Shepperd Strudwick Movies

Two lawmen decide to find out if a life of crime pays better in this gritty action comedy. Joe (Joseph Bologna) and Tom (Cliff Gorman) are two friends who work for the New York Police Department, Joe as a beat cop and Tom as a detective. Both of them put their lives on the line every day for low wages in a city that seems to get crazier and more dangerous by the minute. One evening, Joe is on patrol when he stops into a liquor store, draws his gun and demands that the clerk hand over all the cash in the register. Joe walks out with more money than he usually makes in a week, and when he tells Tom what he's done, they agree that as policemen they can go anywhere and do anything, making it a cinch for them to become thieves. After striking a deal with a tough but vain gangster (John P. Ryan), Joe and Tom plan a robbery of a Wall Street securities firm that will net them a million dollars each, enough to get out of the suburbs and live as they please with their families for the rest of their lives. But the big heist takes a turn for the worse when some other criminals happen to hit the same building at the same time the cops are pulling off their robbery. Cops and Robbers was written for the screen by noted crime novelist ~ Mark Deming, Rovi

Featuring members of Chicago's distinguished Second City comedy troupe, this way-out sci-fi comedy tells the tale of a failed alien invasion. The basically friendly Monitors have come to Earth to take over and force humans to clean up their acts by forbidding them to engage in politics, violence and sex. Naturally humanity is not willing to give up its favorite pastimes, and earth's inhabitants stage a world-wide rebellion. Monitors was an attempt by the film equipment maker Bell and Howell to establish Chicago as a new center for filmmaking. Unfortunately, the film bombed and their attempt failed. Larry Storch plays a military madman, Keenan Wynn plays a stuffy general, and Ed Begley is the President of the United States. ~ Sandra Brennan, Rovi

Vic Powers (Lloyd Bridges) leads a specialized rescue unit known as the Flying Fish. When an American economics professor is kidnapped by a malevolent Latin American dictator, the call goes out to recover the victim. The unit is equally adept in or out of the water. Ricardo (Nico Minardos) is the resident beachcomber recruited to provide the team with valuable information vital to recovering the missing professor. The specialized unit travels by air, land and sea to meet their objective and races against time to avoid an international incident that could tip the balance of power in favor of the dictator. ~ Dan Pavlides, Rovi

While visiting the apartment house where she grew up, schoolteacher Helen Foley (Janice Rule) makes the acquaintance of a strange little girl named Markie (Terry Burnham). It gradually develops that Markie holds a clue as to the identity of the person who murdered Helen's mother many years earlier. Without saying any more, we can note that the supporting cast includes Sheppard Strudwick and Michael Fox; also appearing is a cute child actress named Suzanne Cupito, who enjoyed a substantial adult career under the name Morgan Brittany. Scripted by Rod Serling and graced with a subtly sinister musical score by Jerry Goldsmith, "Nightmare as a Child" was the April 29, 1960, installment of Twilight Zone. ~ Hal Erickson, Rovi

Every so often, the prestigious 1950s CBS anthology Playhouse 90 would digress from its "live" format and offer a sumptuously produced film presentation. One of these was the suspenseful 1958 offering No Time at All, a fascinating precursor to the Airport films of the 1970s. On a routine night flight from Miami to New York, an airliner loaded with passengers is suddenly plunged into darkness due to an electrical failure. Losing contact with the plane, the ground crew in New York worries that all on board may be lost--especially since the weather has turned ugly. In a brilliant dramatic device, the viewer never sees the plane in flight nor its passengers and crew: Instead, the play stays on solid land, concentrating on the reactions of the friends and families of those on board. This Playhouse 90 entry boasts perhaps the most impressive cast ever assembled for the series, among them dramatic actors Bill Lundigan, Jane Greer, Betsy Palmer, Sylvia Sidney and Keenan Wynn; comedians Buster Keaton, Chico Marx (with a Jewish accent), and Harry Einstein (aka "Parkyakarkus", and the father of contemporary comic actors Bob Einstein and Albert Brooks); and musical-comedy favorites Jack Haley (in a rare unsympathetic role) and Cliff Edwards (the voice of Jiminy Cricket in the 1940 cartoon feature Pinocchio). Also seen in the supporting cast is an up-and-coming young player named Charles Bronson, here cast as a sentimental boxer; and "Floyd the Barber" himself, Howard McNear--who, indirectly, is the hero of the piece. Long considered a "lost" film, No Time at All was made available on the home-video market in the early years of the 21st century, complete with the original commercials and a preview of the next week's Playhouse 90. ~ Hal Erickson, Rovi

In his second solo starring film after breaking with Dean Martin, Jerry Lewis plays cartoonist George Baker's classic GI misfit The Sad Sack. Lewis' constitutional inability to do anything right brings him under the scrutiny of gorgeous Army psychiatrist Phyllis Kirk. She discovers that Lewis possesses a photographic memory, making him valuable enough to be transferred to a top secret assignment in Morocco. Assigned along with buddies David Wayne and Joe Mantell to guard a new weapon, Lewis deviates from his task when he falls in love with sexy nightclub performer Lilliane Montevecchi. She spurns him, so the heartbroken Lewis deserts the army and joins the Foreign Legion. When enemy spy Peter Lorre discovers that Lewis has memorized the assembly instructions for the secret weapon, he and his minions kidnap Lewis, Wayne and Mantell. With the help of Montevecchi, Lewis thwarts the baddies and becomes a hero--but within minutes, he's fouled up again, so it's back to permanent KP duty. Jerry Lewis still needed a straight-man foil at the time of The Sad Sack so Paramount provided him with David Wayne and Joe Mantell. By the time Geisha Boy rolled around in 1958, Lewis was finally able to carry a picture by himself. ~ Hal Erickson, Rovi

