Leonard Strong Movies

Essentially a chase film from beginning to end, this standard adventure yarn by director Ronald Neame is set in "Zahrain," a barely-disguised Middle Eastern nation. Sharif (Yul Brynner) is a rebel who has taken up arms against the country's corrupt government and the forces of Western imperialism. Now he and a small party of supporters (one a kidnapped woman about to become a supporter) take off across the desert with soldiers in hot pursuit. As the group flees through untamed country, there are brief moments of respite but no immediate escape in sight. ~ Eleanor Mannikka, All Movie Guide

First telecast January 22, 1960, this Twilight Zone episode was adapted by Rod Serling from the famous radio play by Lucille Fletcher. In the original radio version, the protagonist was a young man named Ronald Adams, played by Orson Welles. Deducing that TV viewers would be more emotionally affected by a woman in distress, Serling rewrote the main character as Nan Adams, with Inger Stevens filling the role. While making a cross-country motor trip, Nan is terrified by the repeated appearances of a shabby-looking hitchhiker (Leonard Strong) who shows up at every turn and who seems to be beckoning her to. . .what? Classic line: "I believe you're. . .going my way." Listen for Eleanor Audley, in the climactic telephone-call sequence -- she also provided the voice of the wicked queen in the Disney theatrical feature Sleeping Beauty. ~ Hal Erickson, All Movie Guide

Escaped killer Joe Philips (Joe Maross) is hiding in plain sight as a worker at a Mexican construction site. Later on, another man is hired to work alongside Joe: Bret Johnson (Wayne Morris), who turns out to be the detective hired to bring Joe to justice. Things don't quite work out as planned, thanks to a near-disaster at the site -- followed by a daring rescue. ~ Hal Erickson, All Movie Guide

Elfego Baca was another of several miniseries developed by producer Walt Disney in hopes of matching the earlier success of the Davy Crockett programs. Originally telecast on the Walt Disney Presents anthology, this newest effort was launched with the first of its ten episodes, "The Nine Lives of Elfego Baca." Based on the memoirs of the real-life Baca, the miniseries stars Robert Loggia as the title character, a former gunslinger who becomes a lawyer in 1880s New Mexico. Arriving in the town of Frisco, Elfego Baca subdues a drunken rowdy, much to the delight of the townsfolk and the embarrassment of the cowardly sheriff. Deputized by the local justice of the peace, Elfego learns that he has been marked for death by the drunk's scurrilous friends. The bad guys try to kill Baca with guns and gunpowder, but he proves to have more lives than a cat. Based on a true incident, "The Nine Lives of Elfego Baca" was later edited together with the second episode in the miniseries, "Four Down and Five Lives to Go" and released overseas as a theatrical feature. ~ Hal Erickson, All Movie Guide

The King and I, Richard Rodgers and Oscar Hammerstein's 1951 Broadway musical hit, was based on Margaret Landon's book Anna and the King of Siam. Since 20th-Century-Fox had made a film version of the Landon book in 1946, that studio had first dibs on the movie adaptation of The King and I. Deborah Kerr plays English widow Anna Leonowens, who comes to Siam in the 1860s to tutor the many wives and children of the country's progressive King (Yul Brynner, recreating his Broadway role-and winning an Oscar in the process). The culture clash between Anna and the King is but one aspect of their multilayered relationship. Through Anna, the King learns the refineries and responsibilities of "modern" western civilization; Anna meanwhile comes to realize how important it is for an Oriental ruler to maintain his pride and to uphold the customs of his people. After a successful evening entertaining foreign dignitaries, Anna and the King celebrate with an energetic dance, but this is cut short by a bitter quarrel over the cruel punishment of the King's new Burmese wife Tuptim (Rita Moreno), who has dared to fall in love with someone else. Despite the many rifts between them, Anna and the monarch come to respect and (to a degree) love one another. When the King dies, Anna agrees to stay on to offer help and advice to the new ruler of Siam, young Prince Chulalongkhorn (Patrick Adiarte). In general, The King and I tends to be somewhat stagey, with the notable exception of the matchless "Small House of Uncle Thomas" ballet, which utilizes the Cinemascope 55 format to best advantage (the process also does a nice job of "handling" Deborah Kerr's voluminous hoopskirts). Most of the Broadway version's best songs ("Getting to Know You", "Whistle a Happy Tune", "A Puzzlement", "Shall We Dance" etc.) are retained. None of the omissions are particularly regrettable, save for Anna's solo "Shall I Tell You What I Think of You?" This feisty attack on the King's chauvinism was specially written to suit the talents of Gertrude Lawrence, who played Anna in the original production; the song was cut from the film because it made Deborah Kerr seem "too bitchy" (Kerr's singing, incidentally, is dubbed for the most part by the ubiquitous Marni Nixon). When all is said and done, the principal attraction of The King and I is Yul Brynner, in the role that made him a star and with which he will forever be identified. ~ Hal Erickson, All Movie Guide

Six GIs stationed in Asia secretly photograph the arcane rituals of a group of cobra worshippers. At the climax of the ceremony, the cult members turn themselves into snakes. The high priestess catches the soldiers spying and throws a curse upon them. This off-beat horror film follows what happens to the men after that. Soon after they return to the US, the vengeful priestess follows them and people begin to die from snake venom poisoning, adding credence to the strange tale told by a surviving GI to the police, who become less skeptical as more evidence is unearthed. More trouble follows when the serpentine goddess falls for the ex-soldier's roomie. ~ Sandra Brennan, All Movie Guide

