David Tree Movies
David Tree came into this world with about as fine an acting pedigree as anyone in history, and only a war injury prevented him from enjoying a longer, more important career on-stage or before the cameras. Born David Tree Parsons, he was the son of Alan Leonard Romaine Parsons and Viola Tree, who was the daughter of England's foremost actor of the late 19th century and early 20th century, Sir Herbert Beerbohm Tree and of Lady Tree. Born in 1915, Tree amassed several good acting credits as a boy, making his debut, at age six, with a role in his mother's revival of The Tempest. He was educated at Eton and made his adult acting debut in 1934 in Antony and Cleopatra. Over the next few years, Tree worked at the Old Vic, the repertory company of the Playhouse, Oxford, and other companies. He was well received critically for his portrayals of Ferdinand in The Tempest and Feste in Twelfth Night, among other roles. He entered films in the mid-'30s and, from the outset, had a promising future onscreen, starting with important supporting roles in movies such as The Return of the Scarlet Pimpernel (1937) and Zoltan Korda's The Drum (1938), in which he played the key role of Lt. Escott. His screen career accelerated considerably when he was cast in Gabriel Pascal's production of George Bernard Shaw's Pygmalion (1938) (co-directed by Anthony Asquith) as Freddy Eynsford-Hill, who becomes the romantic partner of Wendy Hiller's Eliza Doolittle. Asquith later used Tree as the lead in his film version of Terence Rattigan's comedy French Without Tears (1939). Tree was equally good playing men of action, such as McKenzie in Tim Whelan's superb thriller Q Planes, or gently comedic romantic leads, as in Pygmalion. He worked in such major British productions as Goodbye, Mr. Chips (1939) during the run up to the outbreak of the Second World War, and had the role of Charles Lomax in Major Barbara (1941). He interrupted his career to join the British war effort, however, serving in the Royal Artillery, where he lost an arm. He abandoned acting after returning to civilian life to become a farmer and wasn't seen again in movies until the early '70s when a friend, director Nicolas Roeg, persuaded Tree (by then, in his late fifties and had been out of acting for 30 years) to take the role of Anthony Babbage in his thriller Don't Look Now (1973). That was his last screen appearance. ~ Bruce Eder, RoviA married couple is haunted by a series of mysterious occurrences after the death of their young daughter in this enigmatic chiller. Based on a story by Daphne du Maurier, whose works inspired Alfred Hitchcock's Rebecca and The Birds, the film centers on Laura and John Baxter (Donald Sutherland and Julie Christie), who have recently relocated to Venice so that John can oversee the architectural restoration of an old church. Both hope that the change of environment will allow them to forget the recent tragic demise of their child, but they instead find themselves surrounded by reminders of death, as the city attempts to deal with a series of unexplained murders. The eeriness intensifies when they encounter a blind psychic and her eccentric sister, who promise to contact her daughter's spirit. Laura embraces the idea, but John remains skeptical until he experiences his own visions: fleeting glimpses of someone in a red coat similar to one that belonged to his daughter. ~ Judd Blaise, Rovi
- Starring:
- Julie Christie, Donald Sutherland, (more)
George Bernard Shaw's satiric comedy about wealth and poverty is brought to the screen with wonderful performances by Rex Harrison and Wendy Hiller. Hiller plays Major Barbara Undershaft, a major in the Salvation Army who is also a socialist and stridently attacks capitalists -- in particular her father Andrew (Robert Morley), the head of a munitions plant. In love with Barbara is the young Greek scholar Adolphus Cusins (Rex Harrison), whose attentions go unreturned since Barbara spends all her time on her crusade against wealth. To show up his daughter, Andrew donates 50,000 pounds to the Salvation Army which, to Barbara's horror, the Army's general (Sybil Thorndike) happily accepts. Barbara, in protest, quits her post and it is left to Adolphus to take her on a tour of her father's munitions plant and prove to her the benefits of capitalism. ~ Paul Brenner, Rovi
- Starring:
- Wendy Hiller, Rex Harrison, (more)
