Glenn Strange Movies

The decision to expand Gunsmoke from 30 to 60 minutes during its seventh season may have made sense insofar as offering more in-depth storytelling and providing a larger forum for potential sponsors, but it didn't do much for the series' ratings. After riding high as America's top-rated series for four consecutive years, Gunsmoke dropped to third place during Season Seven, then plummeted to tenth place in Season Eight. In all fairness, however, this may have had less to do with the series' quality than its stiff NBC competition, Saturday Night at the Movies, as well as an overall flagging of audience interest in TV westerns (in 1960, nine westerns were listed among the Top Thirty programs; that number had dropped to five by 1962). That said, the series' eighth season still boasted the top-flight production and story values that had won the hearts and minds of viewers way back when Gunsmoke started in 1955. And if anything, stars James Arness (Matt Dillon), Amanda Blake (Miss Kitty), Milburn Stone (Doc) and Dennis Weaver (Chester) were delivering better and more realistic performances than ever. In fact, Dennis Weaver had decided that he had gotten all out of his Gunsmoke role than he would ever get, and had opted to leave the series, in hopes of landing a starring vehicle of his own. Although Chester was not entirely absent from the eighth season, he was nowhere to be found for the most part, obliging the writers to offer up a brace of potential replacments for the popular supporting character. The episode "Quint Asper Comes Home" introduces a young Burt Reynolds as the title character, a half-breed who has returned to Dodge to bury his murdered white father and to escort his Comanche mother back to her tribe. Although rampant prejudice and bigotry has turned Quint against the white race, he changes his mind by episode's end and set up a blacksmith shop in Dodge. In later episodes, Quint will assist his friend Matt Dillon in tracking down various miscreants, never officially deputized by always on call if he's needed. Burt Reynolds will remain with Gunsmoke on a recurring basis throughout the next three seasons. And in "Us Haggens", Ken Curtis, a popular singing cowboy and John Ford regular, is introduced in the role of Festus Haggen, a scraggly hillbilly who hails from a family of scoundrels, thieves and murderers--but who, adhering to his own peculiar set of values and brand of loyalty, casts his lot with lawman Matt Dillon and agrees to "go straight" in Dodge. It would, however, be several years before Festus would matriculate to full deputy--and full costar--status. At any rate, it wasn't possible during Season Three, due to the frequent reappearances of Dennis Weaver. Of the season's 38 episodes, the most intriguing is "I Call Him Wonder", which was clearly designed as the pilot for a spinoff series headlining guest star Ron Hayes. ~ Hal Erickson, All Movie Guide

Just outside the small town of Pauley, a Native American woman is attacked by two riders on horseback, raped, and killed. Her husband, Matt Morgan (Kirk Douglas), the town marshal, has only two clues to their identity, a fancy saddle with the initials "C.B." that one of the men left behind, and the fact that his wife cut one of the two men deep across the cheek with a buggy whip. Morgan traces the saddle to Craig Belden (Anthony Quinn), an old friend and now a wealthy rancher in the town of Gun Hill, but he knows Belden well enough to know that he couldn't have had anything to do with attacking his wife. Morgan's arrival with Belden's saddle sets off ugly rumblings in Gun Hill, and when he confronts the rancher, he discovers that it was his son Rick (Earl Holliman) who had his horse and the saddle, and rode out with a cowhand friend of his, Lee (Brian G. Hutton) -- but they claim their horses were stolen. Belden tries to convince Morgan, and wants to believe himself that whoever stole the horses must have killed his wife, but when Morgan mentions the cut that one of the killers will have on his face, they both know the truth. He vows to take Rick and Lee back to Pauley to stand trial, while Belden swears he'll do anything it takes to protect his son. Belden is virtually all the law there is in Gun Hill -- the sheriff (Walter Sande) won't help Morgan serve his arrest warrants on the two men, or even let him use the jail to hold them until the last train that night; there's not a working man, a shopkeeper, or even a prostitute in the whole town that will go against the rancher, and Belden's foreman Beero (Brad Dexter) and his men will strongarm anyone who might start feeling brave. Only Linda (Carolyn Jones), a woman who has been both romanced and abused by Belden, will lift a finger on Morgan's behalf. The marshal is nothing if not resourceful, however, and Rick Belden is also too stupid for his own good, and manages to fall into Morgan's hands in short order. Very quickly, a standoff ensues, with Morgan holding Rick in one of Belden's buildings against virtually the entire town, while the deadline -- the last train out of Gun Hill that night -- approaches. People die and a chunk of Belden's holdings are destroyed, but Morgan is about to get Rick onto the train and off to trial when suddenly, one sudden act of violence destroys father and son in a matter of seconds. ~ Bruce Eder, All Movie Guide

