Philippe Uchan Movies

Directed by Bruno Podalydès (who helmed the "Montmartre" segment of the omnibus Paris, I Love You), Bancs Publics chronicles three intersecting stories in the city of Versailles: an office worker who hangs a banner reading "Lonely Man" beneath his window, the feuding families and couples in a busy town square, and the employees and customers of a local shop. This sprawling and droll exploration of the estrangement of modern life boasts a star-studded supporting cast that features a veritable who's who of French cinema, including Olivier Gourmet, Emmanuelle Devos, Mathieu Amalric, Chiara Mastroianni, Hippolyte Girardot, Pierre Arditi, and the grande dame herself, Catherine Deneuve. ~ Sandra Bencic, Rovi

In this 122-minute sequel to the 47-minute Versilles -- Rive Gauche (1991), the brothers Bruno and Denis Podalydes provide the central installment of their trilogy of films named after different Versailles train stations. Awkward Albert (Denis Podlydes), a balding nerdy sort, is a soundman working on a political campaign spot in Toulouse where Albert and his buddy Otto (Jean-Noel Broute) donate blood in order to connect with attractive nurse Sophie (Isabelle Candelier). Attending a nature-film premiere in Paris, Albert becomes so shaken by his desire for journalist-filmmaker Anna (Jeanne Balibar) that he begins vomiting, interpreted by Anna as a compliment. Cop Corinne (Cecile Gouillot) is also attracted to Albert. Shown at the 1998 Locarno Film Festival. ~ Bhob Stewart, Rovi

While most authors deal with writer's block at one time or another, Darius (Albert Dupontel) seems to have a worst case than most -- and has found a far more extreme solution. A playwright of note, Darius developed a drinking problem after his first major hit, and has taken time out from writing his follow-up to go to a clinic and dry out. After his release, Darius finds his producer has hired a leading lady for his next show, booked the theater and advertised the starting date -- all without Darius writing so much as a word of this new play. Darius desperately tries to come up with ideas, but nothing comes to mind, with an inflexible deadline staring him in the face. One day, Darius kills a neighbor's cat by accident; terribly depressed, he swallows some sedatives and falls asleep at his computer -- only to awake with the beginning of his play glowing on the screen. Darius is now convinced he must kill in order to create, and starts murdering an ever-expanding variety of creatures in order to satisfy his now bloodthirsty muse. Albert Dupontel wrote and directed Le Createur, as well as playing Darius; the film also features a cameo from former Monty Python member Terry Jones, as God. ~ Mark Deming, Rovi

Albert Dupontel directs, writes, and stars in freewheeling French comedy concerning a glue-huffing homeless man who earns an unexpected modicum of respect after coming into possession of a police uniform. Roland (Dupontel) was wandering the shores of the Seine when he noticed a man hurling himself into the churning waters below. Upon investigating the site from which the man leapt, the curious derelict finds that the jumper, presumably a policeman, had left behind his uniform and a suicide note. When Roland attempts to do the right thing and return the uniform to the police station, he is chased away by overzealous cops before he has the chance to explain what happened. Upon noticing a cafeteria that provides free meals to policemen, Roland decides to make the best of his situation by donning the uniform and ordering dinner. Later, when Roland meets a singing mother (Claude Perron) who is struggling to get her children back from the malevolent in-laws who object of her lifestyle and see her as unfit to parent, the uniformed drifter attempts to use his newfound badge for a good cause. ~ Jason Buchanan, Rovi

This charming motion picture relives the beautiful childhood memories of noted film director and writer Marcel Pagnol. While attending school in Marseilles, Marcel Julien Ciamaca daydreams about the nearby hills where he and his family spend vacations at a cottage. It is not enough to sojourn there over Christmas, Easter, and summer holidays; Marcel wants to be there all the time, to roam the fields, climb the rock faces, and enjoy other simple pleasures with his mother, father, and siblings. And then something marvelous happens. His mother Augustine (Nathalie Roussel) persuades his father Joseph (Philippe Caubere), a schoolteacher, to allow the family to spend each weekend at the cottage. Because they have no car, they must ride public transport part of the way, then walk the remaining five miles. However, a former pupil of Joseph's shows them a shortcut that crosses private estates and reduces the distance to only one mile. So the family enjoys weekend after wonderful weekend in the hills. Marcel plays with a country boy, picks thyme for the family's alfresco dinners, and meets a girl whom he rescues from spiders. Though she is an imperious little lass, Marcel is quite taken with her and even performs feats of derring-do to impress her. These carefree weekend outings continue until one day a heartless watchman charges the Pagnols with trespassing on an estate on their way to the cottage. Woe is Joseph. He believes his very proper school will fire him. But when the school officials call him in, they promote him! They know nothing of his trespassing, for Joseph's former pupil has tricked the watchman into dropping the charge. Then more good news comes; Marcel has won an academic prize. The film has a bittersweet ending in which Marcel, as an adult, reviews what has happened to the family members since those wonderful days when life was good and all was right with the world. ~ Mike Cummings, Rovi