Nora Swinburne Movies

Stefan Zelter (Oskar Werner) is a classical orchestra conductor who is sued for libel after statements made in a newspaper interview. He finds himself blacklisted and out of work and leaves his wife Antonia (Virginia Maskell) to be with the reporter Sally (Barbara Ferris). His wife nobly tells him he must never give up his music even though the two may never reconcile. This dramatic, romantic tearjerker has music by Beethoven, Brahms, Dvorak, Mozart, Tchaikovsky, and Rachmaninoff performed by the British Royal Philharmonic Orchestra. Comedian John Cleese has a straight role as a television publicist and Donald Sutherland plays the role of a mutual friend whose marriage is on the rocks. ~ Dan Pavlides, Rovi

Lilli Palmer stars as a nun in a World War 2-era Italian convent. At the risk of her own life and those of her cloistered colleagues, Palmer hides a group of Jewish orphans from the Nazis. She then attempts to shepherd the kids to the safety of foster homes. Danger looms in the form of Nazi colonel Albert Lieven, who isn't quite as sympathetic as the nuns. Costar Sylvia Syms has some of the film's best scenes. There's little in Conspiracy of Hearts that we haven't seen before, but the actors manage to inject humor, warmth and pathos into the all-too-familiar proceedings. ~ Hal Erickson, Rovi

Filmed on location in Switzerland, Walt Disney's Third Man on the Mountain was based on Banner in the Sky, a book by James Ramsey Ullman. James MacArthur plays a Swiss youth who vows to be the first to scale a formidable Matterhorn-like mountain called the Citadel. The fact that MacArthur's father was killed attempting a similar climb only strengthens the boy's resolve. Though discouraged by his mother and uncle, MacArthur prepares for his ascent by taking practice climbs with his friends, learning vital lessons about safety and cooperation along the way. Finally, MacArthur begins making his way up the Citadel in the company of four other hardy souls. The title is a giveaway as to who doesn't reach the top of the mountain first; even so, there's a happy, satisfying ending for the so-called "loser." The film's breathtaking full-color shots of the Matterhorn are brilliantly augmented by the matte work of the legendary Peter Ellenshaw. Watch for Helen Hayes, the mother of Third Man on the Mountain star James MacArthur, in an amusing cameo role. ~ Hal Erickson, Rovi

In this French suspenser, a tourist gets entangled in an easy money scheme. The trouble begins when the tourist offers a hitchhiker a lift. He is quickly knocked-out and left by the road. When he regains consciousness, he finds that he is in a strange house and cannot remember who he is or how he got there. The woman who owns the house sees the amnesiac tourist's presence as a way for her to get the money her late husband was supposed to receive. To do this, she convinces the poor fellow that he is the heir to the fortune. Fortunately the tourist figures it all out. ~ Sandra Brennan, Rovi

Rossana Podesta may not quite possess the face that would launch a thousand ships, but she is otherwise convincing in the title role of Helen of Troy. Filmed in Italy, this super-epic costars Jacques Sernas as Paris of Troy, who sails to Sparta to secure a peace treaty between the two powerful Greek city-states. When he falls in love with Helen, Queen of Sparta, Paris loses all sense of diplomacy. Helen is willingly "abducted" by Paris and spirited off to Troy, thereby sparking a long and bloody war, which culminates with the legendary Trojan Horse. Torin Thatcher costars as warrior leader Ulysses, while Sir Cedric Hardwicke plays Priam, the pacifistic king of Troy who is overwhelmed by circumstances beyond his control. Also on hand is Stanley Baker as Achilles (who ends up with an arrow you-know-where) and Niall MacGinnis as Helen's husband Menelaus. ~ Hal Erickson, Rovi

The River must be seen in its original Technicolor; it is difficult, if not impossible, to imagine anyone fully enjoying this wonderful film while watching a black-and-white TV print. Adapted by director Jean Renoir and Rumer Godden from Godden's own novel, the film is set on the banks of West Bengal. The central character is teenaged British girl Harriet (Patricia Walters), the offspring of a jute-mill owner (Esmond Knight) and his wife (Nora Swinburne). Harriet and her best friend Valerie (Adrienne Corri) harbor a crush for a dashing visitor named Captain John (Thomas E. Breen), who in turn is preoccupied with the hauntingly beautiful Indian girl Melanie (Radha Shri Ram). This languid state of affairs is shaken up by unexpected tragedy involving Harriet's impulsive brother (Richard Foster). The real star of the proceedings is the titular river, exquisitely color-photographed by Claude Renoir (Jean's nephew) and his Indian assistant Ramanda Sen Gupta. The apotheosis of Jean Renoir's lifelong fascination with India, The River served as a launching pad for the directorial career of Satyajit Ray, who met and befriended Renoir during the shooting of this film. ~ Hal Erickson, Rovi

