Bob Steele Movies

Originally released as Nightmare Honeymoon, this lurid thriller stars Dack Rambo and Rebecca Diana Smith. Rambo plays a Vietnam vet (he's certainly got the right name for it), while Rebecca is cast as his new bride, an heiress. While on their honeymoon, the newlyweds witness a murder and Rebecca is raped. Rambo's killer instinct quickly rises to the surface. Based on a novel by Lawrence Block, Deadly Honeymoon was to have been directed by Nicolas Roeg, but he ankled the project after less than a week and was replaced by Elliot Silverstein. ~ Hal Erickson, All Movie Guide

John Wayne, in the last of his Civil War characterizations, portrays Cord McNally, a Union Army colonel who loses a gold shipment in a Confederate raid, during which a devoted young officer is also killed. After the end of the war, McNally bears no ill-will toward the leaders of the raid, Pierre Cordona (Jorge Rivero) and Tuscarora Phillips (Christopher Mitchum), who were acting as soldiers, but he still wants the two unknown men on the Union side who they say sold them the information about the gold shipments. A year later, McNally crosses paths with one of the men, now a deputy from Rio Lobo, who is about to take Shasta Delaney (Jennifer O'Neill), a seemingly innocent young woman, out of a neighboring town at gunpoint. A shootout ensues, in which McNally's man and three other Rio Lobo deputies are killed, with help from Cordona -- this makes McNally very interested in what's going on in Rio Lobo, and he decides to go there with Cordona and Shasta. They find a whole community under siege from their own sheriff, a sadistic ex-outlaw named Hendricks (Mike Henry). What follows is a series of confrontations and revelations that are alternately suspenseful, sadistic -- with maimings worthy of a spaghetti western and characters even getting blown to bits -- and even occasionally comical. But the pieces all tie together very neatly, despite a convoluted plot that's sort of Rio Bravo (made 11 years earlier, also starring Wayne and directed by Hawks, and scripted by Leigh Brackett) turned sideways and readjusted to a more cynical era. ~ Bruce Eder, All Movie Guide

In this western comedy, a bogus evangelist and his assistant travel to the town of Friendly and endeavor to rob the West's purportedly most unrobbable bank. Unfortunately, they are not the only bandits planning to rob the bank. Their rivals in robbery include a Mexican bandido and his dullard son. A gunman and his assistant also want to attempt a heist. To make things even more confusing, a Texas Ranger and his six Chinese-American G-men pose as laundrymen to investigate a crooked mayor. They all converge on Friendly at the same time and chaos ensues when they meet. ~ Sandra Brennan, All Movie Guide

The year is 1863. Wealthy Virginia landowner Charlie Anderson (James Stewart), a man of peace despite his autocratic behavior, steadfastly refuses to take sides in the Civil War. Bit by bit, Anderson's isolationism--and his way of living--is torn apart.
Charlie's daughter, Jannie Anderson (Rosemary Forsyth) falls in love with Confederate soldier Sam (Doug McClure). His youngest son, Boy Anderson (Philip Alford) is captured by the Confederate army and taken prisoner. Meanwhile, another son, James (Patrick Wayne) and his wife, Ann (Katherine Ross), are murdered by looters. And his oldest son, Jacob Glenn Corbett, is accidentally killed. How all of these personal tragedies culminate in a successfully sentimental finale is the peculiar charm of Shenandoah, which proved to be a hit with audiences on both sides of the Mason-Dixon line. James Lee Barrett's screenplay was later adapted into a successful Broadway musical, starring Northern Exposure's John Cullum in the Stewart role. ~ Hal Erickson, All Movie Guide

Bernard Fox guest stars as Major Bentley Royce (foreign-car fanciers please note!), late of the Bengal Lancers. Arriving amidst much ceremony at Fort Courage, the "Phantom Major" sets about to instruct the men of F Troop in the fine art of camouflage. Unfortunately, the troopers can barely find themselves even when they aren't camouflaged, and it looks as though Bentley Royce's planned infiltration of the Hekawi Tribe will be a humiliating bust unless O'Rourke (Forrest Tucker) can come to the rescue. ~ Hal Erickson, All Movie Guide

Adapting his own novel, Frank Gruber penned the screenplay for the A.C. Lyles production Town Tamer. Veteran filmmaker Leslie Selander directs an equally veteran cast in this high-action Western. After his wife is murdered, hired gun Tom Rosser (Dana Andrews) rides into town in search of revenge and justice. Two years later, the killers have become the corrupt town leaders: Marshall Lee Ring (Lyle Bettger) and saloon owner Riley Condor (Bruce Cabot). They are aided by the Marshall's sadist henchman Johnny Honsinger (Richard Jaeckel). Tom proceeds to clean up the town by engaging in constant shoot-outs and barroom brawls. Once he gets rid of the bad guys, he earns respect from Mayor Leach (Lon Chaney Jr.), Doctor Kent (Richard Arlen), and other townsfolk (Burton MacLane and Jeanne Cagney). ~ Andrea LeVasseur, All Movie Guide

