Stuart Stone Movies

Rendered comatose for 20 years after a freak breakdancing accident, former child dancer Justin Schumacher (Jamie Kennedy) awakens from his extended repose with no motor skills and the mental capacity of a 12-year-old. So much has changed since Justin lapsed into a coma; not only have people stopped wearing parachute pants, the Internet has connected people in a manner that no child of the 1980s could have ever imagined. Dancing, however, is the one constant that remains as popular as ever. Upon discovering that his mountainous medical bills have drained mom and dad's bank account and the love of his life (Maria Menounos) is engaged to his lifelong nemesis (Michael Rosenbaum), the breakdancing Rip Van Winkle attempts to reassemble his former dance troupe in hopes of winning back the girl and saving his parents' failing yogurt shop. ~ Jason Buchanan, Rovi

Donnie (Jake Gyllenhaal) is a bright and charming high-school student who also has a dark and willfully eccentric side; he does little to mask his contempt for many of his peers and enjoys challenging the authority of the adults around him. Donnie is also visited on occasion by Frank, a monstrous six-foot rabbit that only Donnie can see who often urges him to perform dangerous and destructive pranks. Late one night, Frank leads Donnie out of his home to inform him that the world will come to an end in less than a month; moments later, the engine of a jet aircraft comes crashing through the ceiling of Donnie's room, making him think there might be something to Frank's prophesies after all. The rest of Donnie's world is only marginally less bizarre, as he finds himself dealing with his confused parents (Mary McDonnell and Holmes Osborne), his college-age sister (Maggie Gyllenhaal), his perplexed analyst (Katherine Ross), a rebellious English teacher (Drew Barrymore), a sleazy self-help expert (Patrick Swayze), and the new girl at school who is attracted by Donnie's quirks (Jena Malone). Donnie Darko was the first feature film from writer and director Richard Kelly; Drew Barrymore, who plays teacher Karen Pomeroy, also lent her support to the project as executive producer. A director's cut played in select theaters on a limited basis in the summer of 2004, featuring original music cues and trimmed scenes originally in Kelly's first cut of the film. ~ Mark Deming, Rovi

Class is in session when a murderous psychopath makes the acquaintance of a suicidal, wannabe victim in this dark effort from first-time director Trace Slobotkin. There's nothing more in the world that Casey Nolan (Justin Urich) wants than to become the most notorious serial killer ever, and when he discovers that suicidal Sasha Fitzgerald (Lisa Loeb) would love to be his first victim, it seems like a match made in hell. The life of a serial killer is a difficult one though, and before Casey sets off on his murderous rampage he must be sure to plan his rise to infamy carefully. When the pair discover that another, more sinister serial killer is stalking the city, will their newfound knowledge be enough to stop him from stealing the spotlight from Casey? ~ Jason Buchanan, Rovi

Hoping to put her life back together after an abusive first marriage, mild-mannered Laura Jameson (Mel Harris) weds again, thereby incurring the wrath and resentment of her rebellious teenage daughter Kelly (Nicholle Tom). Still holding Laura responsible for the suicide of her father, Kelly goes completely off the deep end, beginning with an overnight stay in juvenile custody and culminating in an eight months of legal hell in a dizzying progression of courtrooms. Clearly over her head when trying to cope with Kelly (all she can say upon her daughter's release is "Was it awful in jail, honey?"), Laura will ultimately be forced to draw upon reserves of inner strength that she never knew or believed she had. Made for the NBC TV network, What Kind of Mother Are You? was first telecast on November 18, 1996. ~ Hal Erickson, Rovi

Todd Graff wrote the screenplay for this eccentric romantic comedy in the spirit of Moonstruck that exchanges pasta for matzo balls. The film takes place in Queens in 1969, where Pearl Berman (Shirley MacLaine) has just arrived back from the funeral of her husband. As her dysfunctional family kvetches in the living room, the dapper Joe Meledandri (Marcello Mastroianni) arrives. It seems that Joe has admired Pearl from afar for a number of years, ever since he met her husband in a bar and persuaded him to return to his wife. He invites Pearl for coffee, provoking the wisecrack from her mother (Jessica Tandy): "She got picked up at her own husband's funeral." As Pearl is wooed by Joe, she has to deal with her lonely, overweight daughter Bibby (Kathy Bates) and her prettier daughter Norma (Marcia Gay Harden), who suffers from such a lack of self esteem that she assumes the personalities of Marilyn Monroe, Jackie Kennedy, and Bonnie Parker. ~ Paul Brenner, Rovi

This slick throwback to the giant-mutant-insect movies of the 1950's has built a small reputation solely on its irrelevant title -- the film contains no monkeys, blue or otherwise -- which confused both reviewers and viewers alike. (This dilemma was solved in its second video incarnation, under the more honest title Insect.) The story begins when a gardener becomes infected with a plant-borne insect larva, which he disgorges upon his arrival at the County Memorial Hospital. When the bug-baby ingests a large dose of growth hormone called NAC-5 (hospitals are always leaving that stuff around where bugs can get at it), it immediately bulks up to the size of a bulldozer. The plot quickly shifts into Alien mode, as scientists, police (namely wild-eyed cop Steve Railsback) and hospital personnel creep down the hospital's labyrinthine corridors in search of the insectoid monster, which they hope to destroy with conveniently-provided experimental laser equipment before it can test the capacity of the maternity ward with a few million larvae. Despite the lurid promotional materials (showing pretty nurses SCREAMING IN HORROR!!), the story is played quite straight -- more of an homage to films like Them! than a parody of same -- and benefits from good performances (John Vernon is great as the hospital director), a tight script and a strong emphasis on suspense and action from director William Fruet. ~ Cavett Binion, Rovi