A delightful film that begs to be rediscovered, Return to Yesterday was adapted from Goodness, How Sad, a play by Robert Morley. Clive Brook is ideally cast as Robert Maine, a famous movie star who longs for the simpler days before he became the idol of millions-and before he was trapped into a loveless marriage with his present wife. Maine takes a sentimental journey to the provincial repertory theatre where he got his first break, only to discover that the little troupe is teetering on the edge of bankruptcy. Without revealing his true identity, he joins the actors and helps to get them over their financial hump. He also happens to fall in love with ingenue Carol Sande (Anna Lee, the wife of director Robert Stevenson), but realizes eventually that she will be better off without him. Dame May Whitty heads the hand-picked supporting cast as Mrs. Truscott, the troupe's garrulous character woman, who is wise enough not to say anything when she overhears Maine letting Carol down gently by replaying a scene from one of his earlier stage triumphs. Long ignored by movie historians, Return to Yesterday was given an honored spot in William K. Everson's affectionate volume Love in the Film (1979). ~ Hal Erickson, Rovi
- Starring:
- Clive Brook, Anna Lee, (more)
This British spy thriller concerns the theft of valuable aircraft secrets by enemy agents. Laurence Olivier plays a firebrand test pilot who falls under suspicion when several planes disappear. Costar Ralph Richardson steals the film as a seemingly befuddled secret service operative assigned to the case. Despite its topicality (the film was made in 1939, when Europe was bracing itself against the possibility of war), Q Planes is played with the tongue-in-cheek bravado of a "Boy's Own Paper" tale. Q Planes was released in the US as Clouds over Europe. ~ Hal Erickson, Rovi
- Starring:
- Laurence Olivier, Ralph Richardson, (more)
A mischievous urchin enlists the aide of his buddies to help get his father elected to the city council. Unfortunately, the children find themselves accidently involved in helping two jewel thieves escape. They feel bad about this, and so, to redeem themselves, begin investigating a rival candidates illegal conspiracy. Their involvement causes the boy's father to win the election. ~ Sandra Brennan, Rovi
Goodbye, Mr. Chips, based on James Hilton's novel, is a melodrama about a shy British teacher named Mr. Chipping (Robert Donat) who devotes his life to teaching "his boys" after the death of his lovely, energetic American wife Katherine (Greer Garson). Told via flashbacks, the film features an aged Mr. Chipping looking back nostalgically at his long career, taking note of the people who've touched his life over the years. Donat was the recipient of a Best Actor Oscar for his portrayal of the title character, and the film features the debut performance of a young Garson. ~ Matthew Tobey, Rovi
- Starring:
- Robert Donat, Greer Garson, (more)
This Anglo-American coproduction was based on the popular West End stage comedy by Terrence Rattigan. It all begins when Diana (Ellen Drew), the sister of a British boy studying in France, arrives in town to flirt with all of her brothers' schoolmates. Alan (Ray Milland), one of the students, successfully resists Diana's charms-meaning of course that Alan and Diana will be in each other's arms by fadeout time. Much of the wit and zest of the original stage production has been blunted for the screen, moving one critic to describe French Without Tears as "Comedy Without Laughs". In all fairness, however, the film does boast a hilarious drunk scene in a musty old French wine cellar. ~ Hal Erickson, Rovi
- Starring:
- Ellen Drew, Janine Darcey, (more)
In this romantic comedy, a humble country girl lives her life in the ramshackle mansion of her aged uncle. Feeling sorry for her "poor" relation and selflessly keeping him company until he dies, she is later shocked to learn that he has left her an enormous fortune. One might think such a windfall a dream come true, but not for the girl. Things immediagely go wrong when her fiance, the town doctor, wanting to focus on his career, refuses to abandon his patients and go galavanting across Europe. Angrily, she goes anyway and finds herself surrounded by gigolos more interested in her assets than in her perosonality. This causes her to reasses her new values and return to the man who loves her for herself. ~ Sandra Brennan, Rovi
- Starring:
- Merle Oberon, Rex Harrison, (more)
