Graeme Blundell Movies

The second prequel to the original Star Wars trilogy takes place ten years after the events depicted in Star Wars: Episode I -- The Phantom Menace. Now 20, young Anakin Skywalker (Hayden Christensen) is an apprentice to respected Jedi knight Obi-Wan Kenobi (Ewan McGregor). Unusually powerful in the Force, Anakin is also impatient, arrogant, and headstrong -- causing his mentor a great deal of concern. The pair are ordered to protect Padme Amidala (Natalie Portman), the former queen of the planet Naboo, now representing her world in the Galactic Senate. Someone is trying to assassinate her on the eve of a vote enabling Supreme Chancellor Palpatine (Ian McDiarmid) to build a military force that will safeguard against a growing separatist movement led by mysterious former Jedi Count Dooku (Christopher Lee). After another attempt on Padme's life, Obi-Wan and Anakin separate. The young Jedi and Padme fall in love as he escorts her first to the security of Naboo and then to his home world of Tatooine, where the fate of his mother leads him to commit an ominous atrocity. Meanwhile, Obi-Wan travels to the secretive planet Kamino and the asteroid-ringed world of Geonosis, following bounty hunter Jango Fett (Temuera Morrison) and his son, Boba (Daniel Logan), who are involved in an operation to create a massive army of clones. A vicious battle ensues between the clones and Jedi on one side and Dooku's droids on the other, but who is really pulling the strings in this galactic conflict? In late 2002, the movie was released in IMAX theaters as Star Wars: Episode II -- Attack of the Clones: The IMAX Experience, with a pared-down running time of 120 minutes in order to meet the technical requirements of the large-screen format. ~ Karl Williams, All Movie Guide

Low-down and earthy, this Australian comedy, the sophomore effort from director David Caesar, tells the tale of two jobless Sydney slackers who try to become bank robbers. Though they could be out looking hard for work, Kev and Mick prefer to wile their days away drinking beer and watching crime dramas on television. They only show motivation when they run out of suds, though Kev does occasionally take time have sex with his girlfriend Betty on the living room couch in between shows. Mick is attracted to Lani, the pretty virgin who works in their favorite drive-through liquor store. It doesn't take long for Mick to steal Lani away from her older brother's overprotective eye and become her lover. Shortly thereafter Mick and Kev, feeling they have learned all they can from the telly, begin plotting their first heist. Unfortunately, a pair of robbers dressed as clowns rob the boys' intended bank before they do and this brings in a pair of detectives. Throw in the obstacles presented by the neighborhood crime lord, and the stage is set for the story's darkly humorous conclusion. ~ Sandra Brennan, All Movie Guide

The life of a teen in an isolated small town is the subject of Australian writer/director John Duigan's film, set in 1962 in New South Wales. Duigan's coming-of-age story has many familiar elements -- Danny Embling (Noah Taylor) discovers his sexual attraction to a childhood playmate (Leone Carmen as Freya), he undergoes the taunts of bullies at his school, rages against the narrow-minded views of his parents and many of the townspeople, and comes under the influence of a sympathetic adult (Bruce Spence as Jonah, a would-be writer who lives in an abandoned railroad car). The twist is that Danny's rival for Freya's affections, Trevor (Ben Mendelsohn), is a Jewish jock who becomes Danny's friend by standing up to the bullies and treating Freya with more respect than the other boys do. Duigan, who had been making films in Australia since the mid-'70s, broke through to U.S. audiences with this film and its sequel, Flirting, in which Noah Taylor reprises the lead role. ~ Tom Wiener, All Movie Guide

Geoffrey Stubbs has been ignoring his sensual wife Dorothy's sexual needs for some time now. He has a full-time job running his butcher shop and has ambitions as a right-wing politician. Meanwhile, Dorothy has met a real hunk, a rock musician named Todd, who was at a demonstration of sexual appliances that she attended. Ever since then, he has loomed large in her erotic fantasies. The determined housewife eventually gets to bed the man of her dreams, but the experience leaves her unsatisfied. She's still friendly with him though, and he consents to entertain her guests at a big shindig held at her house. ~ Clarke Fountain, All Movie Guide

