Hans Sundberg Movies
- 1995
This dark Swedish comedy-drama is based on director Mats Arehn's memories of his father. The story is told from Arehn's point of view when he was a child. Palle Hagmann, a 1940's Swedish vaudeville singer is popular. He would be really popular were it not for his reputation for lying and cheating. He rationalizes to his son by explaining the different kinds of lies available. He admonishes him that white lies should be saved for the self. Hagmann tells white ones frequently and with increasing regularity; they get him into trouble. Hagmann moves his family around frequently until they finally end up in the South of France attempting to manage a hotel. Despite Hagmann's largely self-created problems, he remains a devout optimist. Arehn's exploration of his father creates a tragic scenario that ultimately culminates in love and forgiveness. ~ Sandra Brennan, Rovi
In this drama set in a Scandinavian hospital in 1915, the individual stories of three pregnant women about to give birth are presented. The women come from a different social classes and have disparate views about the impending births. The middle-class woman married a servant of a wealthy family. She doesn't love her husband, nor does she care much about her child, whom she conceived out of spite. The baby is stillborn, and the woman sheds nary a tear. The second woman became wild and sexually irresponsible after she was seduced as a young woman by a much older man. Dividing her time between modeling and robbery, the woman ends up sleeping with the son of the family the middle-class woman's husband works for. The son is willing to support his bastard provided the wild woman marry his homosexual friend and pretend the child is his. She agrees. The third woman is introverted. As a youth, she had a short-lived lesbian affair in school. She then fell in love with an archaeologist who impregnated her. He refuses to acknowledge the child as his. This enrages the woman who joins a feminist movement and dedicates her life to removing the stigma of having babies out of wedlock. Of the three, she is the only one who really wants her child. ~ Sandra Brennan, Rovi
- Starring:
- Harriet Andersson, Gunnel Lindblom, (more)
- 1948
In this early feature from Swedish auteur Ingmar Bergman, Gosta (Bengt Eklund) is a sailor with the merchant marine who has decided to take some time off from sailing after eight years at sea. Working the docks until he can find a better job, one Saturday night Gosta visits a dance hall and meets Berit (Nine-Christine Jonsson), a beautiful but troubled young woman. Berit has a history as a juvenile delinquent and has served time in a home for girls, where she met her close friend Gertrud (Mimi Nelson). Berit soon becomes infatuated with Gosta, and his strong, well-grounded nature seems to be the stabilizing influence she needs. However, in time Gosta learns about Berit's checkered past and meets her mother (Berta Hall), who makes no secret of her contempt for her daughter. Gosta begins having second thoughts about his relationship with Berit after she unwittingly involves him in the death of Gertrud, who succumbs after receiving an illegal abortion. Hamnstad (aka Port of Call and Harbor City) marks the first time Bergman worked with cinematographer Gunnar Fischer, who would photograph many of his most memorable films of the 1950's. ~ Mark Deming, Rovi
- Starring:
- Ivine-Christine Jonsson, Bengt Eklund, (more)
