Peggy Stewart Movies

On the outskirts of Las Vegas, a gang of mercenaries called the Scorpions have been utilizing sophisticated commando tactics and high-tech weaponry to commit a series of minor crimes. Clearly, the Scorpions are merely rehearsing for Something Big--namely, the murder of their ex-comrade Al Driscoll (Robert Dryer),who has been taking into custody as a federal witness. Once they have determined that the Scorpions are being helped by a pretty "mole" in a Vegas casino, the A-Team goes into action to thwart the villains, through the simple expedient of practically begging to be attacked and/or kidnapped! ~ Hal Erickson, Rovi

In this Roger Corman production, co-producer Jesse Vint stars as Jingo Johnson, a stuntman who goes to work for a backwater mining company. Jingo unearths a hotbed of corruption, partially orchestrated by redneck sheriff, Grimes (Albert Salmi). The hero and heroine (Karen Carlson) are forced into any number of serial-like perils while eluding the villains. Black Oak Conspiracy is enlivened by the presence of several veteran character players, including Douglas Fowley, Peggy Stewart and Vic Perrin. ~ Hal Erickson, Rovi

Roy (Kevin Tighe) gets into big trouble when he agrees to temporarily provide a home for the bratty son of an accident victim. Emergency calls in this episode include a huge traffic accident on an isolated canyon road, requiring the combined services of Squad 51 and an air-rescue unit. Also, the passengers of a boat on fire must be airlifted to safety; and Dr. Early (Bobby Troup) treats a particularly nasty case of spinal meningitis. ~ Hal Erickson, Rovi

In a true "Monty Python" moment, John (Randolph Mantooth) and Chet (Tim Donnelly) are pressed into service as bicycle repairmen. Of course, they also participate in Squad 51's emergency runs, which on this occasion includes the rescue of a man trapped in his own house by a supposedly dormant oil well, the removal of an incriminating ring from an errant husband, and the "taming" of a blazing fire. Eric Shea guest stars as a combative 14-year-old hypochondriac who dreams of becoming a doctor. ~ Hal Erickson, Rovi

In this counter-culture melodrama, a youthful hitcher teams up with an aging vagabond on a lonely Southwestern road. The two are given a lift by an unemployed rocker. Soon the three find themselves at odds with assorted "establishment" characters until the old hobo has a fatal heart attack. As he dies, he asks to be buried on his old farm. Unfortunately, the newest owner refuses, so the rocker and the hitcher have the old guy cremated. They then scatter his ashes over the farm. Songs include: "Echos of the Road" (Stu Phillips, Bob Stone), "Electric Ethel" (Murphy and Castleman), and "Flowers For My Bed" (Nino Candido). ~ Sandra Brennan, Rovi

Sgt. Ed Brown (Don Galloway) falls in love with Vivian Page (Tiffany Bolling), the beautiful movie actress whom he's been assigned to protect. Unfortunately for Ed, Vivian is a confirmed pacifist, who despises the weaponry carried by her protector. The situation becomes even more strained when Vivian is innocently but dangerously mixed up in a robbery case. ~ Hal Erickson, Rovi

Now working as an ambulance driver and using the handle "Doc", Kimble (David Janssen) is approached by a desperate married couple (Wright King, Joanna Moore) seeking help for their ailing son (Michel Petit). It soon develops that the "couple" are actually the brother and wife of kidnapper Ralph Simmons (Claude Akins), and that their "son" is actually a kidnap victim suffering from hemophilia. Though Kimble may be able to stop the captive boy's bleeding, will he be able to save his own life once his usefulness is at an end? ~ Hal Erickson, Rovi

In this crime drama, several people gather at an inn adjacent to a prison where a man is scheduled to be executed at midnight. Just as the clock is about to strike twelve, a man comes in and confesses the crime. He is arrested. The rest of the guests, who have come to retrieve the original inmate's loot from a safety deposit box, now try to get their hands upon the loot. Treachery and mayhem ensue. Eventually someone calls the police and everything works out for the best. ~ Sandra Brennan, Rovi

The Clock Strikes Three is the alternate title for the low budgeter When the Clock Strikes. The scene is a deserted lodge where a group of people have gathered to await the execution of a convicted killer at a nearby prison. The group plans to search the lodge for money hidden away by the condemned man. Just as the clock strikes three, a stranger rushes in, confessing to the murder. With the execution called off, the gathered parties must hurry and scurry to find the money before the prisoner is released. Director Edward L. Cahn, a longtime Hollywoodite who spent his waning days in lower-rung B pictures, does what he can to make heads or tails of The Clock Strikes Three. ~ Hal Erickson, Rovi

One of the few Twilight Zone episodes with virtually no sci-fi/fantasy trappings whatsoever, this is nonetheless a disturbing and unsettling half hour. In the midst of a surprise birthday party, the revellers are shocked to hear a Civil Defense announcement on the radio, declaring that America is under attack from UFOs. Only Dr. Stockton (Larry Gates) has had the foresight to build a bomb shelter, and before long, he and his family are besieged by desperate neighbors, demanding to be allowed to take refuge in Stockton's cellar. As tensions reach a fever pitch, all of the suppressed hostilities and prejudices of the neighbors come rushing to the surface -- a dangerous situation reminiscent of the finale of the first-season episode "The Monsters are Due on Maple Street," minus the extraterrestrial punchline. Written by Rod Serling, "The Shelter" first aired on September 29, 1961. ~ Hal Erickson, Rovi

Kansas Territory is one of Bill Elliot's latter-day Allied Artists westerns--meaning that even the non-western fan is in for a treat (albeit a violent one). Elliot's brother is killed, which naturally prompts him to seek revenge. On his bloody quest for the guilty party, Elliot learns many facts of his brother's life that he'd rather not know. By the time he confronts the killer, Elliot has a pretty clear picture of how rotten his brother truly was, and how his death was not altogether unjustified. Elliot must also come face to face with the fact that he has become just as brutal as the man he's after. ~ Hal Erickson, Rovi

Not so much produced as stitched together, The Black Lash was ostensibly a sequel, with plenty of stock footage, to Frontier Revenge (1948). Duce Rago (Ray Bennett), whom Marshal (Al "Lash" LaRue) had shipped off to prison in the earlier adventure, is back but his stagecoach and train robberies leave a bit to be desired due to the stupidity of the hired help. Lawyer Bill Leonard (Byron Keith) suggests that they get some "heavy artillery," meaning good ol' Lash, who apparently was so disgusted with Rago only receiving a slap on the wrist for his previous crimes that he abandoned law enforcement for good. Naturally, our black-clad hero is working undercover with Cattlemen's Association agent Lem Woodruff (Kermit Maynard) and this time he manages to send Duce up the river for more than six months. Bennett, Sarah Padden, and Jim Bannon all repeated their roles from the earlier film; actually, the latter was apparently unavailable and a double was rather noticeably employed in all the new footage. Leading lady Peggy Stewart was also back, but her character had changed from an undercover agent in Frontier Revenge to a villainess in the return engagement. (Both Stewart and Ray Bennett visibly age from one scene to another.) Walter Greene's intrusive score is kept at a high pitch throughout even though not much is happening onscreen and the film's running time is stretched to an interminable length with seemingly endless chases on horseback, a sure sign of economy in scripting and execution. The fact that producers Ron Ormond and June Carr (Mrs. Ormond) stretched the Lash LaRue series well beyond the saturation point can only be explained by the popularity of LaRue's sidekick, Al St. John, whose Fuzzy Q. Jones character proved a perennial favorite with the small fry. ~ Hans J. Wollstein, Rovi