Hans-Christian Blech Movies

In this medical science fiction thriller, Vera Pukall (Katherna Thalbach) is a reporter. She is going to a meeting requested by someone who wouldn't identify themselves, but who indicated that it was urgent. When she gets there, she finds a dead, very famous scientist. The police rule it a suicide, but she has doubts. When she looks into it, she discovers a sinister human cloning plot; even the dead man's wife is bearing a fetus made from her own father's cells. Vera is getting a bit too close to the truth for comfort, and the bad guys attempt to do her in. However, she's a resourceful type, and manages an amazing escape. ~ Clarke Fountain, Rovi

The second film in the trilogy made by director Istvan Szabo and actor Klaus Maria Brandauer -- hammocked between Mephisto and Hanussen -- Colonel Redl continues Mephisto's fascination with a man overwhelmed by history. In that film, Brandauer played an actor who tried to ignore the rise of the Third Reich, and here he's an ambitious military officer in pre-World War I Austria whose career path is set early on. In military school, he's forced to inform on a student who's the source of a practical joke; though he beats himself up for being a Judas, he soon realizes that to rise in the ranks he must overcome his peasant background and hide his homosexuality by ingratiating himself with his superiors. In time, he becomes Chief of Military Intelligence for the Austro-Hungarian empire.
Though he professes to hate politics and politicians, Redl also can't avoid them. When the leader for whom Redl is supposedly spying among the officer corps, draws up a list of who can't be exposed for traitorous activities (including Austrian nobles, Hungarians, Czechs, Serbs, Croatians, and even the usual scapegoats, Jews -- the aftershocks of the Dreyfuss affair are still rumbling), he tells Redl that he must find a double of himself, a Ukrainian. Now certain that he will be exposed, Redl surrenders to fate, quoting to his wife from Montaigne: "It's no sin to be involved. It's a sin to remain involved." Brandauer is a wonder as the self-loathing Redl, and Szabo's camera picks up every nuance on his expressive face. The film eschews music except for several party scenes, and the absence of a score is most effective in the final shots of Redl's fellow officers awaiting his fate. ~ Tom Wiener, Rovi

Hans Castrop (Christoph Eichhorn) goes to visit a cousin in a Swiss tuberculosis sanatorium, intending to stay for about three weeks, but instead ends up staying for seven years observing the fascinating inhabitants at this supposed haven from the society that has slid downhill to the brink of World War I. The characters he observes range from the politically dueling pair of Lucovico Settembrini (Flavio Bucci), a capitalist "liberal" and Leo Nafta (Charles Aznavour), a Jewish leftist, Claudia Chaochat (Marie-France Pisier), an attractive, passionate Russian woman, and others such as a Dutch businessman with suicidal tendencies, Mynheer Peeperkorn (Rod Steiger). The unfolding exchanges between the protagonists are meant to mirror the larger European world in which they live, and stay close to the Nobel Prize-winning novel (1929) of the same name by Thomas Mann, on which this film is based. ~ Eleanor Mannikka, Rovi

Shortly before the 1944 World War II "Battle of the Bulge," in the Ardennes Forest (the border region between Belgium and Germany), a German Major, knowing that the war is lost, decides to try to surrender his men to the Allies and save numerous lives. In this story, based on the novel by Alfred Andersch, Major Dincklage has the unenviable task of arranging the tricky surrender before the next wave of fighting begins. He must persuade key subordinates to undertake the surrender and also convince the U.S. Allied Forces that it is genuine. Conflicting priorities between his men, the local population and the allies lay the groundwork for a tragic finale. ~ Clarke Fountain, Rovi

This movie, based on a novel by Manfred Bieler, chronicles the complex romantic and daily lives of three daughters of a German merchant living in Prague in 1936. The oldest daughter is Christine, who falls in love with and marries a porcelain dealer. The next younger daughter Sophie has an affair with a composer but falls for the porcelain dealer. The youngest daughter Katherina falls for a Czech communist member of the anti-Nazi underground. When the war comes, Christine becomes the lover of a Gestapo officer, Sophie goes to a convent as a nurse, and Katherina joins the partisans. After the war, the composer who had wood her originally kills Sophie's boyfriend, the porcelain dealer husband of Christine. The communist abandons Katherina for his career, and all three girls are returned to Germany as unwanted aliens. ~ Clarke Fountain, Rovi

