Ann Blyth Movies
A radio singer at age 5, American actress Ann Blyth studied for an operatic career, making her debut in this endeavor with the San Carlo Opera Company. In 1943, at age 15, Ann was playing Paul Lukas' daughter in the Broadway production Watch on the Rhine; two years later she was under contract to Universal studios as the latest in that company's "threats" against their recalcitrant resident soprano Deanna Durbin. Blyth wasn't given anything close to a chance to show her talents until she was cast as Joan Crawford's hateful daughter Veda in Mildred Pierce (1945). For this performance, which ran the gamut from thinly veiled insults addressed at Crawford to the murder of her mother's paramour (Zachary Scott), she was nominated for an Academy Award. After recovering from a back injury, Blyth worked ceaselessly in films, alternating between sappily sweet parts in such fluff as Free for All (1949) and Sally and St. Anne (1951) and tougher assignments like the white-hot truculence expended in her portrayal of Regina Hubbard in Another Part of the Forest (1948). Perhaps the most off-kilter of her starring roles was in Mr. Peabody and the Mermaid (1948) wherein she played the female half of the title, spending much of the film in a state of (implied) toplessness. In 1954, she was finally permitted to display her beautifully trained voice in such musicals as The Student Prince (1954), Rose Marie (1955) and Kismet (1956). But when called upon to play a real-life songstress in The Helen Morgan Story (1957), she was dubbed by Gogi Grant! Helen Morgan Story was Blyth's final film role; she spent the rest of her career on stage, TV and in concert - and, in the late 1970s, she showed up as the surprisingly domesticated spokesperson for Hostess Cupcakes. ~ Hal Erickson, Rovi- 1985
Ann Blyth guest stars as Franchesca Lodge, an old friend of mystery writer Jessica Fletcher (Angela Lansbury). Recently married to a much-younger man named Scott (Stacey Nelkin), Franchesca has been terrorized of late by what seems to be the ghost of her first husband. Since Franchesca has had a history of mental problems and profound lapses of memory, the authorities doubt her "haunting" story--and when her second husband is murdered, those same authorities jump to the conclusion that Franchesca has gone completely insane and committed murder. Jessica of course refuses to believe this, and thus does the sleuthing commence! ~ Hal Erickson, Rovi
- 1983
Embarking upon their honeymoon, Quincy (Jack Klugman) and Emily (Anita Gillette) accept the invitation of an old friend, Judge Blake, to spend a "private" weekend at a ski lodge. Alas, the weekend proves anything but private when several other guests, all of them in the law-enforcement business, start pouring into the lodge. Making matters worse, an unknown maniac is murdering the assembled guests one by one--and a raging blizzard has cut off all avenues of escape. Yes, it's "Ten Little Indians", Quincy-style, with a dash of the 1932 film classic The Old Dark House thrown in via guest star Henry Gibson's portrayal of an inscrutably mute caretaker. ~ Hal Erickson, Rovi
- 1979
Don Ameche guest stars as Harry Whitehead, a retired magician whose protégé Mark Santini drowns while performing Whitehead's famous underwater-escape trick on a live TV special. Quincy (Jack Klugman) investigates the tragedy and unearths evidence of a possible murder scheme--while the elderly Whitehead prepares to perform the same stunt on another nationwide broadcast. This Columbo-style episode was originally scheduled to air on September 28, 1978. ~ Hal Erickson, Rovi
- 1969
This 90-minute episode from the TV series Name of the Game stars Robert Stack as Dan Farrell, senior editor of Crime magazine. Farrell takes a hand in the investigation of a murder at a "swinging singles" apartment. The victim is the mistress of Robert Lansing, one of Farrell's editors. Ann Blyth plays Lansing's wife, who despite her despair over her husband's pecadilloes urges Farrell to find the guilty party. Swingers Only was originally telecast January 10, 1969. ~ Hal Erickson, Rovi
- 1964
