Susan Tyrrell Movies

This western drama from the team that made True Grit -- director Henry Hathaway, screenwriter Marguerite Roberts. and producer Hal B. Wallis -- stars Gregory Peck as a gunfighter who served a seven-year stretch in prison after his partner turned on him during a bank robbery. Shortly after his release, he's saddled with the responsibility of looking after a six-year-old girl while looking for his old sidekick with revenge on his mind. ~ Mark Deming, Rovi

Hoss Cartwright's testimony results in a prison term for the husband of alcoholic dance-hall girl Jill Conway (Susan Tyrell). Motivated by a combination of resentment and desperation, Jill leaves her son Petey (Johnny Lee) in Hoss' care. At first prepared to adopt the abandoned boy, Hoss opts instead to give the dissolute Mrs. Conway a second chance. Also appearing are Arthur O'Connell as Dr. Hubert and Ford Rainey as Judge Simms. Written by Ward Hawkins, "Fallen Woman" first aired September 26, 1971. ~ Hal Erickson, Rovi

With a screenplay adapted by Leonard Gardner from his own novel, John Huston's drama examines the meager hopes and resigned dreams of small-time boxers. In limbo between retirement and his youthful prime, alcoholic farm laborer Tully (Stacy Keach) shacks up with fellow outcast Oma (Susan Tyrrell) and keeps trying to make a boxing comeback, but his personal demons repeatedly overpower his ambitions. Meanwhile, fellow Stockton, CA resident and budding fighter Ernie (Jeff Bridges) takes Tully's advice to join trainer Ruben (Nicholas Colasanto)'s gym and make something of himself. Learning the tough lesson that winning is not as easy as it sounds, Ernie is still determined to get what he can out of boxing and, unlike Tully, not let disappointments get the best of him. Shot on location in Stockton by Conrad Hall, the film maintains a realistic, slice-of-life view of Tully's and Ernie's struggles, eschewing theatrical boxing victories for psychological and social details. As Huston avowed at the Cannes Film Festival that Fat City's virtue was its "modesty," critics agreed that he had made his best film in two decades; and Tyrrell was nominated for a Best Supporting Actress Oscar. However, despite the praise and the efforts of producer Ray Stark, Fat City failed at the box office. Even so, its unromanticized depiction of modest wins and personal losses revealed that old Hollywood pro Huston had adapted well to the late '60s-early '70s New Hollywood grit, and the film revived his artistic standing. ~ Lucia Bozzola, Rovi

Based on Lillian Bos Ross' novel The Stranger and adapted by screenwriter Marc Norman 25 years before he would win the Best Original Screenplay Academy Award for 1999's Shakespeare in Love (along with Tom Stoppard), Zandy's Bride is a romantic Western starring (Gene Hackman) as gruff rural rancher Zandy Allan. Looking more for an extra hand around the ranch than a companion, Zandy sends for a mail-order bride from Sweden. Unfortunately for him, he doesn't get what he expected. When his bride, Hannah (Liv Ullmann), arrives she is anything but compliant, bearing a headstrong attitude that rubs Zandy the wrong way. Although he mistreats her at first, Zandy and Hannah fall in love as hardship hits and they must struggle together for their survival. Also starring Eileen Heckart and Harry Dean Stanton, Zandy's Bride was also released under the title For Better, For Worse. ~ Matthew Tobey, Rovi

To Kill the King is an obscure mid-1970s political intrigue film. It's so obscure, in fact, that if it hadn't been listed in TV Guide, it might have been written off as a fabrication. Filmed shortly after the Watergate debacle, the story contains several far-from-veiled references to that political disaster. An assassination in the higher echelons of government trickles down to the private sector, sparking plots and conspiracies that would shame the Borgias. For such a little-known film, To Kill the King boasts an impressive cast, including Patrick O'Neal, Susan Tyrrell and Barry Morse. ~ Hal Erickson, Rovi

The final film released under the Andy Warhol moniker (which Warhol executive produced) is a much more polished affair than Flesh, Trash or Heat, but preserves the oddball wit and eccentric flair that made those films so memorable. Directed by Warhol film editor Jed Johnson, Andy Warhol's Bad focuses on Hazel Aiken, a New York housewife who has to support a houseful of relatives on her own. She pays the bills by operating an electrolysis service out of her home and also by running a murder-for-hire service staffed exclusively by women that specializes in unsavory jobs like killing children and house pets. As a result of her latter job, she has to deal with unwanted attention from Detective Hughes, a corrupt cop who wants her to surrender one of her employees so he can make an arrest. Hazel's complex life grows even more difficult with the arrival of her nephew J.T. (Perry King), a sleazy layabout who wants to join her hit squad. As the bodies pile up around her, Hazel discovers that her cold-blooded take on capitalism and family values comes with a price she didn't imagine. Andy Warhol's Bad differs from previous Warhol productions because of its higher production values and Hollywood-friendly casting, but retains its sense of underground credibility thanks to a wild story line that trashes every taboo in arm's reach to create a memorably bizarre satire. Some sources erroneously list the year of release in 1971; it was in fact produced in 1976 and issued to theaters by Roger Corman's New World Pictures in 1977. The MPAA classified that version of the film with an X. It was later reedited to receive an R, which is the version available on video. ~ Donald Guarisco, Rovi