The heiress Claire (Charlotte Rampling) in this movie is the daughter of the Miss Blandish of the film No Orchids for Miss Blandish. She has been raised under the unsympathetic eye of her aunt (Edwige Feuillere), who has no intention of seeing her receive her large inheritance. A somewhat violent girl (her father was a mentally retarded killer), she has been confined in a mental asylum. All the men who help her meet tragedy and death in the course of the film, but Claire gets help from other quarters, and her prospects look good. ~ Clarke Fountain, Rovi

Based on the best-selling novel by Nobel-laureate Heinrich Böll, this drama is a passionate indictment of Catholicism. Hans Schnier (Helmut Griem) has earned his living as a clown, though he is in fact a very covert sort of social critic. After enduring a difficult childhood in Bonn during the Second World War, including his mother's fanatic Nazism, he is appalled to discover many of the people he knows and loves swept deeply into involvement in the Catholic Church. His complete estrangement from his family and friends, who are now either bourgeois or passionately Catholic (or both), is demonstrated to him, after he makes a series of efforts to make contact. ~ Clarke Fountain, Rovi

The Wrong Move and The Wrong Movement were the English-language titles for German director Wim Wenders' Falsche Bewegung. Made for television, the film is an update of Goethe's Wilhelm Meister. Ruediger Vogeler plays aspiring writer Wilhelm Meister, who goes on a long odyssey in the woods in search of truth. His companions on this journey are pragmatic Therese (Hanna Schygulla), bisexual Mignon (Nastassja Kinski, billed under her real name, Nakszynski), Mignon's hippielike boyfriend Laertes (Hans-Christian Blech), and artistically bankrupt poet Landau (Peter Kean). The foursome accept the hospitality of an industrialist (Ivan Desny), who unbeknownst to all but himself is a deeply troubled ex-Nazi. Novelist Peter Handke wrote the screenplay for Wrong Move. ~ Hal Erickson, Rovi

This bleak World War II action drama, directed by John Guillermin, concerns the Ludendorff Bridge at Remagen -- the last remaining span across the Rhine into Germany during the final days of the war in 1945. German General von Brock (Peter Van Eyck) is ordered to blow up the bridge rather than let it fall into American hands. Von Brock is reluctant to carry out the orders, however, because that would mean abandoning 50,000 soldiers to the on-coming Americans. Putting Major Paul Kreuger (Robert Vaughn) in charge, he tells him to try to hold the bridge as long as possible. Meanwhile, U.S. Brigadier General Skinner (E.G. Marshall) is trying to trap the retreating Germans by making a push to the Rhine. Leading the offensive is Major Barnes (Bradford Dillman), an officer held in contempt by most of the men. Platoon leader Lieutenant Phil Hartman (George Segal) takes a particular dislike to him. Hartman is also at odds with Sergeant Angela (Ben Gazzara), a scavenger who likes to steal from the corpses of dead German soldiers. As the Americans push onward to Remagen, the Germans step up their resistance. When the Americans reach Remagen, Krueger unsuccessfully attempts to blow up the bridge and throws all his soldiers into a full-assault on the Americans. Skinner orders that the American soldiers must push forward and take the bridge intact. In the face of heavy German opposition, Hartman and Angelo find that they must put aside their differences and fight for a common cause -- to take the bridge at all costs. ~ Paul Brenner, Rovi

Bernhard Wicki directed this hard-hitting World War II espionage drama. Marlon Brando plays Robert Crain, a German deserter who is coerced by British Intelligence officer Colonel Statter (Trevor Howard) to impersonate a Gestapo officer in order to get aboard a German blockade runner that is conveying a valuable rubber cargo from the Orient. Crain's assignment is to save the rubber by finding a way to deactivate the explosives that the ship's captain would use to destroy the ship if captured by the enemy. Crain finds his way aboard the ship, but the ship's commander Captain Mueller (Yul Brynner), skeptical of the Nazis, refuses to let Crain out of his sight. When survivors of a sunken vessel board the ship, and Crain realizes that his identity may be exposed by two rescued German submarine officers, he incites Mueller's officers and the new arrivals to mutiny before his true identity is revealed. ~ Paul Brenner, Rovi