Clearly inspired by the then-current publicity blitz surrounding the Elizabeth Taylor film version of Cleopatra, this Twilight Zone episode was credited to scriptwriter Charles Beaumont, even though Jerry Sohl did the actual writing. Ann Blyth stars as Pamela Morris, a seemingly ageless movie queen. Determined to find out why Pamela is as beautiful as she was during the silent-film era, journalist Jordan Herrick (Lee Herrick) shows up at the actress' home for an interview. He ends up getting the story of his life -- which turns out to be a significant shorter life than that enjoyed by Pamela Morris. "Queen of the Nile" first aired March 6, 1964. ~ Hal Erickson, Rovi
- Starring:
- Ann Blyth, Lee Philips, (more)
Ann Blyth plays famed "torch singer" Helen Morgan, from her humble beginnings as a carnival dancer to the height of her nightclub fame in the 1920s. Helen spends most of her spare time anguishing over the on-and-off affections of her boorish boyfriend (Paul Newman), who had discovered Helen during her carnival days and promoted her to stardom. By 1927, Helen is headlining in her own nightclub, with further fame and fortune greeting her when she is cast as Julie in the blockbusting Broadway hit Show Boat. But when she realizes that her erstwhile boyfriend has been using her as a "meal ticket", Helen turns to drink. Losing her fortune to Revenue agents and the Stock Market crash of 1929, Helen hits rock bottom, ending up in the Bellevue alcoholic ward. Her boyfriend suddenly has a change of heart and declares his love for Helen, arranging for a lavish testimonial in her honor, hosted by Walter Winchell. The film ends at this point, suggesting that Helen Morgan is on the road to lasting success and happiness (tragically not the case in real life). For reasons unknown, Ann Blyth, an excellent singer in her own right, was dubbed in The Helen Morgan Story by songstress Gogi Grant. ~ Hal Erickson, Rovi
- Starring:
- Ann Blyth, Paul Newman, (more)
- 1957
The Buster Keaton Story is the sublimely inaccurate life story of immortal film comedian Buster Keaton, played by Donald O'Connor. The film begins with young Buster appearing in his parents' circus acrobatic act (the real Keatons never appeared in a circus, but were vaudevillians instead). After Buster's dad dies (an event that actually occurred when Keaton was in his 30s and already a star), the boy strikes out on his own. He makes it into silent films as a top slapstick comic (this much is accurate), but his private life is complicated by two loves, a "sweet" girl (Ann Blyth) and a wealthy temptress (Rhonda Fleming) (Buster was married three times, but not to either one of the ladies depicted in this film). When talkies come in, Buster is browbeaten by autocratic director Peter Lorre (all of Keaton's talkies were directed by Eddie Sedgwick, one of his best friends) and finds himself unable to handle dialogue (no comment). He turns to drink (true) and destroys himself in Hollywood (partly true). But through the love of good girl Ann Blyth, Buster makes a comeback in vaudeville, and finally decides to get married and settle down for the first time in his life (Buster did tour in vaudeville with wife Eleanor Norris, who was wife number three and whom he met nine years after the advent of talkies). The nicest thing about The Buster Keaton Story was that the amount Paramount paid Keaton for permission to film his "life story" ($50,000) was large enough for Buster to remain financially solvent for the rest of his life. ~ Hal Erickson, Rovi
- Starring:
- Donald O'Connor, Ann Blyth, (more)
- 1956
Anyone who thinks that tabloid journalism is an aberration of the 1980s should take a look at the 1956 release Slander. The film stars Van Johnson as a happily married, well respected TV kiddie show host who becomes the subject of an expose' from a Confidential style magazine. The publisher (Steve Cochran) has no qualms about ruining lives so long as it boosts circulation; nor is he concerned about libel suits, since everything he prints is a matter of record. The exposure of Johnson's minor-league criminal past leads indirectly to the death of his young son. But it isn't Johnson who metes out retribution to the publisher; instead, the avenging angel is the publisher's mother (Marjorie Rambeau), who kills her son rather than allow him to ruin more lives. Sincerely motivated, Slander is nonetheless as cheap and tawdry as the magazines it attacks. ~ Hal Erickson, Rovi
