Melissa Stribling Movies

British playwright David Hare both wrote and directed the complicated political melodrama Paris By Night. Charlotte Rampling plays a Tory member of the European parliament, who lets absolutely nothing get in way of her ambitions. At present, Rampling is convinced that she is being blackmailed by her ex-business partner Andrew Ray. Upon accidentally meeting Ray, Rampling impulsively murders the man. In a deliciously ironic turn of events, she is approached by Ray's daughter Sinead Cusack, who hopes that Rampling will help her locate her missing dad. Rampling eventually finds out Ray had been innocent all along-but a greater shock awaits her at home, at the hands of her long-neglected husband Michael Gambon. Paris By Night contains far too many cute coincidences to be credible, but this fact doesn't immediately sink in as the audience revels in the film's superlative performances and David Hare's adroit manipulation of people, places and events. ~ Hal Erickson, All Movie Guide

The British "Confessions" film series was reminiscent of the "Carry On" series, albeit far, far dirtier. Many fans consider the first entry, Confessions of a Window Cleaner, to be the best of the batch. Based on a supposedly autobiographical novel by Timothy Lea, the film stars Robin Askwith as an apprentice window washer with a voyeuristic streak. Nearly everyone with whom Askwith comes in contact is an oversexed, underdressed female. Potato-shaped
Dandy Nichols plays the protagonist's mother. An anachronism even before it was released, Confessions of a Window Cleaner was nonetheless successful enough to inspire several sequels, none of which were released to American theatres. ~ Hal Erickson, All Movie Guide

Richard Attenborough, David Hemmings and Alexandra Stewart play three con artists planning a big-time scam. The object is to sell ammunition to a group of African militants -- or at least to pretend to. The trick is to keep at least one step ahead of the militants, lest the tricksters end up full of holes. A serviceable Len Deighton espionage novel was the source for Only When I Larf, which hooked up the material with "mod" gags about '60s fads and foibles. In the same spirit, the usually straightforward director Basil Dearden makes like Richard Lester, with a multitude of jump cuts, zoom-ins and hand-held shots. ~ Hal Erickson, All Movie Guide

Originally scheduled as a live telecast on March 18, 1961, this Avengers episode was instead committed to videotape and broadcast on April 8. Steed and Keel put a tail on recently released convict Frank Preston, hoping that he will lead them to the money that he stole. But before Preston can reach his destination, he is waylaid by a gang of crooks, who likewise want to get their hands on the stolen lucre. The episode comes to a nailbiting climax as a wounded Preston forces Keel to help him retrieve the loot, which is secreted in a slimy sewer. "Hunt the Man Down" was written by Richard Harris. ~ Hal Erickson, All Movie Guide

An engrossing suspenser with dashes of comedy, League of Gentlemen is about a daring group of highly trained army men, turned bank robbers. When Hyde (Jack Hawkins) is drummed out of the army after years of devoted service, he decides to get back at society in general. One by one, he finds seven other army officers who are now broke and who walk on the shady side of the law. All eight men go into hiding as they plan the robbery with the care and attention of a behind-the-lines reconnaissance mission. As they undertake tasks like raiding a military depot for explosives and similar stunts, suspense and incidental humor increase, leading up to bank day when the really big show has to be pulled off without a hitch. ~ Eleanor Mannikka, All Movie Guide

This Hammer Studios classic is far closer to the letter (and spirit) of the Bram Stoker novel than the Bela Lugosi version of Dracula. The premise finds the infamous count journeying from his native Transylvania to England, where he takes a headfirst plunge into the London nightlife, and begins to rack up victim after victim. In the process, Dracula also runs into his arch-nemesis, Van Helsing (Peter Cushing), which ignites a battle of wills between the two. Heavily censored in Britain when released (with the goriest moments truncated), this outing was restored by the BFI in the mid-late 2000s. It put Lee and Cushing on the map and paved the way for many sequels starring the two, and for many non-Dracula follow-ups with these actors as well. ~ Hal Erickson, All Movie Guide

The Anglo-American Behind the Headlines is not a remake of the 1937 RKO "B" of the same name, though both share a newspaper setting. Reporter Paul Carpenter heads the investigation of a murder case. The victim was black-mailing showgirl Hazel Court, and as usual there's a plenitude of suspects. Also as usual, the journalists prove to be quicker on the uptake than the cops on the case. Behind the Headlines was based on a novel by Robert Chapman. ~ Hal Erickson, All Movie Guide

This waterlogged adaptation of an obscure Grand Guignol stage play finds a hapless couple (Dermot Walsh and Hazel Court) convinced that their newly-acquired yacht is haunted by mysterious and deadly forces. After numerous fatalities, the couple eventually hires a paranormal investigator (John Robinson), who uncovers the yacht's bloody history and determines that the craft is occupied by the vengeful ghosts of the former owner's wife and her lover, who were murdered and subsequently entombed somewhere aboard. Writer-producer-director Vernon Sewell -- who filmed most of the scenes aboard his own private yacht -- executes a few interesting paranormal twists on the Old Dark House scenario, and he would revisit the seagoing thriller theme (on the same boat) somewhat less successfully with Terror Ship two years later. ~ Cavett Binion, All Movie Guide

Director Hugo Fregonese and writer George Oppenheimer do the unthinkable: they manage to transform Giovanni Boccaccio's bawdy -- and downright raunchy -- medieval tales of martial discontent and infidelity into harmless white-bread treacle. Louis Jourdan plays Boccaccio in a framing story set in a villa in the Florentine hills. With a widowed woman and her sex-starved female wards hungrily hunched over listening to his every word, Boccaccio spins three tales of illicit romance involving a trio of medieval husbands and wives. All three tales feature Jourdan as the romantic male lead and Joan Fontaine -- spruced up in a collection of bright costumes -- as the misunderstood and mistreated women of the tales. The first story concerns the bored housewife, of a middle-aged husband, who willingly jumps into the arms of a roustabout. The second tale tells the story of a husband who is highly suspicious of his wife's fidelity and the wife's circumspect way of proving her virtue to her husband. The third story is an ineffectual lark about a wife who fools her indifferent husband into demonstrating his proper marital role. Boccaccio had to wait for Pier Pasolini in order to get the spirit of his Decameron right. ~ Paul Brenner, All Movie Guide

This melodrama film is set within a dark, Victorian mansion. Three strange weird sisters live there. Trouble ensues when a greedy woman tries to poison her nephew's bride in the old house. A maid gets stabbed and the resourceful bride decides to look into the matter herself. ~ Sandra Brennan, All Movie Guide