Carl Stockdale Movies

Perhaps Hollywood's greatest success du scandal of the 1940s, this odd psychological Western became a box office hit largely thanks to the costuming of leading lady Jane Russell (or, more accurately, its relative absence). Billy the Kid (Jack Buetel) and Doc Holliday (Walter Huston) are close friends until lawman Pat Garrett (Thomas Mitchell) attempts to ambush Billy and put him behind bars. Doc brings Billy to his ranch to hide out, but when Billy meets Doc's mistress Rio (Russell), he's instantly attracted to the buxom beauty. An intense chemistry quickly grows between them, despite the fact that Billy murdered Rio's brother. Billy and Rio secretly marry, but their love runs hot and cold, and soon Billy, Doc, and Rio are fighting among themselves as they're chased through the desert by Garrett and his posse. Director Howard Hawks and screenwriter Ben Hecht both worked on The Outlaw, but they went uncredited after disputes with the legendarily difficult financier (and sometimes producer/director) Howard Hughes, whose battles with the censors resulted in the film spending three years on the shelf before finally gaining wide release in a cut version in 1946. ~ Mark Deming, All Movie Guide

Tim Holt is mistaken for a notorious gunslinger in this average Western, which RKO filmed at Kanab, UT, in tandem with the star's previous effort, the much better Wagon Train. Believed by everyone to be Deuce Mallory, a gunman hired to kill local prospector Caleb Winters (Paul Scardon), The Fargo Kid (Holt) decides to play out the charade in order to trap Nick Kane (Cy Kendall), the corrupt businessman who had ordered the hit in the first place. Things get a bit dicey when the real Deuce Mallory (Paul Fix) rides into town but aided by sidekicks Johnny (Ray Whitley) and Whopper (Emmett Lynn), The Kid manages to prevent the murder, and, in return, earns the love and respect from everyone, including the prospector's pretty daughter, Jennie (Jane Drummond). Ray Whitley performs his own and Fred Rose's "Crazy Ole Trails Ahead" and "Twilight on the Prairie" in this remake of the 1932 Tom Keene oater The Cheyenne Kid, which itself was a talkie version of a 1928 Bob Steele silent, Man in the Rough. ~ Hans J. Wollstein, All Movie Guide

Scattergood Meets Broadway was the third of RKO's film series based on the long-running radio favorite Scattergood Baines. Guy Kibbee once again plays the avuncular Mr. Baines, philosophical storekeeper of the mythical town of Coldriver. Though he has no use for the Big City, Scattergood heads to New York to save local boy Davy (William Henry), a would-be playwright, from being victimized by a team of clever Broadway con artists (Frank Jenks and Bradley Page). Before the final fade out, Scattergood is nearly suckered himself by the slickers, but he turns out to be a bit too smart for 'em. Some of the film's biggest laughs are provided by Joyce Compton as a deceptively dumb-blonde showgirl. ~ Hal Erickson, All Movie Guide

Dangerous Lady is yet another variation on the "Thin Man" formula, courtesy this time from bargain-basement PRC Pictures. Neil Hamilton and June Storey star as private detective Duke Martindel and his lawyer wife Phyllis. Putting their heads together (which they seem to enjoy doing), Duke and Phyllis try to save Hester Engel (Evelyn Brent), the "dangerous lady" of the title who has been falsely accused of murder. Police detective Brent (Douglas Fowley) would prefer that the Martindels mind their own business, but even he has to admit that they're quicker on the clue-gathering and suspect-fingering than he is. Far better written than most PRC productions, Dangerous Lady is enhanced by Clarence Wheeler's sprightly musical score. ~ Hal Erickson, All Movie Guide

Advertised as a sort of sequel to MGM's Babes in Arms (1939), Babes on Broadway reunites the two stars of the earlier film: Mickey Rooney and Judy Garland. Rooney is the guiding force of a group of young showbiz hopefuls who are trying to make it on Broadway. When things look darkest, he goes into his "Say, kids!" routine, rousing his companions to put on their own show. Highlights include a sequence in which Rooney and Garland go through a series of imitations of past theatrical greats. As cute and perky as Garland is, she has nothing on the "Carmen Miranda" takeoff performed--in full makeup and platform shoes--by the ubiquitous Rooney. Babes on Broadway ends with a typically overproduced production number stage by the film's director, the immortal Busby Berkeley. ~ Hal Erickson, All Movie Guide

Scattergood Pulls the Strings was the second in a series of B pictures based on the long-running radio series Scattergood Baines. Guy Kibbee returns as Baines, the philosophy-dispensing proprietor of the general store in the village of Coldriver. Living up to the film's title, Scattergood manages to solve practically everyone's problems in the course of the film's brief running time. He is especially effective in helping a pair of young lovers (Susan Peters and James Corner) achieve their life's ambition, and in reuniting a 10-year-old boy (Bobs Watson) with his long-missing father (silent screen veteran Monte Blue). If this film were any more heartwarming, it would catch fire. ~ Hal Erickson, All Movie Guide

In his first starring Western for RKO, young Tim Holt must not only carry on his father's freight business but also hunt down his murderer. A certain Matt Gardner (Cliff Clark) wants to corner the freight business to Pecos and persuades young Zack Sibley's wagon master (Wade Crosby) to switch sides. Zack also earns the enmity of Gardner's son Coe (Malcolm McTaggart), who takes umbrage to the youngster's flirtation with pretty Helen Lee (Martha O'Driscoll). It all comes to a head during a food shortage in Pecos, a near-disaster that persuades the wagon master to switch sides once again. When the dust settles, Zack learns that old man Gardner is actually Carl Anderson, the man who murdered his father. ~ Hans J. Wollstein, All Movie Guide