- Starring:
- Van Johnson, Ann Blyth, (more)
This fourth film version of the warhorse Edward Knoblock theatrical piece Kismet was based on the Broadway musical version of the same property. Howard Keel stars as Hadji, the poet of old Baghdad, who goes from beggar to millionaire in a single day. Hadji's daughter Marsinah (Ann Blyth) falls in love with the young Caliph (Vic Damone), while Lalume (Dolores Gray), the sexy wife of the despotic Wazir (Sebastian Cabot), sets her sights on Hadji. Meanwhile, the Wazir plots and plans to topple the Caliph from the throne and to add Marsinah to his own harem. Making periodic appearances is Omar Khayyam, played as a doddering old meddler by Monty Woolley. The Robert Wright-George Forrest musical score, based on themes by Borodin, includes such standards as "Baubles, Bangles and Beads", "This is My Beloved", "Stranger in Paradise" and "Not Since Ninevah". Though the dancing girls in the film are more modestly dressed than their stage counterparts, they are put through some fairly sensuous paces by choreographer Jack Cole. Kismet was good for another go-round in 1967, when it was adapted for television with Jose Ferrer, Barbara Eden, Anna Maria Alberghetti, George Chakiris and Hans Conried in the cast. ~ Hal Erickson, Rovi
- Starring:
- Howard Keel, Ann Blyth, (more)
- 1955
Director Robert Z. Leonard brought his 31-year association with MGM to a rousing close with The King's Thief. Set in England during the reign of Charles II (drolly portrayed by George Sanders), the film stars Edmund Purdom as Michael Dermott, who sets about to steal the crown jewels on behalf of his king. The current possessor of the gems is the wicked duke of Brampton, played with relish by a cast-against-type David Niven. Ann Blyth is a decorative heroine, while one of Michael Dermott's cohorts is played by a young, muscular Roger Moore. The plot of The King's Thief, purportedly based on fact, is merely an excuse for the nonstop swashbuckling of star Edmund Purdom. ~ Hal Erickson, Rovi
- Starring:
- Ann Blyth, Edmund Purdom, (more)
- 1954
Edmund Purdom plays Prince Karl, but Mario Lanza sings the bold tunes coming out of Purdom's mouth, in this MGM remake of the 1927 Ernst Lubitsch silent picture based on the renowned 1924 operetta by Sigmund Romberg and Dorothy Donnelly, which itself was based on the novel and play by Wilhelm Meyer-Foerster. Lanza was signed to play the German Prince of Heidelberg, but weight and temperament problems caused the director Richard Thorpe to use Purdom instead. Lanza's pre-recorded tenor tones come out of Purdom's lip-synching mouth in the many lusty tunes such as "Drink, Drink, Drink" and "Golden Days." Prince Karl's grandfather, the king (Louis Calhern), wants his sheltered grandson to see the world and sow a few wild oats before he returns to the marriage that has been pre-arranged with Princess Johanna (Betta St. John). The prince ends up in a tavern in Heidelberg and meets and falls in love with Kathie (Ann Blyth), the niece of the local innkeeper. But the King gets sick and dies, and Prince Karl must return to assume the throne. He can't have a peasant girl as his queen, so he must part with his secret lover. ~ Michael Betzold, Rovi
- Starring:
- Ann Blyth, Edmund Purdom, (more)
- 1954
1954's Rose Marie is the third film version of the 1924 Otto Harbach-Oscar Hammerstein-Rudolph Frinl operetta of the same name. Though not a completely faithful adaptation, this version is closer to the original than the (admittedly enjoyable) Nelson Eddy-Jeanette MacDonald version of 1936. Ann Blyth stars as Rose Marie Lemaitre, a hoydenish French-Canadian lass who is "tamed" by cheerful mountie Mike Malone (Howard Keel). At first, Mike is only interested in using Rose Marie to capture her sweetheart, renegade trapper Duval (Fernando Lamas), but eventually he falls in love with her, and she with him. Counterpointing the romantic main plot are the comic antics of Bert Lahr, who elucidates his sorry lot in life with the song "I'm the Mountie Who Never Gets His Man." The original Rudy Friml score is well in evidence, along with several new Friml compositions and a few extra tunes penned by Georgie Stoll and Herbert Baker. There's also a remarkable "Indian sacrifice" production number spotlighting a young Rita Moreno. Original Cinemascope prints of Rose Marie included a nine-minute prologue, wherein conductor Alfred Wallenstein led the MGM orchestra in a rendition of "Poet and Peasant Overture" (this was evidently inspired by the similar symphonic prologue which opened 20th Century Fox's How to Marry a Millionaire). ~ Hal Erickson, Rovi
