Deborah Theaker Movies

Two misfits struggle to make their way through the living hell that is high school in this independent comedy drama. Rodney (Ash Christian) lives in a small Texas town where most folks don't have much use for musical theater or much understanding of the gay lifestyle. Since the barely closeted Rodney wants little else besides a boyfriend and the leading role in a Broadway show, this doesn't make life easy for him, and he has only one close friend -- Sabrina (Ashley Fink), a smart and funny girl who happens to weigh nearly three hundred pounds. Sabrina encourages Rodney to embrace his inner "fat girl," and he finds someone who understands his dreams when he strikes up a friendship with Mr. Cox (Jonathan Caouette), the school's drama coach, who also does a mean Liza Minnelli impersonation in his spare time. Written and directed by leading man Ash Christian when he was only 20 years old, Fat Girls was screened in competition at the 2006 Tribeca Film Festival. ~ Mark Deming, All Movie Guide

The writing and directing team who created Waiting for Guffman and Best in Show turn their satiric eye toward the world of folk music in this sly mockumentary. Irving Steinbloom was one of the great behind-the-scenes figures of the folk music boom of the late '50s and early '60s, and helped to nurture the careers of three of the best known acts of the era. The Folksmen -- Mark Shubb (Harry Shearer), Alan Barrows (Christopher Guest), and Jerry Palter (Michael McKean) -- were an earnest folk trio who sang of America's noble past and the challenges of the future; they split up in the early '70s after a failed attempt to go electric. Mitch & Mickey were a duo in both music and life, comprised of Mitch Cohen (Eugene Levy) and Mickey Devlin (Catherine O'Hara). They sang soulful songs of love until the collapse of their relationship sent Mitch into a deep and incapacitating depression. And The Main Street Singers were a nine-piece vocal group -- a "neuftet," as they prefer it -- who offered energetic good-time music, cranking out nearly 30 albums in the course of a decade; their current incarnation, The New Main Street Singers (played by Jane Lynch, Parker Posey, John Michael Higgins, David Alan Blasucci, Steve Pandis, Christopher Moynihan, Paul Dooley and Patrick Sauber) is still on the road. When it is announced that the legendary Irving Steinbloom has died (the character never appears in the film), his son Jonathan (Bob Balaban) decides that the best way to memorialize his father is through music, and with the help of Mike LaFontaine (Fred Willard) of Hi-Class Management, they set out to bring The Folksmen, Mitch & Mickey, and The New Main Street Singers back together for a special concert at New York's Town Hall. Christopher Guest, Michael McKean, and Harry Shearer -- who previously teamed up for This Is Spinal Tap -- not only perform together as The Folksmen in A Mighty Wind, but composed most of the songs performed onscreen. ~ Mark Deming, All Movie Guide

In this Canadian Candide update, orphan Gordie (Jamie Shannon) lives with his hippie aunts at a quiet Porridge Glenn farm. When his beagle Speedoh is lost, a call from a psychic suggests a search in Toronto, where hayseed meets hooker wannabe Heidi (Sarain Boylan). She introduces him to two past-porn performers (Shelly Mars, Scott Thompson), the former stars of "Who's Afraid of Vagina Woolf?" Hick Gordie seems destined for street hustling and boogie nights after encountering a gay band that raises AIDS-research money by selling Gordie off to a sleazeball pimp (Alex Karzis). At this juncture, however, Heidi hatches a plan to reunite Gordie and Speedoh. Shown at the 1997 Vancouver and Toronto film festivals. ~ Bhob Stewart, All Movie Guide

The bulk of this domestic drama is comprised of video footage shot over the years by a boorish husband. Pieced together it forms a diary of a marital breakup that begins at a New Years Eve party. While David is taping, his wife Lily announces, right in front of the camera and everyone, that she wants a divorce. Utterly shocked, he asks her why and she tells him to look at all the videotape of their lives to discover the answer. What he finds does not reflect kindly upon his behavior. ~ Sandra Brennan, All Movie Guide

Hired to help locate a missing author, an insurance investigator discovers to his terror that the nightmarish events depicted in the writer's best-selling horror novels are coming true. Wishing to be both a horror film and a parody of the genre, John Carpenter's In the Mouth of Madness combines supernatural thrills with winking references. For instance, the vanished author, Sutter Cane (Jürgen Prochnow), is modeled on writers like Stephen King and Howard Phillips Lovecraft, from his great popularity to his obsession with small-town New England. Indeed, it is to one such hamlet that investigator John Trent (Sam Neill) and Cane's female editor (Julie Carmen) travel, discovering a town filled with terrifying scenes right out of Cane's books, from random axe murders to far worse. Have Cane's fans gone psychotic and begun imitating his writings, or are Cane's stories of an otherworldly evil invading the earth actually true? In the Mouth of Madness's mix of self-referential satire and real frights anticipates the later Scream (1996). ~ Judd Blaise, All Movie Guide

After 20 years of marriage, Steve Giardino (Alan Alda) and his wife Jackie (Ann-Margret) agree to a divorce in this situation comedy. The focus is on both of them as they suffer through matchmaking, blind dates, and their new life as eligible singles. Donna (Mary Kay Place) is Jackie's friend, while Mel Arons (Hal Linden) is the confidante of the vain but likeable Steve. Steven worries that he will never find anyone decent to date until he meets the pretty Dr. Kay Hutton (Veronica Hamel). Jackie is enamored with a sculptor (John Shea) before his glaring faults become too much for her. While Jackie's new relationship is on the outs, Steve prepares for a new life with Kay. ~ Dan Pavlides, All Movie Guide