Retired frontier postal inspector Dan Clark (George O'Brien) is summoned back to active duty when the stagecoach line owned by heroine Crinnie (Virginia Vale) is targetted by outlaws. The perpetrator of this outrage is Crinnie's own uncle (Carl Stockdale), in cahoots with her principal rival Dude Elliot (Roy Barcroft). Travelling incognito, Clark takes a job as stagecoach driver in hopes of bringing the criminals out in the open. Stage to Chino represented the directorial debut of Edward Killy, one of the most prolific members of RKO Radio's assistant-director staff. At the time of its release, much was made of the fact that the film featured several former silent-film luminaries in the supporting cast, including Elmo "Tarzan" Lincoln, Billy Franey and Bruce Mitchell. ~ Hal Erickson, All Movie Guide

Frank Capra's classic comedy-drama established James Stewart as a lead actor in one of his finest (and most archetypal) roles. The film opens as a succession of reporters shout into telephones announcing the death of Senator Samuel Foley. Senator Joseph Paine (Claude Rains), the state's senior senator, puts in a call to Governor Hubert "Happy" Hopper (Guy Kibbee) reporting the news. Hopper then calls powerful media magnate Jim Taylor (Edward Arnold), who controls the state -- along with the lawmakers. Taylor orders Hopper to appoint an interim senator to fill out Foley's term; Taylor has proposed a pork barrel bill to finance an unneeded dam at Willet Creek, so he warns Hopper he wants a senator who "can't ask any questions or talk out of turn." After having a number of his appointees rejected, at the suggestion of his children Hopper nominates local hero Jefferson Smith (James Stewart), leader of the state's Boy Rangers group. Smith is an innocent, wide-eyed idealist who quotes Jefferson and Lincoln and idolizes Paine, who had known his crusading editor father. In Washington, after a humiliating introduction to the press corps, Smith threatens to resign, but Paine encourages him to stay and work on a bill for a national boy's camp. With the help of his cynical secretary Clarissa Sanders (Jean Arthur), Smith prepares to introduce his boy's camp bill to the Senate. But when he proposes to build the camp on the Willets Creek site, Taylor and Paine force him to drop the measure. Smith discovers Taylor and Paine want the Willets Creek site for graft and he attempts to expose them, but Paine deflects Smith's charges by accusing Smith of stealing money from the boy rangers. Defeated, Smith is ready to depart Washington, but Saunders, whose patriotic zeal has been renewed by Smith, exhorts him to stay and fight. Smith returns to the Senate chamber and, while Taylor musters the media forces in his state to destroy him, Smith engages in a climactic filibuster to speak his piece: "I've got a few things I want to say to this body. I tried to say them once before and I got stopped colder than a mackerel. Well, I'd like to get them said this time, sir. And as a matter of fact, I'm not gonna leave this body until I do get them said." ~ Paul Brenner, All Movie Guide

A remake of Dr. Socrates (1935), this middling melodrama features Kay Francis as Carol Nelson, a medical doctor blaming gangster Joe Gurney (Humphrey Bogart) for the death of her husband (John Eldredge) during a police raid. Determined to get even, Dr. Nelson sets up practice in a small town where a couple of Gurney's henchmen are serving time. And sure enough, Gurney is soon in dire need of Carol's help after being wounded in a jailhouse break. Convincing the gang boss and his men that they all suffer from eye infections, the good doctor proceeds to blind the mobsters with adrenaline eye drops and then calls the cops. Warner Bros. used the general idea a third time in Bullet Scars (1942), yet another B-movie. ~ Hans J. Wollstein, All Movie Guide

A remake of sorts of the 1935 western The Arizonian, this fine George O'Brien oater features Leon Ames as Sheriff Judd Cronan, a slick lawman running Mesa City as if he owns the place. When schoolmarm Virginia King (Virginia Vale) has had enough of both Cronan's capriciousness and his advances and decides to leave town, the sheriff arranges for his henchman Pete (Joe McGuinn) to commit a bit of kidnapping. Unhappily for Cronan and his cronies, Cliff Mason (O'Brien), a retired lawman, happens by and is easily persuaded to stick around and do something about the general lawlessness of the area. Cornered, the sheriff sends for Duke Allison (Henry Brandon), a hired killer. Marshal of Mesa City was the first of six westerns teaming George O'Brien with RKO starlet Virginia Vale, formerly Dorothy Howe and the winner of the "Gateway to Hollywood" radio contest. ~ Hans J. Wollstein, All Movie Guide

A rancher and the farmer who fences in precious grasslands battle it out in this drama. The fight begins as the rancher's horses continually breach the farmer's fence and destroy his wheat fields. The irate farmer then begins shooting the rancher's horses including the rancher's beloved wild stallion, Konga. The rancher then shoots the farmer to get revenge. The feud is eventually settled when the rancher's son falls in love with the farmer's daughter. ~ Sandra Brennan, All Movie Guide

Singing cowboy Smith Ballew is the nominal star of Rawhide, but the audience only had eyes for Ballew's co-star: baseball-great Lou Gehrig, in his one-and-only screen appearance. Gehrig plays "himself"-that is, he's a rancher named Lou Gehrig. Pressured by crooks to give up his spread, Gehrig, his sister (Evelyn Knapp) and cowboy-lawyer Ballew inspire the neighboring ranchers to form a united front. During a climactic fist-fight in a pool hall, Gehrig utilizes his pitching skills to subdue the villains. A fan of B westerns in real life, Gehrig does his best to fit into the proceedings of Rawhide; his acting is strictly from hunger, but he does possess an imposing physique and an eagerness to the please the filmgoers. ~ Hal Erickson, All Movie Guide