Hell's Half Acre was written directly for the screen by Steve Fisher, whose I Wake Up Screaming remains one of the definitive "film noirs". The scene is a rundown section of Honolulu, where there dwells a group of wannabes, hasbeens and never-weres. While trying to go straight in this environment, ex-racketeer Chet Chester (Wendell Corey) is shaken down by his former criminal cohorts. Chester's girl friend Rose (Nancy Gates) kills one of his tormentors, whereupon Chester takes the blame, assuming that he's still got enough pull to get off with a light sentence. Meanwhile, Dona Williams (Evelyn Keyes) arrives on the scene, certain that Chester is her long-lost husband. When Rose is murdered, Chester escapes from jail, intending to prove Dona's innocence--and to square accounts with the 10-year-old son he never knew he had. Elsa Lanchester provides much-needed laughs as a dotty cabdriver. Dismissed upon its first release, Hell's Half Acre is now considered one of the most durable of Republic's mid-1950s features. ~ Hal Erickson, All Movie Guide

It doesn't take long for old-time-radio fans to figure out that The Naked Jungle is a film version of the classic Carl Stephenson nailbiter Leiningen Versus the Ants. Charlton Heston plays South American plantation owner Christopher Leiningen, who spends most of the film preparing for the hellish onslaught of deadly soldier ants. The original story concentrated solely on Leiningen; the film version hokes things up a bit by bestowing upon the hero a gorgeous mail-order bride, played by Eleanor Parker. No matter: the climactic insect invasion is well worth the wait, utilizing the Paramount Pictures optical-effects department to the nth degree. The Naked Jungle also offers excellent supporting work from Abraham Sofaer, Douglas Fowley, and William Conrad, who also acted in several of the radio adaptations of the Carl Stephenson yarn. ~ Hal Erickson, All Movie Guide

Scared Stiff is the 1953 remake of the 1940 Bob Hope-Paulette Goddard vehicle The Ghost Breakers, reupholstered for the talents of Dean Martin and Jerry Lewis. While Martin handles the straight plot scenes, just as Hope did in the earlier film, the Hope-like wisecracks are fairly evenly divided between Martin and Lewis. Lewis is for the most part relegated to the secondary role played by black comedian Willie Best in Ghost Breakers, with a few opportunities for his manic specialties: his personal highlight is an imitation of Carmen Miranda (who also appears in the flesh). The plot is the same as before: an American heiress (Lizabeth Scott) is warned to stay away from the forbidding Cuban mansion that she's inherited. Disregarding these threats, the girl heads to Cuba, along with Martin and Lewis, who are on the lam from various antagonists (Dean has been falsely accused of murder, while Lewis has run afoul of gangsters). Once they've reached Scott's mansion, Martin and Lewis are confronted by all manner of terrors: a ghost, a zombie, a mysterious assailant (who turns out to be the least likely suspect). It turns out that the mansion is built over a huge cache of hidden gold, which is why the bad guy is so anxious to make Scott and the boys skedaddle. Bob Hope and Bing Crosby make gag appearances toward the end of Scared Stiff; returning the favor, Martin and Lewis would show up unbilled in the Hope-Crosby opus Road to Bali (1953). ~ Hal Erickson, All Movie Guide

The city of the title is Los Alamos, where nuclear physicist Gene Barry lives and works. Terrorists kidnap Barry's son and demand that the physicist turn over the H-bomb formula. It's cat-and-mouse for a while, but when the FBI gets on the case, the criminals haven't got a chance. Outdated almost before its release, The Atomic City is still effective on a purely melodramatic level. There's a particularly tense climax played out along the mountain mesas surrounding Los Alamos. ~ Hal Erickson, All Movie Guide

When he's discharged from a military hospital, ex-GI Bob Corey (Gordon MacRae) goes on a search for his army buddy Steve Connolly (Edmond O'Brien). A reformed crook, Connolly is on the lam from a trumped-up murder rap, and Corey hopes to clear his pal. Tagging along is Army nurse Julie Benson (Virginia Mayo), who has fallen for Corey. The rest of the film emulates the 1946 noir exercise The Killers, with Julie and Corey interviewing various people with whom Connolly has come in contact. One of those people, of course, is the actual killer, who now adds the GI and the nurse to the "hit list." Warner Bros. used Backfire to test the dramatic potential of singing star Gordon MacRae, who passes that test with flying colors. ~ Hal Erickson, All Movie Guide

Spencer Tracy and James Stewart team up for this World War II adventure, based on an supposedly true incident from World War II. Stewart plays John Royer, an ex-newspaper reporter with a backhand knowledge of Malaya, and Tracy plays a criminal named Carnaghan, doing time in Alcatraz for smuggling. They are brought together for an undercover assignment -- to smuggle a large shipment of rubber out of Japanese-held territory in Malaya and deliver the tonnage to awaiting U.S. ships. Carnaghan and Royer plod through the jungles and have to deal with several unscrupulous contacts including a man calling himself The Dutchman (Sydney Greenstreet), a helpful FBI agent named Kellar (John Hodiak), and a sneaky Japanese officer by the name of Colonel Tomura (Richard Loo). ~ Paul Brenner, All Movie Guide

This minor 20th Century-Fox B picture received a great deal of TV play in the late 1950s. In a series of flashbacks, the audience learns that attorney John Morland (John Eldredge) has given a lift to a hitchhiker (Douglas Fowley) who turns out to be a murderer. As a result, Morland himself is implicated in a killing. A pair of detectives (Larry Blake and Richard Travis) discover that Morland has been having business problems and no end of difficulties with his wife Catherine (Jean Rogers). The trail of clues leads to a surprising revelation-especially surprising for those filmgoers conditioned to believe that the most obvious suspect is never guilty. Backlash is also available in a computer-colored version. ~ Hal Erickson, All Movie Guide