The Australian Foreplay is a belated continuation of the "Alvin Purple" movie series of the 1970s. The hero is a feckless 18-year-old named Alvin Purple (Gerry Sont). He gets into all sorts of trouble because of his irresistibility to the opposite sex. Evidently, Foreplay was popular enough "down under" to compel distributors to retitle the 1974 series entry Alvin Purple Rides Again as Foreplay the Prequel. Unrated, but chock full of sexual situations and strong language, Foreplay made its American debut via cable television. ~ Hal Erickson, All Movie Guide

This is the sort of comedy which the media tags with the label "high-concept." That means that the gimmick the movie hangs on is more important than the story, etc. In this case, the filmmakers are spoofing hospital soap operas, and the gimmick is that children are playing the authority figures (doctors and nurses), while adults are the helpless and victimized patients. Even high-concept notions sometimes succeed, but in this instance the concept is not treated with any particular integrity, and confusion about child/adult roles reigns supreme. Despite its flaws, reviewers found that this comedy contains a number of good and funny scenes spread (if rather too thinly) throughout. ~ Clarke Fountain, All Movie Guide

Melanie (Angela Punch McGregor) is a television talk-show hostess who is missing the excitement of a new romance in her life -- and has been in that state for a few months now. When she and her good buddy Tom (Graeme Blundell) get together for a dinner at her place to celebrate the 20th anniversary of their friendship, they have enough wine to accidentally end up together in her bed, and nature takes over from there. When they wake up in the morning, Melanie wants to forget everything and go back to their easy-going friendship, while Tom disagrees -- he rather likes the new situation. It does not take long for Melanie to discover that her solitary slip-up has gotten her pregnant. She wants the baby but is definitely averse to marriage, while Tom wants to make the baby legitimate. In the end, the two compromise by moving in together -- though the truce does not last for long. As their relationship bounces back and forth, Melanie -- in her sixth month -- agrees to get married. But then the couple have a dust-up on the night before the wedding and they split -- will that be for good? Will their final choice be marriage or friendship or a steady animosity -- or all three? ~ Eleanor Mannikka, All Movie Guide

In The Odd Angry Shot director Tom Jeffrey provides a cathartic Australian answer to Michael Cimino's The Deer Hunter. Australia's participation in the Vietnam War was as much of an alienating and soul-searching experience for Australians as for Americans, and Jeffrey's frank portrayal of a group of Australian volunteers casts the war in a different light from the perspective of a Cimino or Oliver Stone. The story concerns a corp of Australian elite soldiers -- the Special Air Service troops (the equivalent of the United States' Special Forces group) -- and the elite group's more pragmatic and hopeful attitudes -- whiling away the time in mindless diversions and cracking jokes. Then one of their own is killed and their feelings about the war suddenly change. ~ Paul Brenner, All Movie Guide

Early in his career, Australian director Bruce Beresford helmed Don's Party, which closely mirrors Shampoo in its basic premise and its edgy correlations between sex and politics. One pivotal election night, Don, played by John Hargreaves, throws a party for a group of friends, ostensibly so that everyone can watch the ballots roll in on television. But when booze is consumed in quantity, inhibitions are kicked downstairs. Particularly boorish under the influence of alcohol are Don's male friends, who indulge in a barrage of insulting verbal attacks on each other when they aren't trying to get each other's wives into bed. Unapologetically adult in its content and themes, Don's Party was adapted from a play by David Williamson; it marks one of the earliest classics of Australian New Wave cinema. ~ Hal Erickson, All Movie Guide

Alvin Purple (Graeme Blundell), the lothario hero of the Australian low-budgeter Alvin Purple (1974), "rides again" in this slapped-together sequel. This time, Alvin has more to contend with than the requisite beautiful girls who find him irresistable. It seems that there's an American gangster around and about, "Balls" McGee (also played by Graeme Blundell), who's the spitting image of our hero. The predictability of the plotline is enlivened by the film's unending stream of vulgar sight gags and scatological dialogue. ~ Hal Erickson, All Movie Guide

A hilarious sex romp about Alvin, an ordinary guy who works in a waterbed store in Australia. Remarkably, he is always pursued by over-sexed women, which constantly gets him into hot water. The film that created a market for Australian films worldwide. ~ All Movie Guide