Karl Heinz Böhm Movies

This West German historical fantasy, based on the novel by Felix Pinner, examines what might have happened beginning in 1910 if the Ruhr valley steel mills had continued their normal civilian operations rather than being switched over to produce war materials. ~ Clarke Fountain, All Movie Guide

Mother Kusters (Brigette Kira) is the wife of a factory worker who goes beserk one day, killing himself and the boss' son. Mother finds herself a media celebrity, which only serves to make herself and her late husband look like idiots. Later, Mother is "adopted" by a Communist couple who wish to exploit her husband's "act of defiance" for their own purposes. Finally left alone, Mother Kusters decides to stop living off her husband's notoriety and turn into a human being again. Director Rainer Werner Fassbinder used the 1929 film Mother Krausen's Journey to Happiness as a springboard for his own mysoginistic slant on opportunism. The film hit a bit too close to home in his own country, where it was banned from entering the Berlin Film Festival. ~ Hal Erickson, All Movie Guide

Rainer Werner Fassbinder's adaptation of a late 19th-century novel by Theodor Fontane is an austere period piece that may be the least characteristic of the German director's films. The titular heroine, played by Fassbinder regular Hanna Schygulla, is a 17-year-old girl forced into a loveless marriage with an old count. Living as the aristocrat's trophy wife, Effi endures her provincial existence unhappily. Her circumstances lead to a brief affair with a young lieutenant that attracts the attention of the townspeople, but not her unsuspecting husband's. Years later, however, the count discovers the love letters between his wife and her lover. As dictated by convention, he challenges the lieutenant to a duel and throws his wife out of their home. The shamed Effi is forced to live by herself, shunned by society and spurned by her family. Effi eventually returns to her unsympathetic parents, who reluctantly take in their disgraced daughter. ~ Elbert Ventura, All Movie Guide

Martha is a wealthy and totally self-involved woman -- so much so that on a trip during which her father dies, she does indeed cry, but only because she lost her purse. She marries a stranger who claims not to be at all attracted to her, and their wedding is only the beginning of a battle between them to determine who will get the upper hand over the other. Martha holds her own in this genuinely sado-masochistic relationship, until a tragic accident paralyzes her. ~ Clarke Fountain, All Movie Guide

Originally L'Heure de la Verte, the French Hour of Truth Stars Brett Halsey, Corinne Marchand and Karl Boehm. At the end of World War 2, a Nazi escapes arrest by assuming the identity of concentration camp victim. 20 years later, he is threatened with exposure. The only way out would seem to be murder. Hour of Truth was lensed largely on location in Israel. ~ Hal Erickson, All Movie Guide

In this melodrama a prodigal son returns to his home village after he is acquitted of his stepfather's death to find that most of his former neighbors now shun him. At least his best friend sticks by him. Soon the young man finds himself drawn to his loyal buddy's lover. He and the woman have an affair. Later his friend finds out and vows to kill him. He cannot do it. At the same time, the young man cannot keep hurting his only true friend. As a result he spurns the woman, who runs off into the darkness and gets hit by a car driven by her first lover's mother's car. ~ Sandra Brennan, All Movie Guide

There's a rumor that the MGM executive who thought that Glenn Ford could fill Rudolph Valentino's shoes in the 1962 remake of Valentino's Four Horsemen of the Apocalypse would have been arrested had it been sufficiently proven that he was competent to stand trial. The World War I setting of the original Blasco-Ibanez novel has been updated to World War II, but the basic plot remains the same. A well-to-do Argentinian family, rent asunder by the death of patriarch Lee J. Cobb, scatters to different European countries in the late 1930s. Before expiring, Cobb had warned his nephew Carl Boehm that the latter's allegiance to the Nazis would bring down the wrath of the titular Four Horsemen: War, Conquest, Famine and Death. Ford, Cobb's grandson, has promised to honor his grandfather's memory by thwarting the plans of Boehm. At the cost of his own life, Ford leads allied bombers to Boehm's Normandy headquarters. As unsuited as Glenn Ford was for his role, co-star Ingrid Thulin was even worse: her Swedish accent proved so impenetrable that MGM was obliged to have Angela Lansbury dub Ms. Thulin's voice. A major misfire for director Vincente Minnelli, The Four Horseman of the Apocalypse was an expensive flop, forcing MGM to hope and pray that their upcoming epic How the West Was Won would save the studio's hindquarters (it did). ~ Hal Erickson, All Movie Guide

Too lugubrious and downbeat to come off as believable, this routine tragedy by director Yvan Govar contains several misunderstandings leading to multiple deaths. Gus (Karl Boehm) has just gone through a harrowing trial for the murder of his stepfather, and he was acquitted. Once back home again, he discovers that the townspeople still consider him to be a murderer. His one remaining friend soon loses that distinction when his girlfriend falls for Gus, and leaves him. That is bad enough, but then she is killed in an accident and as might be expected, everyone blames Gus. His situation goes from bad to much worse -- but the count of victims has not ended. ~ Eleanor Mannikka, All Movie Guide

Michael Powell's controversial meditation on violence and voyeurism effectively destroyed his career when it was first released, but later generations have come to regard it as a masterpiece. Karl Heinz Boehm stars as Mark, the son of a psychologist who kept a video journal of the boy's upbringing for research purposes. The constant intrusions profoundly affected the boy, who grew up to be a photographer himself; but his principal subject matter consists of women whom he murders before the camera. He then runs the films of his victims in their final throes so that he can study their reactions to death--a perverse extension of his father's experiments, which tormented Mark to analyze his reactions to raw fear. The British press had long been hostile to the unorthodox films of Powell and his partner Emeric Pressburger; when Peeping Tom came around, they used the film to castigate him as "sick" and tawdry. The passage of time has proven Peeping Tom as profound and accomplished as any of Powell's earlier films, and it ranks with Alfred Hitchcock's Rear Window (1954) and Vertigo (1958) as a landmark exploration of the links among voyeurism, violence, and male sexual desire. Powell himself plays the evil father in the flashback sequences, and his son Colomba plays Mark as a child. ~ Hal Erickson, All Movie Guide

In this war drama, three Nazi survivors are rescued after their battleship sank. Initially they are given heroes' accolades for their courage, but then it becomes apparent that these men actually jumped ship three hours before the boat sank. The men are tried and subsequently executed. ~ Sandra Brennan, All Movie Guide

Based on a novel by George Simenon, Le Passager Clandestin was one of the few French-Australian co-productions of the 1950s -- or of any decade, for that matter. Shot on location in Tahiti, the film stars Martine Carol as a stowaway on a naval vessel. She hopes to eventually be reunited with her former lover, but instead falls for a handsome ship's officer. The two men detest one another on sight, culminating in a deadly confrontation. With no one else left standing, Carol switches her allegiance to a feckless young sailor. One of Carol's amours is played by Karlheinz Boehm, who later gained international stardom as Karl Boehm. ~ Hal Erickson, All Movie Guide

Trouble rears its ugly head when the young emperor and empress of Austria arrive in Budapest for their coronation. ~ All Movie Guide