Dorothy Tree Movies

A lawyer must make the most difficult decision of his life in this crime drama that begins when the attorney's son inadvertently kills his best friend. No one was around to see what happened and only his family is the wiser. But the death creates a rift in the family. His father wants him to confess while his mother begs him to stay quiet. Eventually she prevails and the father promises to keep the secret. Then he finds himself appointed to defend the innocent man accused of the killing. ~ Sandra Brennan, All Movie Guide

Lana Turner stars as an ambitious model who seeks her fortune in New York City. She is befriended by over-the-hill cover-girl Ann Dvorak, whose performance carries the story until she commits suicide twenty minutes into the film. Turner promises herself that she won't end up burned out like Dvorak, but as her fame grows, she is inexorably drawn into the hectic social whirl that sealed Dvorak's doom. Enjoying the favors of wealthy Ray Milland, Turner seeks out Milland's wife (Margaret Phillips), hoping to convince the woman to give up her husband. When she meets the crippled Mrs. Milland, Turner is made painfully aware of the length and breadth of the woman's love for her husband. Turner pulls out of the relationship, and we are encouraged to believe that hers will be a much happier and more fulfilling life than that of the unfortunate Ann Dvorak (ironically, in real life Ann Dvorak's final days were relatively contented ones, while Lana Turner spent her twilight years wondering where the looks, the men and the money had gone). Though not so noted in the credits, A Life of Her Own was inspired by The Abiding Vision, a novel by Rebecca West. Bronislau Kaper's musical score was later recycled for the 1951 MGM romantic drama Invitation. ~ Hal Erickson, All Movie Guide

The Asphalt Jungle is a brilliantly conceived and executed anatomy of a crime -- or, as director John Huston and scripter Ben Maddow put it, "a left-handed form of human endeavor." Recently paroled master criminal Erwin "Doc" Riedenschneider (Sam Jaffe), with funding from crooked attorney Emmerich (Louis Calhern), gathers several crooks together in Cincinnati for a Big Caper. Among those involved are Dix (Sterling Hayden), an impoverished hood who sees the upcoming jewel heist as a means to finance his dream of owning a horse farm. Hunch-backed cafe owner (James Whitmore) is hired on to be the driver for the heist; professional safecracker Louis Ciavelli (Anthony Caruso) assembles the tools of his trade; and a bookie (Marc Lawrence) acts as Emmerich's go-between. The robbery is pulled off successfully, but an alert night watchman shoots Ciavelli. Corrupt cop (Barry Kelley), angry that his "patsy" (Lawrence) didn't let him in on the caper, beats the bookie into confessing and fingering the other criminals involved. From this point on, the meticulously planned crime falls apart with the inevitability of a Greek tragedy. Way down on the cast list is Marilyn Monroe in her star-making bit as Emmerich's sexy "niece"; whenever The Asphalt Jungle would be reissued, Monroe would figure prominently in the print ads as one of the stars. The Asphalt Jungle was based on a novel by the prolific W.R. Burnett, who also wrote Little Caesar and Saint Johnson (the fictionalized life story of Wyatt Earp). ~ Hal Erickson, All Movie Guide

In this drama, based on a popular radio program, the leader of a ring of burglars suffers a blow to the head and loses his memory. Unable to remember anything about his past, he starts anew and becomes a psychiatrist. He never does stop trying to remember his past life, even while his present life continues to advance. He is soon made the head of the state parole board. There he gets entangled with former gang members, one of whom hits him in the head, again. Suddenly, he remembers. He gives himself up, but then receives a suspended sentence. ~ Sandra Brennan, All Movie Guide

Believe it or not, this bizarre wartime "B"-picture was based on a true story. In the early stages of WWII, a prominent American businessman offered one million dollars to anyone who could nab Adolf Hitler and bring him to justice, dead or alive. This real-life character is herein played by Russell Hicks; accepting his offer, no questions asked, are ex-convicts Ward Bond, Warren Hymer and Paul Fix. Joining the Canadian Air Force, the three heroes-by-default strong-arm their way into Nazi Germany, then gain access to Hitler by posing as musicians. Robert Watson, frequent Hitler impersonator during the war years, co-stars as Der Fuhrer, who turns out to be a craven coward once he's shorn of his postage-stamp mustache (we're not making this up.) The quasi-comic tone of the film turns dead serious at the end, as a wild-eyed Ward Bond makes a long patriotic speech while facing a firing squad (previously shown mowing down little children in their bedclothes!). One of the oddest scenes in the picture finds the three former convicts busting out of the Dachau concentration camp -- and this before the world at large was unaware of the horrors going on behind the walls of this infamous death factory. Only one quibble: Why are there shadows of flames playing against Bond's face in the final scene, when there isn't any fire? ~ Hal Erickson, All Movie Guide

In this crime drama, a remake of Heat Lightning(1931), a robber kills a bank teller during a robbery and then takes his wife, who believes he is a traveling businessman, on the road with him as he flees. He is eventually captured and sentenced. Meanwhile his wife returns to running a motel and gas station with her sister. Her drab daily existence changes dramatically when her husband escapes from prison three years later and forces her to protect him. In the end, he is finally captured by the dogged cop who has been pursuing him. ~ Sandra Brennan, All Movie Guide

