet. Annie Girardot plays the old flame of Greek professor Philippe Noiret. The prof tries to rekindle the flames of passion, but Girardot seems curiously preoccupied. It turns out that she's a detective on the trail of a murderer. The film served as the basis for the 1979 American made-for-TV movie Dear Detective, starring Brenda Vaccaro and Arlen Dean Snyder. A DeBroca-directed sequel, Jupiter's Thigh, was filmed in 1979, again with Annie Girardot and Philippe Noiret. ~ Hal Erickson, Rovi