Clarence Straight Movies

Gary Cooper plays a frontier doctor with a checkered past who works in a rowdy Montana mining camp. Cooper falls in love with Maria Schell, a young Swiss girl whom he has treated for shock after she was the victim of a holdup. He finances Schell's grubstake, which makes her rich. When Schell's unscrupulous partner Karl Malden tries to have his way with the girl, Cooper kills Malden. Sentenced to an immediate hanging, Cooper is saved when Schell offers to give the town her valuable mine. A surprise hit in 1959, The Hanging Tree was based on an award-winning novel by Dorothy M. Johnson. The film not only yielded a hit theme song by Mack David and Jerry Livingston, but also served as the film debut of George C. Scott, who plays Cooper's doctor predecessor. ~ Hal Erickson, All Movie Guide

Jeff Chandler plays big-city lawyer James Gordon Blane, who heads to a small Nevada town to defend a playboy (Phillip Reed) accused of murder. Blane wins the case, but is then himself charged with accepting bribes. The man behind this accusation is vindictive town sheriff Nick Hoak (Jack Carson), who controls all illegal activities in the area. When Blane's legman Billy Giles ends up dead, the lawyer deduces that Hoak was also behind the killing for which the playboy was blamed. Blane struggles to defend his reputation in court while his wife (Jeanne Crain) attempts to mount evidence against Sheriff Hoak. Despite its stellar cast and slick direction (by Jack Arnold), The Tattered Dress comes across as cheap and tawdry -- befitting its seedy subject matter. ~ Hal Erickson, All Movie Guide

Director Alfred Hitchcock lets us know from the outset that The Wrong Man is a painfully true story and not one of his customary fabricated suspense yarns, through the simple expedient of walking before the camera and telling us as much (this introductory appearance replaced his planned cameo role as a nightclub patron). The real-life protagonist, musican Christopher Emmanuel Balestrero, is played by Henry Fonda. Happily married and gainfully employed at the Stork Club, Balestrero's life takes a disastrous turn when he goes to an insurance office, hoping to borrow on his wife's (Vera Miles) life insurance policy in order to pay her dental bills. One of the girls in the office spots Balestrero, identifying him as the man who robbed the office a day or so earlier. This, and a few scattered bits of circumstantial evidence, lead to Balestrero's arrest. Though he's absolutely innocent, he can offer no proof of his whereabouts the day of the crime. Lawyer Frank O'Connor (Anthony Quayle) does his best to help his client, but he's up against an indifferent judicial system that isn't set up to benefit the "little man". Meanwhile, Balestrero's wife becomes emotionally unhinged, leading to a complete nervous breakdown. As Balestrero prays in his cell, his image is juxtaposed onto the face of the actual criminal-who looks nothing like the accused man! Utilizing one of his favorite themes-the helplessness of the innocent individual when confronted by the faceless bureaucracy of the Law-Hitchcock weaves a nightmarish tale, all the more frightening because it really happened (the film's best moment: Fonda looking around the nearly empty courtroom during his arraignment, realizing that the rest of the world cares precisely nothing about his inner torment). Hitch enhances the film's versimilitude by shooting in the actual locations where the real story occured. His only concession to Hollywood formula was the half-hearted coda, assuring us that Mrs. Balestrero eventually recovered from her mental collapse (she sure doesn't look any too healthy the last time we see her!) Watch for uncredited appearances by Harry Dean Stanton, Bonnie Franklin, Tuesday Weld and Charles Aidman. ~ Hal Erickson, All Movie Guide

The opening episode of I Love Lucy's fifth season is a continuation of the story arc in which the Ricardos and the Mertzes are visiting Hollywood, where Ricky (Desi Arnaz) has been signed to make picture for MGM. During her last week in Tinseltown, Lucy (Lucille Ball) is determined to get her hands on a valuable souvenir. This she does when she "borrows" the footprints of John Wayne, which have been immortalized in a slab of cement in the forecourt of Grauman's Chinese Theater. But grabbing Wayne's prints isn't as difficult a task as returning them, as Lucy and Ethel (Vivian Vance) learn to their dismay. The outcome of this little escapade will not be revealed until the next episode, so stay tuned. ~ All Movie Guide

An insurance investigator, a dame with a yen for the finer things in life and a mail robbery gone horribly wrong are the ingredients in this low-budget but highly engrossing film noir. Charles McGraw and Louis Jean Heydt are tough insurance agents but their partnership comes in for some rough sailing when he former falls head over heels for Joan Dixon, a lady apparently not averse to letting herself be wined and dined by an obvious gang leader (Lowell Gilmore). In an attempt to win the lady's favors, McGraw concocts a plan to rob a mail train insured by his own company. Too late does he discover that the girl is perfectly willing to accept him as he is. ~ Hans J. Wollstein, All Movie Guide

Plot number 6259A -- mistaken identity -- is trotted out for the Republic sagebrusher Powder River Rustlers. Allan "Rocky" Lane stars as a wandering cavalier who stumbles across a scheme to defraud an entire village. A stranger has arrived in town, claiming to be a railroad agent who has been assigned to collect $50,000 to finance a new train line. Lane knows that the stranger is a fraud, but he bides his time, hoping to capture the stranger's boss and to rescue the real agent. That Powder River Rustlers will contain a plenitude of action is tipped off by the fact that several smaller roles are filled by well-known Hollywood stunt doubles. ~ Hal Erickson, All Movie Guide