- Starring:
- Ann Blyth, Howard Keel, (more)
- 1953
Previously adapted to film in 1923, Ben Ames Williams' rousing sea adventure All the Brothers Were Valiant was given the prestige MGM treatment in 1953. Robert Taylor and Stewart Granger star as seafaring siblings Joel and Mark Shore. When Mark disappears during a whaling expedition, Joel and his wife Priscilla Holt (Ann Blyth) set sail in search of his missing brother. They discover to their chagrin that Mark has become a conscienceless reprobate, a disgrace to his family. Not only does Mark make a play for Priscilla, but he foments a mutiny on board Joel's ship so that he may commandeer the vessel and embark on a search for a valuable bed of pearls. Eventually, one of the brothers comes to a literally sticky demise, with Priscilla looking on in wide-mouthed horror. Cast as Priscilla's father is that grand old trouper Lewis Stone, in his final film role. ~ Hal Erickson, Rovi
- Starring:
- Robert Taylor, Stewart Granger, (more)
Gregory Peck and Anthony Quinn play two seal-hunting rivals in this adventure film set in the days when Alaska was a Russian territory. Peck is adventuring seafarer Jonathan Clark, who falls in love with Russian Countess Marina Selanova (Ann Blyth) while the countess is in San Francisco fleeing an arranged marriage to the vile Prince Semyon (Carl Esmond). The Countess wants to hire a ship to take her to Sitka, AK, where her uncle, General Ivan Vorashilov (Sig Rumann), is governor. Portugee (Quinn) can't raise money for the voyage, so the countess agrees to sail with Clark, and the two quickly fall in love. But Prince Semyon sails into San Francisco just as Clark and the Countess are about to be wed, and the prince abducts her and takes her to Alaska, threatening to kill her uncle if she doesn't marry him. Clark and Portugee then agree to race to Alaska, with the winner getting the other's ship and the seal catch. Clark's boat wins the race, but the Russians arrest both the men as seal poachers. Countess Marina agrees to marry Semyon if he will order the seal hunters released. ~ Michael Betzold, Rovi
- Starring:
- Gregory Peck, Ann Blyth, (more)
- 1952
- NR
This Korean War drama is essentially a vehicle for RKO's top male star Robert Mitchum. He plays war-weary "Colonel Steve," obliged to contend with the North Korean forces while keeping troublesome UN official Linda Day (Ann Blyth) at arm's length. Some authentic Korean combat footage is well-integrated into the story. For all its talk about jet planes, Reds and atomic energy, the film is at base a redressed WW II drama. Good supporting performances are provided Charles McGraw as a tough sergeant and William Talman as a jet pilot. Reportedly budgeted at over two million dollars, One Minute to Zero had trouble making back its cost, despite the box-office pull of Robert Mitchum. ~ Hal Erickson, Rovi
- Starring:
- Robert Mitchum, Ann Blyth, (more)
- 1952
Young Sally Moyne (Ann Blyth) seldom makes a move in life without first consulting Saint Anne, patron saint of all young girls. Sally's faith in the efficacy of St. Anne has a salutary affect on all those in her orbit. It can also be said that Sally's tight relationship with her patron saint is of invaluable help in her family's Herculean efforts to save their home and hearth from the machinations of land-grabbing alderman Goldtooth McCarthy (John McIntyre). The sublime supporting cast includes Frances "Aunt Bee" Bavier and Otto Hullett as Sally's parents, Edmund Gwenn as her supposedly invalid grandfather, and Jack Kelly and Lamont Johnson as her looney brothers. One of the last of the "crazy family" comedies inspired by the success of You Can't Take It With You, Sally and St. Anne is also one of the best of its kind. ~ Hal Erickson, Rovi