Denied steady work in the U.S. because of his alleged left-wing political beliefs, Edward G. Robinson was obliged to seek out film roles elsewhere in 1950. My Daughter Joy stars Robinson as self-made businessman George Constantin, whose ruthlessness knows no bounds. In fact, Constantin hopes to control the economy of the world, thereby calling the shots for everything and everybody. Outside of his business activities, the only thing he cares about is his daughter Georgette (Peggy Cummins), known to everyone as Joy. As part of a scheme to gain a valuable material necessary for a top-secret project, Constantin arranges a marriage between Joy and the son of a Middle Eastern potentate. But Joy is in love with journalist Larry Boyd (Richard Greene), who has been conducting an investigation of Constantin's questionable business practices. Constantin has every intention of squelching his beloved daughter's happiness for the sake of megalomania -- until he is devastated by the revelation of a deep, dark secret long held by his wife (Nora Swinburne). My Daughter Joy was released in the U.S. as Operation X. ~ Hal Erickson, Rovi

Rising British star Sally Ann Howes was given a worthwhile screen vehicle with Fools Rush In. Howes plays Pamela Dickson, an impulsive young bride-to-be, while Guy Rolfe portrays her long-lost father Paul. Ostensibly a cad and bounder, Paul turns out to be just the opposite when he arrives for Pamela's wedding. The girl immediately drops her own wedding plans to arrange a reconciliation between her father and mother (Nora Swinburne). Screenwriter Geoffrey Kerr adapted the script from a play by Kenneth Horne. Fools Rush In is as light as a feather, but it pleases the crowd. ~ Hal Erickson, Rovi

The action in the British Marry Me! centers around a marriage bureau. Utilizing the "omnibus" approach made popular by such films as Quartet, director Terence Fisher relates the stories of four separate marriage-bound couples. The cast (including Derek Bond, Susan Shaw, Patrick Holt, Carol Marsh, David Tomlinson, Zena Marshall, Guy Middleton and Nora Swinburne) is quite appealing, and the production values are of the highest caliber. It would have been nice, though, to spend more time getting to know the individuals involved in the four playlets. Marry Me! is not a remake of the 1932 film of the same name. ~ Hal Erickson, Rovi

Good Time Girl, directed by David MacDonald and based on a story by Arthur La Bern (It Always Rains On Sunday) starts off unpromisingly, as juvenile justice official Flora Robson tries to keep a would-be female felon on the straight-and-narrow, telling the cautionary tale of Gwen Rawlings (Jean Kent). A victim of an unhappy home and her own stupidity, Rawlings leaves home and, with help from her sleazy new neighbor Jimmy Rosso (Peter Glenville, the future director), gets a job as a hat-check girl at a club run by Max Vine (erbert Lom). But Jimmy's jealousy soon gets him fired, and leaves him aiming for revenge on Max and Gwen. Despite the best efforts of Michael Farrell (Dennis Price), the one truly decent man she's ever met, Jimmy achieves his goal and Gwen is sent to a reformatory. It is there that she's truly corrupted by being locked up with more seasoned juvenile (and not so juvenile) felons, who know how to game the system -- whem she escapes, she's a professional criminal, and, taking on a new alias, falls in with a pair of loose-living gents. She manages to commit a vehicular homicide, and then falls in with a pair of American military deserters (Bonar Colleano, Hugh McDermott) who aren't above committing pre-meditated murder. ~ Bruce Eder, Rovi

The first of three well-received "omnibus" films hosted by Somerset Maugham, Quartet features four of Maugham's most celebrated stories, each introduced by the author himself. In "The Facts of Life," a seemingly innocent British youth (Jack Watling) is targeted for a shakedown by a beautiful adventuress (Mai Zetterling), while Basil Radford and Naunton Wayne perform their usual brilliant byplay. In "The Alien Corn," a young aristocrat (Dirk Bogarde) hopes to become a professional concert pianist. "The Kite" tells the story of a preoccupied inventor (George Cole) who places his hobbies ahead of his wife (Susan Shaw) as an indirect means of defying his dominating mother (Hermione Badderly). The film concludes with "The Colonel's Lady," wherein the title character (Nora Swinburne) embarrasses her stuffy husband (Cecil Parker) by publishing a torrid volume of romantic poetry. Each of the short tales in Quartet possesses its own mood, pace and rhythm, and each is a gem in its own right. The popularity of Quartet resulted in two more Maugham compendiums, Trio and Encore, not to mention the multistoried American film O. Henry's Full House. ~ Hal Erickson, Rovi