After a parade of top-heavy blockbusters (Papillon, Nicholas and Alexandra), director Franklin J. Schaffner retreats, like the Hemingway character of the film, to peaceful tropical serenity in Islands in the Stream (based on Ernest Hemingway's posthumously published novel). George C. Scott plays the rich, but world-weary writer Thomas Hudson, living on Bimini in the Bahamas, where he carouses, drinks, and fishes to his heart's content. Invading Hudson's paradise is a parade of the sons of his ex-wives. His oldest son Tom (Hart Bochner) succeeds in getting closer to his father, but the bonding comes to a halt as ripples from the encroaching conflagration of World War II intrude upon Hudson's retreat. Tom leaves the island to fight for the RAF. Then, one day, Hudson receives a visit from his ex-wife Audrey (Claire Bloom), who tells him that Tom has died in the war. Rejecting his insulated existence, Hudson decides to make a stand by agreeing to smuggle a group of Jewish refugees onto the island. ~ Paul Brenner, Rovi

In this animated futuristic tale, a pair of twins must fight for domination of what is left of the world, the good man using the powers of magic in an attempt to save the Earth, and the evil twin taking advantage of the horrors of technology that again threaten to destroy everything. ~ Iotis Erlewine, Rovi

Dyan Cannon stars in this film inspired by the true story of Sally Stanford, who rose from notoriety as the madam of a famous San Francisco brothel of the 1930s to winning election as the city's mayor in 1976. ~ Jason Ankeny, Rovi

Bert Convy is the lead fellow here who appears as a tennis pro who uses his fondness for matched points to his advantage as he plays stud-man to his wealthy female clients in order to gather funds enough for his own tennis club. This lame effort includes a cameo by tennis great Bjorn Borg and a lengthier appearance by the irrepressible Bobby Riggs. ~ Rovi

Oingo Boingo fans and midnight movie mavens will love this bizarre black-and-white feature packed with music, madness, and members of the Elfman clan. The story revolves around the Hercules family, who live in a house that just happens to hide a secret entrance to the Sixth Dimension in the basement. When daughter Frenchy (Marie-Pascale Elfman) skips school one afternoon, she finds herself irresistibly drawn to the forbidden door, and winds up a prisoner in this alternate world. King Fausto (Herve Villechaize), the diminutive leader of the Sixth Dimension, is enamored with the beautiful young Frenchy and keeps her in the same cell as his favorite concubines, despite the disapproval of Queen Doris (Susan Tyrrell). Frenchy's brother, Flash (Phil Gordon), follows her into the Forbidden Zone with Gramps (Hyman Diamond) in tow, intending to save her, but they too are captured and must call school chum Squeezit (Toshiro Baloney, aka Matthew Bright) for help. Squeezit tries to assist, but ends up captured and decapitated by Satan (Danny Elfman), though this development doesn't keep his disembodied noggin from flying about and informing King Fausto that the Queen is planning to dispose of his beloved Frenchy. The appearance of the King's first wife and the kidnapping of his topless daughter further confuse matters, but everything is wrapped up neatly with an elaborate song and dance number at the conclusion. ~ Fred Beldin, Rovi

Like the 1960 theatrical feature of the same name, the made-for-TV Midnight Lace was inspired by Matilda Shouted Fire, a novel by Janet Green. Mary Crosby stars as Cathy Preston, the role originally essayed by Doris Day in the 1960 film, while Gary Frank steps into the old Rex Harrison role as Cathy's husband Brian, a recording executive. Though convinced that someone is trying to murder her, Cathy is unable to persuade anyone else of the danger she is in; even her beloved Brian insists that his wife is merely hallucinating. By the time it becomes obvious that Cathy has indeed been targeted for death, it is nearly too late, thanks to the clever machinations of the heretofore well-hidden instigator of the plot. Also in the cast is Celeste Holm as Cathy's wealthy aunt Sylvia, a part played by Myrna Loy in the earlier version. The TV adaptation of Midnight Lace debuted February 9, 1981, on NBC. ~ Hal Erickson, Rovi

Against the wishes of both families, a poor boy (Matt Dillon) and a wealthy banker's daughter (Cindy Fisher) elope, only to discover that their immaturity and incompatibility may be the downfall of their relationship. ~ Jason Ankeny, Rovi