Zoe Trilling Movies

Though the direction of Hellbound is sometimes erroneously credited to editor Michael J. Duthie, the actual director was Aaron Norris, brother of the film's star, Chuck Norris. The story begins with the ritualistic murder of a Chicago rabbi. Detectives Shatter (Norris) and Jackson (Calvin Levels) are assigned to the case, and are compelled to follow the trail of evidence all the way to Israel (where the film was lensed in its entirety...even the Chicago sequences). Once in the Holy Land, Shatter and Jackson discover that the murderer is a centuries-old supernatural entity, a malevolent creature determined to "cleanse" the world. The premise is workable and Norris is in fine form, but the dialogue in Hellbound is too Ed Wood Jr.-esque. (Wait until you hear that conversation about a missing heart!) Filmed in 1992, Hellbound went directly to video in 1994. ~ Hal Erickson, All Movie Guide

After his work day ends, airline luggage-handler York Daley (Bill Pullman) has 90 minutes to run home, pick up his lover Nancy (Julie Brown), and return to the airport to catch an eight o' clock flight to Rio de Janeiro. A collection of colorful characters and bizarre mishaps guarantee that York's simple plan goes quickly and horribly wrong. ~ Jason Ankeny, All Movie Guide

Jumping fairly late on the slasher-movie bandwagon, this stylish but hollow effort from director Manny Coto stars L.A. Law's Larry Drake as the psychopathic Evan Rendell, who fancies himself a misunderstood medical genius. In an inventive opening scene, Rendell performs a bit of impromptu surgery on his keepers at the asylum (who had given him the title nickname due to his fits of nervous laughter) and escapes to his hometown to set up his "practice." This medical mania seems to run in the family, as we are shown in flashback: Evan's daddy once butchered several local women in his search for a replacement heart for his wife, and although he was unable to save her, Pops managed to spirit away young Evan and keep him safe (in a very, very nasty hiding place) before being lynched by the locals. Hiding out in the abandoned family home, "Dr. Giggles" begins a random killing spree in town with his bag of medieval-looking surgical instruments... but he finds new purpose when he sees the medical records of young Jennifer (Holly Marie Combs), who is in line for a heart transplant, and vows to "cure" her himself. This film eschews the possibilities of its demented premise, choosing instead to serve up a flavorless hash of '80s slasher clichés (wisecracking killer, stupid teenage victims, virginal heroine, 20-years-later motif, etc.). The only truly inspired moment occurs in flashback, when we discover the actual hiding place the elder Dr. Rendell chose for his son. ~ Cavett Binion, All Movie Guide

In this black comedy, a wealthy but flaky family tries to deal with their lives after their bizarre father suffers a fatal heart-attack on Thanksgiving and falls face first into the turkey. Now the family must somehow get their act together enough to pay bills and make funeral arrangements. ~ Sandra Brennan, All Movie Guide

John McNaughton's flawed but interesting follow-up to Henry: Portrait of a Serial Killer languished in distribution limbo for years before its brief theatrical run and subsequent video release. It presents a completely different breed of killer: an alien criminal who is exiled to life on Earth in human form. As if that weren't punishment enough, the creature's human guise is susceptible to frequent head-eruptions, creating the constant need for replacement heads. This leads to a grim and violent series of episodes in which the creature pops the tops of various citizens, ranging from a kindly, homeless eccentric (Antonio Fargas) to a lascivious doctor (Tony Amendola)... at one point, he even "borrows" the head of a dog! Following the trail of discarded heads are two cops (Rae Dawn Chong and Don Gordon), who eventually begin to suspect they're not dealing with the M.O. of the average serial killer. A few creative plot twists (particularly at the conclusion), grim atmosphere and generally good performances enliven this one-note material, which nevertheless fails to measure up to the harrowing, character-driven horror of McNaughton's acclaimed debut feature. ~ Cavett Binion, All Movie Guide

This drama chronicles the good deeds of a sociology student who after doing research into feminine crimes begins taking in teen-age hookers. It is based on a true story. ~ Sandra Brennan, All Movie Guide