Knute Rockne-All American was Pat O'Brien's finest hour: thanks to intensive rehearsals and numerous makeup applications, he so closely resembled the title character that, in the words of Rockne's widow, "I almost expected him to make love with me". The life of the legendary Notre Dame football coach is recounted from his childhood, when young Rockne (played by Johnny Sheffield) startles his Norwegian-immigrant parents by announcing at the dinner table that he's just been introduced to "the most wonderful game of the world." As an adult, Rockne works his way through Indiana's Notre Dame university, under the watchful and benevolent eye of Father Callahan (Donald Crisp) A brilliant student, Rockne is urged by Father Nieuwland (Albert Basserman) to become a chemist, or at the very least remain a chemistry teacher. Newly married to Bonnie Skilles (Gale Page), Rockne at first sticks to academics, but the call of the gridiron is too loud for him to ignore, and before long he has built his reputation as the winningest college football coach in America. One of his most significant contributions to the game is the invention of the tactical shift, inspired by the precision choreography of a team of nightclub dancers! Among the players nurtured by Rockne are the immortal Four Horsemen-Miller (William Marshall), Stuhlreder (Harry Lukats), Laydon (Kane Richmond) and Crowley (William Byrne), and of course the tragic George Gipp, superbly enacted by Ronald Reagan. His career continues unabated until his death in a plane crash in 1931. The screenplay of Knute Rockne-All American tends to be all highlights and little story, with several of the more dramatic passages telegraphed well in advance (just before her husband's death, Bonnie Rockne comments forebodingly "It's gotten cold all of a sudden"). Still, the film remains one of the best and most inspirational sports biographies ever made, with a heart-wrenching conclusion guaranteed to moisten the eyes of even the most jaundiced viewer. Ironically, the film's most famous scene, George Gipp's deathbed admonition to "Win one for the Gipper", was for many years excised from all TV prints due to a legal entanglement stemming from an earlier radio dramatization of Rockne's life; fortunately, this and several related scenes were restored to the film in the early 1990s. ~ Hal Erickson, All Movie Guide

The last of MGM's "Nick Carter" trilogy, Sky Murder is a tad too cute and clever for its own good, but its mystery angle holds up pretty well. Returning from a weekend party, amateur sleuth Nick Carter (Walter Pidgeon) boards a private plane, where urbane Fifth Columnist Andrew Hendon (Tom Conway) is murdered in a locked compartment. Suspicion immediately falls upon refugee Pat Evans (Kaaren Verne), who was being blackmailed into helping Hendon smuggle secrets to the Nazis. Dividing his time between the land and the air, Carter is eventually able to expose the real murderer, and to smash the Nazi spy ring for good and all (or at least until the next spy movie). The film is hampered by the excessive comedy relief of Carter's self-appointed assistant Bartholomew the Bee Man (Donald Meek), who once upon a time was an amusing character. Far better attuned to the film's framework is perennial dumb blonde Joyce Compton, here cast as deceptively scatterbrained female detective Chris Cross. ~ Hal Erickson, All Movie Guide

The Mysterious Miss X would have the audience believe that the very American Michael Whalen and Chick Chandler are a pair of stranded British vaudevillians named Neville and Casey. Further straining the film's credibility is the notion of our heroes being mistaken for Scotland Yard detectives. Rising to the occasion, Neville and Casey attempt to solve a murder in a backwater Midwestern town. The clues all seem to point to heroine Julie (Mary Hart, aka Lynne Roberts), much to the dismay of Neville, who's developed a crush on the girl. When a second murder occurs, Julie is in the clear, and the "least obvious suspect" (whom the audience tagged in reel one) is captured. A few scattered laughs are provided by radio comedienne Mabel Todd as a well-meaning buttinsky. Mysterious Miss X was directed by former "Our Gang" helmsman Gus Meins. ~ Hal Erickson, All Movie Guide

The old David Belasco theatrical warhorse Zaza, which starred Mrs. Leslie Carter way back in 1899, had already been filmed by Pauline Frederick in 1915 and by Gloria Swanson in 1923 when this Claudette Colbert version hit the screens in early 1939. Doing her own singing and dancing, Colbert plays the title character, a saucy fin de siecle Parisian cabaret performer who falls in love with wealthy rogue Dufresne (Herbert Marshall). Quitting show biz to be with Dufresne for all time, Zaza is taken aback to discover that he's already married. Sorrowfully she returns to the stage, singing a farewell to Dufresne before an audience that seems to include everyone in Paris. Bert Lahr steals the show as Zaza's zany but golden-hearted music-hall partner; in fact he's a lot livelier than the near-comatose Herbert Marshall, who seems preoccupied with more important matters throughout the film. Screenwriter Zoe Akins did her best to make the "naughty" Belasco original conform to the stringent censorship standards of 1939. Still, the Hays Office found plenty with which to nitpick: Commenting on Zaza's angry exclamation "Pig! Pig! Pig! Pig! Pig!", the Hays folks demanded "Delete two 'Pigs'." ~ Hal Erickson, All Movie Guide

The second film in the mystery series about a Chinese sleuth, this one concerns the theft of the "Eye of the Daughter of the Moon," the largest star sapphire in the world, which is stolen from China and turns up in the possession of an unscrupulous gem collector, who receives a death threat containing clues to the potential murderer's identity and calls in Mr. Wong. During a game of charades, the lights mysteriously go out and the collector is shot, and the chase is on. ~ Steve Huey, All Movie Guide

Paramount's Café Society applies a glossy new coat of paint to a wheezy old plotline. Madeleine Carroll plays a debutante named Christopher, who after a whirlwind courtship marries newspaper photographer Crick O'Banion (Fred MacMurray). But when Crick finds out that he's been rushed to the altar so that Christoper can win a bet with society columnist Sonny DeWitt (Allyn Joslyn) he vows to teach her a good lesson. With the sub rosa help of Christopher's wealthy uncle (Claude Gillingwater Sr.), Crick contrives a latter-day "Taming of the Shrew" scenario. It's all been done before and would all be done again, but the stars are attractive and the production values top-rank. ~ Hal Erickson, All Movie Guide