Cesare Danova and Jack Elam guest star in this episode of the popular The Rifleman television series. The town of North Fork is startled by the arrival of a genuine Italian count (Danova) and no one more so than brutish cattle buyer Sim Groder (Jack Elam), who does his best to rile the newcomer. After yet another unpleasant encounter in the saloon, Count Di Montova challenges Groder to a duel at dawn. With Lucas McCain (Chuck Connors) as his second, the count leaves the hotel to face Groder and four of his rabblerousing cohorts. The episode was directed by cult figure Joseph H. Lewis. ~ Hans J. Wollstein, All Movie Guide

In this western, a good man becomes an outlaw after his stagecoach mail business falls to the faster railroad mail. To save his livelihood, the fellow literally attempts to derail his competitor. ~ Sandra Brennan, All Movie Guide

One of the best of Elvis Presley's pre-Army films, Jailhouse Rock offers us the sensual, "dangerous" Elvis that had won the hearts of the kids and earned the animosity of their elders. Presley plays a young buck who accidentally kills a man while protecting the honor of a woman. Thrown into prison, Elvis strikes up a friendship with visionary fellow-con Mickey Shaughnessy. Shaughnessy suggests that Elvis perform in the upcoming prison show. Ol' swivel-hips scores a hit, and decides to stay in showbiz after his release. Together with pretty Judy Tyler (the former Princess Summerfall Winterspring on Howdy Doody, who would die in a horrible traffic accident shortly after completing this film), Elvis sets up his own record company. Alas, success goes to his head, and soon Elvis plans to ditch Tyler in favor of signing with a big-time label. Shaughnessy shows up long enough to punch out Elvis for his disloyalty; as a result, Elvis' vocal chords are damaged and he is unable to sing. Deserted by his flunkeys and hangers-on, Elvis learns the value of friendship and fidelity when Tyler and Shaughnessy stay by his side in his darkest hours. His voice restored, Elvis climbs back up the charts--but this time, he's a much nicer fellow, and a lot more committed to Tyler. Usually the musical numbers in a Presley picture (this one has a doozy, complete with chorus boys dressed as convicts!) are more compelling than the plot. Jailhouse Rock is a perfect balance of song and story from beginning to end; seldom would Elvis be so well showcased in the future. ~ Hal Erickson, All Movie Guide

In this western, a pacifistic store owner does all he can to avoid association with his father, a notorious gunfighter. One day he gets drunk and shows off his own considerable skills with a pistol. Unfortunately, this attracts the attention of the man who fancies himself the town's fastest draw and he heads to the store for a little confrontation. ~ Sandra Brennan, All Movie Guide

The oft-filmed Zane Grey yarn The Vanishing American is given respectful treatment in this Republic "A" production. Eliminating Grey's premise that the American Indian's downfall was all part of Nature's scheme of things, the film begins in the late 19th century, with Scott Brady starring as Navajo protagonist Blandy. Embittered not only by deceitful whites but also by renegade Apaches, Blandy hopes to prevent further decimation of his people by stemming the activities of crooked Indian agent Blucher (Gene Lockhart) and duplicitious trader Morgan (Forrest Tucker). Blandy's allies include white landowner Marian Warner (Audrey Totter), whose open rangeland is dearly coveted by the nefarious Blucher and Morgan. Among the genuine Native Americans making cameo appearances are Jay "Tonto" Silverheels and Charles Stevens. ~ Hal Erickson, All Movie Guide