Leslie Howard and Wendy Hiller star in Anthony Asquith's and Leslie Howard's classic version of George Bernard Shaw's satiric comedy. Henry Higgins (Howard) is an upper class phonetics professor who encounters low-class guttersnipe Eliza Doolittle (Hiller) and bets his friend Colonel Pickering (Scott Sunderland) that he can pass her off as a duchess within three months. Pickering accepts Higgins' bet, with Eliza readily agreeing to the proposal, since she will get to live in Higgins' fancy home. Once in Higgins' house, Eliza is subjected to intensely repetitive phonetics lessons in an effort to transform her Cockney accent into the speech of proper English. Things are a bit rocky at first, with Eliza blurting out "Not bloody likely" at a tea party. But when Eliza is presented at the Ambassador's Ball, she is not only accepted as a princess but is the talk of the ball, everyone in attendance commenting on her charm, beauty, and poise. Relishing his success, Higgins abruptly dismisses her. But Eliza has fallen in love with Higgins and is aghast at her cursory treatment by him. She tells him, "I sold flowers. I didn't sell myself. Now you've made a lady of me, I'm not fit to sell anything else." When Eliza leaves, Higgins realizes that he loves her too, but Eliza has announced to Higgins that she plans to marry high society playboy Freddie Eynsford-Hill (David Tree). ~ Paul Brenner, Rovi
- Starring:
- Wendy Hiller, Leslie Howard, (more)
The Drum is an opulent Technicolor "British India" epic, based on a story by A.E.W. Mason (of Four Feathers fame). Teenaged actor Sabu stars as a young East Indian prince educated in England. By rights, his loyalties should lie with his countrymen, but in typical "Sun Never Sets" fashion most of the other Indian characters are as evil and untrustworthy as Prince Guhl (Raymond Massey). Guhl plans a revolt against the British, intending to wipe out the Royal troops as the English officers enjoy the hospitality of Guhl's spacious palace. It's up to Sabu to warn the troops of Guhl's treachery by means of tapping out a message on the drum of the title. In the US, The Drum was released as Drums, on the theory (according to film historian Alan Barbour) that Americans must have more of everything. ~ Hal Erickson, Rovi
- Starring:
- Sabu, Raymond Massey, (more)
In this drama the trouble begins when a young woman marries and her ruthless, but wealthy father, a shipping magnate, cuts her off because he disapproves of the match. When his son marries, the father throws the bride's father off his board of directors. The enraged son, roars off in his car and accidentally hits a man. He is then charged with manslaughter leaving the father to contemplate his actions and reconcile his family. ~ Sandra Brennan, Rovi
Marlene Dietrich and Robert Donat star in this gripping melodrama about the Russian revolution, based on the novel by James Hilton. Donat plays A.J. Fothergill, a British interpreter in St. Petersburg who is ordered to leave Russia after writing an article that criticized the czar. Fothergill meets a British secret agent who can arrange for him to stay in Russia if he will agree to spy for England and monitor revolutionary groups trying to depose the czar. Fothergill infiltrates a group planning to kill Russian nobleman Vladinoff (Herbert Lomas); the radicals bomb Vladinoff's coach, but he and his daughter, Alexandra (Marlene Dietrich) escape unharmed. Fothergill is arrested and sent to Siberia. When the monarchy is deposed during the Russian Revolution in 1917, Alexandra is arrested by Communist forces and put on trial. Fothergill is freed from prison with his friend Axelstein (Basil Gill), and they are now revolutionary heroes. Alexandra must go to Petrograd to face trial and Fothergill is chosen to escort her. When they reach the train station, Fothergill discovers the White Army (fighting to restore the czar) is coming. He leads Alexandra to safety behind the White Army lines, but the Red Army has surrounded the city and Fothergill, smitten with Alexandra, rescues her again before the city is shelled. ~ Paul Brenner, Rovi
- Starring:
- Marlene Dietrich, Robert Donat, (more)
The French revolutionary Robespierre vows to get revenge on the Scarlet Pimpernel who has been helping the aristocracy escape from the dreaded guillotine in this sequel to 1934's The Scarlet Pimpernel. To do so Robespierre kidnaps the Pimpernel's wife and takes her to France. Unfortunately, he is not clever enough for the roguish hero and he soon frees her. Together they return to England. ~ Sandra Brennan, Rovi
- Starring:
- Barry Barnes, Sophie Stewart, (more)
British musical-comedy star Jack Hulbert and Hollywood ingenue Patricia Ellis share top billing in Gaiety Girls (aka Paradise for Two). Hulbert plays Martin, a straight-laced Parisian millionaire who falls in love with saucy chorus girl Jeannette (Ellis). The plot requires that Martin pose as a reporter who is called upon by Jeannette to pose as her wealthy benefactor: in other words, he's hired to impersonate himself! With all this going on, it's a wonder that our hero has time to offer a few song-and-dance numbers of his own, but Jack Hulbert does not disappoint his fans. Billed fourth in Gaiety Girls is Googie Withers, whose name would mean a lot more at the box-office within a few short years. ~ Hal Erickson, Rovi
- Starring:
- Jack Hulbert, Patricia Ellis, (more)







