Brad Sullivan Movies

A certain high-profile murder which peripherally involved a well-connected political family was the obvious inspiration for this episode. Under orders from their higher-ups, Briscoe (Jerry Orbach) and Green (Jesse L. Martin) reopen a 20-year-old murder investigation. The principal suspect at the time was the spoiled teenaged son of a powerful U.S. ambassador (Remak Ramsay). The question: Considering the age of the suspect when the killing occurred, should he be tried in juvenile court even though he is now well into adulthood? ~ Hal Erickson, Rovi

One of the most intensely dramatic episodes in the history of NYPD Blue begins as the ex-wife (Debra Monk) of Andy Sipowicz (Dennis Franz) prepares to defend herself against a DWI charge. As this plot strand plays itself out (with indications that the story is far from over), Bobby Simone (Jimmy Smits) emerges from heart-transplant surgery. At first, his recovery seems imminent, but complications quickly ensue. Ultimately, Bobby's wife, Diane (Kim Delaney), is given the bad news: it is only a matter of time. While fans of NYPD Blue were well aware that this episode (which earned two Emmy awards) represented the final appearance of series star Jimmy Smits, few were prepared for its shattering conclusion. ~ Hal Erickson, Rovi

The longest-running show in the history of the American theater (it opened at an off-Broadway theater in the spring of 1960, where it remained until the production finally closed in early 2002) finally arrives onscreen. Hucklebee (Brad Sullivan) and Bellamy (Joel Grey) are a pair of small town fathers who are scheming to bring their children Matt (Joseph McIntyre) and Luisa (Jean Louisa Kelly) together in a romance. As a carnival arrives to bring some excitement to the sleepy village, the fathers persuade a mysterious interloper named El Gallo (Jonathan Morris) to stage a mock abduction of Luisa, which will hopefully prompt Matt to come to her rescue. However, while El Gallo's plan succeeds, he also awakens his innocent charges to the darker and more disappointing side of love. The Fantasticks was shot and edited in 1995, but beyond a few preview screenings, it went unreleased until the fall of 2000. The film marked the dramatic debut of former New Kids on the Block vocalist Joseph McIntyre, and features Teller (of the magic/performance art duo Penn & Teller) in a rare speaking role. ~ Mark Deming, Rovi

Poor Max Grabelski doesn't have any luck at all. What little he had runs out when local racketeers set the bungling delivery man up to take the fall for their money-laundering schemes. Sure enough, when the government agents arrive, he is found holding a package filled with loot. Not only that, but the Feds think he is the one who killed a notorious gambler/con artist. Max flees and ends up being mistaken, by six Boy Scouts, for the veteran mountain guide who is supposed to take them into the wilderness for a weekend campout. This slapstick comedy chronicles his crazy adventures as the lifelong city dweller tries to survive in the rugged new environment after he leads the trusting troop down the wrong trail to Devil's Peak. Comic mayhem ensues, but in the end, the young men and their new leader learn valuable lessons about themselves. ~ Sandra Brennan, Rovi

In Michael Moore's political satire, the U.S. president (Alan Alda) decides to wage a cold war against Canada in an attempt to reverse his slipping popularity, and, as a result, he drives a small group of incensed Canadians to take matters into their own hands. Alda is the first president in years not to lead his country into war, which naturally means that his approval rating is dangerously low. The sure-fire way to boost his popularity is to start a war and demonstrate American superiority. Unfortunately, as his advisors point out, the U.S. has run out of enemies. That is, until Alda's National Security Advisor Stuart Smiley (Kevin Pollak) happens to catch a segment on the news about a brawl at a Canadian hockey game that began when local American sheriff Bud Boomer (John Candy) made a remark about Canadian beer. This incident gives Smiley the notion to make the public believe that Canada is their new enemy. Determined to demonstrate the mighty power of America to the Canadians, Boomer gets a group of equally angry fellow Americans together to cross the border and perform the most serious of all Canadian crimes -- littering. However, the invasion is foiled and Boomer's numerous blunders threaten to turn a fabricated war into a real one. Written, directed, and produced by Michael Moore, Canadian Bacon takes lighthearted jabs at the differences between the U.S. and Canada, while also satirizing America's obsession with its military strength. The film features John Candy in his last complete screen performance. ~ Don Kaye, Rovi

In the sequel to the hit comedy Sister Act, Whoopie Goldberg reprises her role of Deloris Van Cartier, a Las Vegas entertainer who hid out with in a convent of nuns to avoid a nasty bunch of gangsters. In Sister Act 2: Back in the Habit, Deloris is persuaded to return to the convent by the Mother Superior (Maggie Smith), because her help is needed in teaching their choral students at St. Francis High in San Francisco. However, St. Francis is in a crisis, since the administrator running the school (James Coburn) is threatening to shut the place down. If the gospel choir wins first place in a singing contest in Los Angeles, St. Francis will be saved from the priest's plans. Though the plot is rather thin and derivative, Sister Act 2 is lighthearted fun, thanks to good musical numbers and winning performances from the cast. ~ Stephen Thomas Erlewine, Rovi