It's a toss-up as to who looks better unclothed in Universal's Veils of Bagdad: Hero Victor Mature or heroine Mari Blanchard. Mature plays a Robin-Hood type named Antar, who travels with a troupe of jugglers and wrestlers, all of whom double as thieves, pickpockets and second-story men. When the evil Pasha of Bagdad (Leon Askin) conspires with the equally evil Vizier (Guy Rolfe) to steal tax money to finance a private war, Antar and his gang swings into action. Blanchard plays Selima, the toothsome daughter of a murdered tribal chieftain who works as a cabaret dancer while searching for her dad's murderer. TV fans are advised to keep an eye out for future Baretta star Robert Blake, who shows up in a bit as a youthful beggar. ~ Hal Erickson, All Movie Guide

A nail-biting Indian deadlock remains the climax of this otherwise overly verbose Western filmed in M-G-M's then-new Ansco colors (forerunner of Eastmancolor). After ruthlessly dragging an escaped prisoner through the Arizona desert, Union Army Captain Roper (William Holden) suffers rebuke from both the rebel prisoners and his commanding officer (Carl Benton Reid). Things settles down a bit with the arrival of Carla Forester (Eleanor Parker), with whom Roper falls in love. But Carla proves to be a Confederate spy assigned to engender the escape of Captain Marsh (John Forsythe), the Rebel leader. The plan succeeds to a point but the escapees are hunted down by Roper and Lieutenant Beecher (Richard Anderson). Returning to Fort Bravo with his prisoners, Roper and his captives ride right into a Mescalero Apache hunting party. Filmed on location at California's Death Valley, Escape from Fort Bravo was co-written by Australian-born actor Michael Pate. ~ Hans J. Wollstein, All Movie Guide

Rod Cameron's western vehicles for Monogram were always worth watching, even when Cameron was better than the scripts. In Wagons West, the star plays wagonmaster Jeff Curtis, who guides a group of Easterners to California in the 1870s. Trouble looms in the form of a Cheyenne tribe who is being supplied with weapons by a treacherous white man. Even more trouble comes Curtis' way when he discovers that the gun-runner is a member of his own wagon train. Well-photographed in two-color Cinecolor, Wagons West boasts an above-average supporting cast, ranging from bucolic Noah Beery Jr. to steely-eyed Henry Brandon. ~ Hal Erickson, All Movie Guide

Originally filmed at Republic in 1948, Montana Belle was purchased by producer Howard R. Hughes, who'd loaned the services of the film's star, Jane Russell. After laying on the shelf for three years, Montana Belle was finally released by Hughes' RKO Radio Pictures in October of 1952. Russell plays notorious western outlaw Belle Starr, who after being saved by the Dalton Gang from the hangman's noose, falls in love with Bob Dalton (Scott Brady). This doesn't stop Belle and Dalton from trying to stab one another in the back for the next 8 reels. It is gambler Tom Bradfield (George Brent) who finally offers Belle a new start in life--and, incidentally, a new romance. The film's high point of imbecility arrives when Jane Russell disguises herself as a man. In other words, Montana Belle is lots of fun so long as no one takes it too seriously (it is clear that the people who made the film didn't!) ~ Hal Erickson, All Movie Guide

The Lawless Breed is based on the exploits of Texas bad man John Wesley Hardin, played here quite convincingly by Rock Hudson. The film takes the Cecil B. DeMille approach of condemning evil by showing as much evil as the censor will allow. After nearly an hour of unrepentant perfidy, Hardin settles down to marry good woman Julie Adams. In middle age, he determines to steer his son clear of outlawry, resulting in a sentimental but non-maudlin finale. Directed by Raoul Walsh, who had given Rock Hudson his first screen role in Fighter Squadron, Lawless Breed was reportedly instrumental in landing Hudson as starring role in George Stevens' Giant (1956). ~ Hal Erickson, All Movie Guide