- Starring:
- Ann Blyth, Edmund Gwenn, (more)
- 1951
The film traces Naples-born Caruso's ascension from adolescent choir singer to the uppermost ranks of the opera world. Caruso is brought to America, getting off to a bad start by inadvertently insulting the impresario (Carl Benton Reid) responsible for his Metropolitan debut. This complication has a happy outcome when Caruso marries his benefactor's daughter (Ann Blyth). Refusing to spare himself or to hold back his talents from his fans, Caruso's health fails him, and he dies in 1921 at the age of 47. Featuring no fewer than 27 musical numbers, Great Caruso also stars Mario Lanza as Caruso, as well as such operatic superstars as Dorothy Kirsten and Jarmila Novotna. ~ Hal Erickson, Rovi
- Starring:
- Mario Lanza, Ann Blyth, (more)
- 1951
Charlotte Hastings' West End stage hit Bonaventure was adroitly translated to the American screen as Thunder on the Hill. The bulk of the action takes place at convent, presided over by Sister Mary (Claudette Colbert). Circumstances -- namely, a dangerous rainstorm and raging flood -- dictate that the convent become a stopover for Valerie Carns (Ann Blyth), a convicted murderess who is being escorted to Death Row by a brace of guards. Slowly becoming convinced that Valerie is innocent, Sister Mary sets about to clear the girl and bring the genuine killer to justice. It goes without saying that said killer is also a reluctant guest of the convent. A superb shadow-laden climax in the convent's belltower caps this heart-pounding mystery meller. ~ Hal Erickson, Rovi
- Starring:
- Claudette Colbert, Ann Blyth, (more)
- 1951
Katherine "Katie" Standish (Ann Blyth) has been raised in a restrictive small town by her prudish Aunt Priscilla (Elizabeth Patterson). When Katie heads to New York to help out her improvident Uncle Nathaniel (Cecil Kellaway), she experiences an emotional and romantic awakening. The catalyst for all this is Greenwich Village artist Peter Van Arden (Mark Stevens), much to the dismay of Katie's nerdish hometown fiancé Stuart Grumby (Craig Stevens). The film's finale would be repeated with variations in 1967's The Graduate. Katie Did It was amusingly assembled by Frederick De Cordova, Universal's resident all-purpose director, who went on to produce and direct The Tonight Show during the Johnny Carson years. ~ Hal Erickson, Rovi
- Starring:
- Ann Blyth, Mark Stevens, (more)
- 1951
There's stock footage galore in The Golden Horde, a second-feature recreation of the Arabian Nights era. Sir Guy (David Farrar) defends Christianity by lopping off heads in Samarkand. Ann Blyth is the non-distressed princess who uses strategy to save her city from invasion--and to keep Sir Guy at arm's length, at least until the fade-out. Among the Mongols, one can glimpse such veteran villains as Henry Brandon and Marvin Miller, the latter as Genghis Khan Himself. The Golden Horde was run on TV on a near-hourly basis in the 1960s thanks to its garish Technicolor photography. ~ Hal Erickson, Rovi
- Starring:
- Ann Blyth, David Farrar, (more)
- 1951
I'll Never Forget You is an updated remake of 1933's Berkeley Square; both films used John L. Balderston's stage play as a launching pad. Tyrone Power stars as an American atomic scientist working in London. He lives in an ancestral home which dates back to the 18th century. Late one rainy evening, Power is struck down by lightning just as he enters his home. When he awakens, he finds himself transported back to the 1700s, in the person of his own ancestor. As he falls in love with his beautiful cousin Ann Blyth, Power tries to bring some 20th century technology to his "backward" forebears (this is a departure from the original Berkeley Square, in which the hero so loved the 18th century that he wanted to become part of it). Branded as a lunatic for his "hallucinations" of the future, Power is about to be carted off to Bedlam when he lapses again into unconsciousness. He awakens in his own time, to discover that his long-ago love Ann Blyth was so enamored of him that she died young, without ever marrying. At this point in the original play, the hero shuts himself off from the world, to await his ultimate reunion with his lost love in the afterlife. But I'll Never Forget You couldn't do that to virile matinee idol Tyrone Power, so the adaptors contrive to have him meet a woman who looks just like the girl he left behind 200 years ago. In the tradition of The Wizard of Oz, I'll Never Forget You opens in black and white, then switches to color when Power is sent back in time. ~ Hal Erickson, Rovi