This live Playhouse 90 episode dramatizes the life of celebrated Washington party-giver Perle Mesta, who had earlier served as the inspiration for the 1950 Irving Berlin Broadway musical Call Me Madam. The wife of prominent steel manufacturer and political adviser George Mesta (Robert Lowery, Perle (played as an adult by Shirley Booth) rises to prominence in the WW2 years by throwing lavish parties in which people who otherwise wouldn't have given one another the time of day were gently forced to commisserate like ladies and gentlemen. In recognition of her social achievements, Perle is ultimately appointed Minister to Luxembourg by President Harry Truman. Prominent in the supporting cast is gossip columnist Hedda Hopper, in rare dramatic role as Maizie Weldon. The real Perle Mesta makes an appearance in the closing segment. ~ Hal Erickson, Rovi

Crusading publisher Austin Spenser (Sidney Blackmer) wants to prove a point about the insufficiency of circumstantial evidence. Spencer talks his prospective son-in-law Tom Garrett (Dana Andrews) into participating in a hoax, the better to expose the alleged ineptitude of conviction-happy DA (Philip Bourneuf). Tom will plant clues indicating that he is the murderer of a nightclub dancer, then stand trial for murder; just as the jury reaches its inevitable guilty verdict, Spencer will step forth to reveal the set-up and humiliate the DA. Somewhat surprisingly, Tom eagerly agrees to this subterfuge. Unfortunately, an unforeseen event renders their perfectly formed scheme useless. Beyond a Reasonable Doubt was the last American film of director Fritz Lang. ~ Hal Erickson, Rovi

If ever there was an actor born to play Billy the Kid, it was the combustible Audie Murphy. In Kid from Texas, Murphy is cast as a relatively benign Billy. Hoping to put down his guns and go straight, the Kid takes a job as a ranchhand. When his kindly boss is murdered, however, all bets are off, and Billy goes on a killing spree. By the time he's reached the age of 21, he's killed 21 men -- and that's when sheriff Pat Garrett (Frank Wilcox) enters the scene. There's no romance to speak of, though Billy does develop a fondness for Irene Kain (Gale Storm), the wife of fair-minded attorney (Albert Dekker). While Kid from Texas scores as a character study (albeit none too accurate), it falls surprisingly short in terms of action content. ~ Hal Erickson, Rovi

Fred Astaire and Betty Hutton make a surprisingly copacetic screen team in Let's Dance. Hutton plays a more sedate role than usual as war widow Kitty McNeil. Not wishing to have her young son Richard (Gregory Moffatt) grow up in the stiff and stuffy environs of her Boston in-laws' mansion, Kitty sneaks off with the kid and resumes her prewar show-business career. She is reunited with her USO dancing partner Donald Elwood (Astaire), who hopes to give up performing in favor of the business world. Inevitably, Kitty and Donald resume their old act, while, equally inevitably, Kitty's Bostonite grandmother-in-law Serena Everett (Lucille Watson) sets the legal wheels in motion to gain custody of little Richard. Fred Astaire manages to match Betty Hutton's patented raucousness during the hillbilly musical number "Oh, Them Dudes", though he is given the opportunity to do the sort of dancing he does best--notably a brilliant routine atop and around a piano. ~ Hal Erickson, Rovi

Based on the Pulitzer Prize-winning novel by Robert Penn Warren, All the King's Men is a roman à clef inspired by the career of Louisiana governor Huey Long. Broderick Crawford won an Academy Award for his portrayal of Willie Stark, a backwoods Southern lawyer who wins the hearts of his constituents by bucking the corrupt state government. Journalist Jack Burden (John Ireland) is impressed by Willie's seeming sincerity, and aids Stark on the road to political power. Once he's reached the governor's mansion, however, Willie proves himself to be as dishonest and despotic as the crooks whom he's replaced. He also cheats shamelessly on his wife with both his campaign manager (Mercedes McCambridge, another Oscar winner) and with Anne Stanton (Joanne Dru), the sister of idealistic doctor Adam Stanton (Sheppard Strudwick). Fiercely protective of his power, Willie organizes a fascistic police force and arranges for "accidents" to befall those who oppose him; even so, he retains the love of the voters by lowering the poverty level, improving the school system, and financing building projects. Even when Willie all but orchestrates the suicide of Anne's uncle, a highly respected judge (Raymond Greenleaf), those closest to him are unable to escape his power and the charismatic hold he has over people. Stockton, CA, stands in for the unnamed state capitol where most of the film's action occurs. In addition to its Oscars for Crawford and McCambridge, All the King's Men won the Best Picture prize. Warren's novel would later be adapted into a stage play, a TV special, and even an opera. ~ Hal Erickson, Rovi