Barbra Streisand directed and stars in this love story about two people of dissimilar backgrounds who form a connection based on their unhappy experiences. Adapted from the novel by Pat Conroy, the story concerns Tom Wingo (Nick Nolte), a rudderless, unemployed football coach. Stuck in a loveless marriage with a wife (Blythe Danner) who feels nothing for him, and unable to move forward with his life, he is suddenly jarred out of his lethargy when he travels to New York because his twin sister (Melinda Dillon) has just tried to kill herself. In New York, he meets her psychiatrist, Susan Lowenstein (Barbra Streisand), who is married to a snobbish husband (Jeroen Krabbe). Susan and Tom become attracted to each other out of their loneliness. As his relationship with Susan blossoms, Tom learns to deal with his mother Lila (Kate Nelligan), who is the sole emotional center of his life. In the past, Lila was married to an abusive alcoholic. When she left her first husband, she married a rich man whose abuse was mental rather than physical. Tom hates Lila, but he can't free himself of his attachment to her. ~ Paul Brenner, Rovi

The directorial debut of producer Irwin Winkler, Guilty by Suspicion is a sobering account of one movie executive's woes in dealing with the political fallout from the McCarthy Era Hollywood blacklist. Robert De Niro stars as David Merrill, a film director in the 1950s whose obsession with his burgeoning career has estranged him from his wife Ruth (Annette Bening) and their son. When he returns from a trip to Paris, Merrill is surprised when told by his boss, Darryl F. Zanuck (Ben Piazza) that he's been summoned to appear before the House Un-American Activities Committee, which is investigating Communist ties to Hollywood. Although Merrill once attended a meeting years before, he's not a Communist, and he refuses to help the committee wreck the career of his friend Bunny Baxter (George Wendt). Merrill becomes blacklisted, unable to find work even in menial positions or under assumed names as the editor of a B-movie or the director of a low-budget Western. Reconciled with his family, Merrill caves in and agrees to testify, but as he prepares to "name names," his conscience plagues him. ~ Karl Williams, Rovi

This made-for-cable adaptation of the Tennessee Williams play documents the romance between a lonely Southern belle (Vanessa Redgrave) and a young drifter (Kevin Anderson). ~ Jason Ankeny, Rovi

The true-story of a small town Louisiana molestation case is re-created in this made-for-cable drama. When a couple learns that their young son has been molested by a popular parish priest, they are offered a bribe in exchange to keep the story quiet. They soon find out that their son wasn't the only victim, and they have to decide if they want to fight the Catholic Church. ~ Bernadette McCallion, Rovi

Co-produced by the folks from PBS' American Playhouse series, Signs of Life (alternate title: One For Sorrow, Two For Joy) stars veteran actor Arthur Kennedy as a cranky, set-in-his-ways Maine shipbuilder. Unable to keep apace with the 1980s, Kennedy is forced to close up shop. The film probes the various effects this decision has on Kennedy's employees. Beau Bridges has a wife (Kathy Bates) and four kids to support, with a fifth on the way. Kevin J. O'Connor would like to take a salvage-diving job in another state, but must first break off his long-standing relationship with waitress Mary Louise Parker. And Vincent D'Onofrio, who'd managed to find a job for his retarded brother Michael Lewis at Kennedy's establishment, is forced to consider having Lewis institutionalized. Though screenwriter Mark Malone isn't completely successful in avoiding the Obvious, there is much to cherish in Signs of Life. The film represented Arthur Kennedy's return before the cameras after ten years' retirement; after one additional performance in the independently produced Grandpa, Kennedy died in 1990 at the age of 76. ~ Hal Erickson, Rovi

The eponymous team consists of four residents of a New Jersey psychiatric hospital: ex-postal worker Henry Sikorsky (Christopher Lloyd), who fancies himself a doctor; one-time ad agency exec Jack McDermott (Peter Boyle), suffering from a Messiah/martyr complex; writer Billy Caulfield (Michael Keaton), who cannot abide the "idiots" in the world (namely, everyone but himself); and TV-obsessed Albert Ianuzzi (Stephen Furst). Permitted a field trip to a baseball game, the four unfortunates wander off when psychiatrist Dr. Weitzman (Dennis Boutsikaris) is waylaid by two corrupt police officers after he witnesses them killing a third cop. The innocent inmates are accused of attacking Dr. Weitzman, but it is they who team up to bring the actual culprits to justice. ~ Hal Erickson, Rovi