- Starring:
- Tyrone Power, Ann Blyth, (more)
- 1950
Joyfully preparing for her high-school graduation, and her 18th birthday, Gail Macauley (Ann Blyth) stumbles across a family secret. Contrary to what she's been raised to believe, Gail's parents (Jane Wyatt, Donald Cook) are not her biological parents; she was adopted. Setting a precedent that would be followed by many adoptees of the 1970s and 1980s, Gail will not rest until she tracks down her natural mother. A soap opera deluxe, Our Very Own should not be too closely scrutinized in terms of plot and logic. It is best to revel in the performances by such surefire veterans as Ann Dvorak (as Gail's biological mother) and Gus Schilling (as a flustered television installer), and by such talented "youngsters" as Joan Evans, Phyllis Kirk and Natalie Wood. And as a bonus to Baby Boomers, the film offers a glimpse of the legendary "Indian Head" TV test pattern (yes, it goes back that far!) Our Very Own was written by F. Hugh Herbert, produced by Sam Goldwyn, and directed by David Miller, none of whom make a false move throughout the film's 93 minutes. ~ Hal Erickson, Rovi
- Starring:
- Ann Blyth, Farley Granger, (more)
- 1949
After the film-noir melodramatics of Lady in the Lake and Ride the Pink Horse, actor/director Robert Montgomery turned to comedy in Once More, My Darling. Montgomery plays a former movie idol hired by the government to woo a young heiress (Ann Blyth). Someone had previously given the girl some jewelry stolen by the Nazis during the war, and the government wants to find out who that someone was. In the grand tradition, Montgomery pursues Blyth until she finally catches him. Produced by longtime Alfred Hitchcock associate Joan Harrison, Once More, My Darling is more conservatively directed than Montgomery's earlier works, though the director earns at least one laugh by playing a clever editing joke. ~ Hal Erickson, Rovi
- Starring:
- Robert Montgomery, Ann Blyth, (more)
- 1949
Red Canyon was one of several medium-budget, Technicolor westerns turned out by Universal-International between 1949 and 1959. Howard Duff plays wandering cowpoke Lin Sloane, who spends most of the film trying to capture a fabled wild stallion. While thus occupied, he finds time to romance Lucy Bostel (Ann Blyth), daughter of the region's most influential horsebreeder (George Brent). Conflicts arise when Lucy intends to race the captured stallion, much to the dismay of her father; there's also a major brouhaha involving Sloane's disreputable family heritage. Red Canyon was adapted by Maurice Geraghty from a rugged novel by Zane Grey. ~ Hal Erickson, Rovi
- Starring:
- Ann Blyth, Howard Duff, (more)
- 1949
A pleasant comedy with serious undertones, Free for All stars Robert Cummings as erstwhile inventor Christopher Parker. Hoping to secure a patent on his latest invention--a formula that turns water into gasoline--Parker is flummoxed by yards and yards of governmental and bureaucratic red tape. He also faces formidable opposition in the form of avaricious oil-company executive Blair (Ray Collins). Thankfully, Peterson can occasionally seek comfort in the arms of Alva (Ann Blyth), fortuitously the daughter of sympathetic patent-office employe Mr. Abbott (Percy Kilbride). Within a few years, the heat generated by the House UnAmerican Activities Committee would preclude the on-screen depiction of a villainous oil executive (this particular stereotype would, however, stage a comeback during the energy crises of the 1970s). Outside of its satirical jibes, Free for All scores its biggest laughs when concentrating on the various eccentrics (Percy Helton, Harry Antrim et. al.) dwelling in Mr Abbott's gadget-laden boarding house. ~ Hal Erickson, Rovi
- Starring:
- Robert Cummings, Ann Blyth, (more)
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