Tough reporter Ed Adams (Alan Ladd) wants to get the full story behind the apparent suicide of a young woman. It seems that the girl left behind a notebook with a list of seemingly unrelated names. Adams tracks down each one of the persons cited in the notebook, slowly but surely putting the pieces together. Once the basic mystery is solved, however, there's one surprising loose end left to be tied up. June Havoc co-stars as Leona, self-styled best friend of the decedent, who helps Adams in his quest. As the victim, Donna Reed appears exclusively in flashbacks. Based on a story by veteran suspense scrivener Tiffany Thayer (of Thirteen Women fame), Chicago Deadline was remade for television in 1966 as Fame is the Name of the Game. ~ Hal Erickson, All Movie Guide

Dick Powell stars as Canadian Mountie Sgt. Mike Flannagan. When Boston-bred Kathy O'Fallon (Evelyn Keyes) marries Mike, she is immediately nicknamed "Mrs. Mike" by her new friends and neighbors. Unprepared for the hardships of life in the Great White North, Mrs. Mike nonetheless perseveres through minor inconveniences and major tragedies, including the death of her child during an epidemic. The film lays on the sentiment rather heavily, but stars Dick Powell and Evelyn Keyes manage to cut through the treacle with their first-rate thesping. Based on a true story, Mrs. Mike was adapted from the best-selling novel by Benedict & Nancy Freedman. ~ Hal Erickson, All Movie Guide

Roy Rogers stars in the full-color Republic "special" The Far Frontier. This time, Roy deals with a plot to smuggle fugitive criminals into the U.S. Old reliable heavy Roy Barcroft plays Bart Carroll, the head bad guy, who'll mow down anyone--friend and foe alike--to avoid capture. Rogers has a score to settle with Carroll, who previously framed Roy's pal on a bank-robbery charge. Gail Davis, TV's Annie Oakley, plays Rogers' romantic interest, while "Lone Ranger" Clayton Moore appears sans mask. Old reliables Trigger, Andy Devine, and Foy Willing and the Riders of the Purple Sage round out the cast. ~ Hal Erickson, All Movie Guide

A woman struggles to reassemble her broken life in this drama that features Susan Hayward in her first starring role. The woman started out as a night-club singer, but abandoned her career after marrying a budding radio star. At first she does everything she can to insure his success, but when he finally hits the big-time, the woman finds herself deeply depressed and turning toward the bottle for solace because he is increasingly absent from her life. She becomes a full-fledged alcoholic and her husband, unable to take it anymore begins divorce and custody procedures. It takes such extreme measures to wake her up to her problem. Fortunately, with hard work, and renewed support from her husband, she overcomes her addiction. ~ Sandra Brennan, All Movie Guide

As Alfred Hitchcock's classic psychothriller opens, the staff of a posh mental asylum eagerly awaits the arrival of the new director. When the man in question shows up, it turns out to be handsome psychiatrist John Ballantine (Gregory Peck). But something's wrong, here: Ballantine seems much too young for so important a position; his answers to the staff's questions are vague and detached; and he seems unusually distressed by the parallel marks, left by a fork, on a white tablecloth. Dr. Constance Peterson (Ingrid Bergman) comes to the conclusion that Ballantine is not the new director, but a profoundly disturbed amnesiac--and, possibly, the murderer of the real director. But is she correct in her inferences? Scriptwriters Angus MacPhail and Ben Hecht soon add to this the complication that Constance begins to fall in love with John. Director Hitchcock tapped surrealist artist Salvador Dali to design the visually arresting dream sequences in the film. ~ Hal Erickson, All Movie Guide

Opening in England during the middle of World War II, A Guy Named Joe tells the story of Pete Sandidge (Spencer Tracy), a tough, devil-may-care bomber pilot who's amassed an enviable record in combat, mostly by taking chances that give his C.O. (James Gleason) the shakes, much as he and the top brass appreciate the results. Pete lives to fly, but he also appreciates the fairer sex, which for the last couple of years means Dorinda Durston (Irene Dunne), herself a hot-shot air-ferry pilot. She's also worried about the chances he takes, even after Pete and his best friend, Al Yackey (Ward Bond), are transferred to Scotland and switched to flying reconnaissance missions. Pete finally agrees to take a training position back in the States, but he must fly one last mission, to locate a German force threatening an Allied convoy. He and Al do the job and have turned for home when the German fighter cover attacks; Pete's plane is damaged and he's wounded, and after his crew bails out he takes the burning ship down and drops his bomb-load on the main German attack ship (a carrier, which is totally inaccurate) at zero altitude. His plane is caught in the blast and destroyed, and that's where the main body of the movie begins.

Pete arrives in a hereafter that's a pilot's version of heaven, including a five-star general (Lionel Barrymore). He doesn't even appreciate what's happened to him until he meets Dick Rumney (Barry Nelson), a friend and fellow pilot who was previously killed in action. It seems that the powers of the hereafter are contributing to the war effort, sending departed pilots like Pete and Dick to Earth to help guide and help young pilots; Pete himself discovers that he benefited from these efforts in peacetime. Pete ends up at Luke Field near Phoenix, AZ, where he takes on helping Ted Randall (Van Johnson), a young pilot who lacks confidence. By the time he's done, riding along while Ted "solos," Ted is a natural in the air and ends up as the star of his squadron when he become operational in New Guinea -- in a group under the command of Al Yackey -- and ends up taking over command when their own leader is shot down. Pete's like a proud teacher, and also enjoys his unheard ribbing of Al and his ex-C.O. to Rumney, over their promotions, but then Dorinda shows up, and suddenly Pete finds all of his unresolved feelings about her recalled, even as he sees that she's never gotten over losing him. And when, with Al's help, she and Ted meet and seem to fall for each other, Pete's jealousy gets the better of him. It's only when he is made to realize just how important life was to him, and how important the future is for those still living, that he begins to understand that he has to let go of his feelings, and let Dorinda and Ted get on with their lives. But first he has to help Dorinda survive a suicide mission that she's taken over from Ted, attacking a huge and heavily defended Japanese ammo dump. ~ Bruce Eder, All Movie Guide