Audie Murphy continued to make 1950s-style westerns into the 1960s. In Bullet for a Badman, Logan Keliher (Murphy) is framed for murder by onetime friend Sam Ward (Darren McGavin). Keliher escapes to mete out justice and to reclaim his former wife (Ruta Lee), whom Ward has married. The escapee gradually comes to realize that the true villain of the piece is not his ex-friend but instead his ex-wife. A Bullet for a Badman was shipped out to the lower halves of Universal's drive-in double bills for the 1963-64 season. ~ Hal Erickson, All Movie Guide

In 4 for Texas, Frank Sinatra and Dean Martin star as Zack Thomas and Joe Jarrett, a pair of rival mountebanks who spend most of the film battling over who will control the gambling and wenching in 1870 Galveston. Though they'd as soon cut each other's throats than cooperate, Zack and Joe are forced to unite against a pair of common enemies: crooked banker Harvey Burden (played by Victor Buono, a favorite of director Robert Aldrich) and cold-blooded outlaw/hired-gun Matson (Charles Bronson, virtually the only person in the film who takes his role seriously). The heroes also battle over the affections of well-endowed heroines Elya Carlson (Anita Ekberg) and Maxine Richter (Ursula Andress), both of whom are sharp-witted businesswomen who match Zack and Joe scam for scam. The Three Stooges show up for a moment, in which they repeat their "point to the right" and "State of Texas" routines, and get into a fracas with feisty little old lady Jesslyn Fax. Also making guest appearances are Arthur Godfrey and Teddy Buckner and His All Stars. ~ Hal Erickson, All Movie Guide

A sometimes astonishingly grim western, Six Black Horses ostensibly stars Audie Murphy, but is effortlessly stolen by Frank Jesse (Dan Duryea). Wrongly accused of horse theft, Ben Lane (Murphy) is rescued by ruthless but sentimental gunslinger Jesse. The two men are hired as trail guides by Kelly (Joan O'Brien), who wants to traverse hostile Indian territory so that she can be reunited with her husband. What she knows -- but the audience doesn't -- is that her husband is dead, murdered by Jesse. Kelly had hired him to exact vengeance, but it is she who is nearly killed. Lane is left stranded when Jesse rides off to claim the money promised him by Kelly. This he does so as to finance his "dream funeral," wherein his casket will be borne to Boot Hill by six black horses. When Lane catches up with Jesse, he sees to it that the outlaw gets his wish -- after first taking the precaution of filling Jesse full of lead. ~ Hal Erickson, All Movie Guide

Michael Curtiz's The Comancheros was a deceptively complex movie -- so enjoyable, that it masked some of the best character development seen in a John Wayne vehicle that was not directed by John Ford or Howard Hawks, and so well made that it got by with some of the most violent action seen in a major studio release of the era. It also bridged the gap between Ford's The Searchers and the upbeat buddy movies of the late '60s and '70s (The Sting, Butch Cassidy and the Sundance Kid, etc.). It's 1843 in the Republic of Texas, and Jake Cutter (John Wayne) is a two-fisted Texas Ranger who runs across a gang of white renegades, called the Comancheros, who are trading guns and other contraband with marauding Comanches from a secret hideout in Mexico. Substituting for a repentant gun-runner, he goes undercover as a partner with Crow (Lee Marvin), a vicious half-breed who is a contact man with the Comancheros and knows the whereabouts of their hideout in Mexico. But Crow manages to get himself killed, and Cutter is forced to throw in with Paul Regret (Stuart Whitman), a bystander who also happens to be an itinerant gambler wanted for killing a man in a duel in New Orleans, to complete his mission. It turns out that Regret is a more decent man than most, and he and Cutter, despite some different outlooks on right and wrong, take a liking to each other. Their quest eventually takes them south of the border, where they find the Comancheros and their leader, Graile (Nehemiah Persoff), a bitter, brilliant cripple -- think of The Sea Wolf's Wolf Larsen in a wheelchair -- who has established a landlocked pirate society, and his daughter Pilar (Ina Balin). The only thing that keeps Cutter and Regret alive when they enter the camp is that Pilar and Regret have a history, and she still has feelings for him, enough so that she won't tell what she knows about Cutter and who he is. The two men must play on Graile's greed and Pilar's love in the explosive surroundings of the Comancheros' camp, while figuring out a way to stay alive long enough to get word to the rangers about where they are -- and to survive the attack that must inevitably follow.

Director Michael Curtiz was ill for part of the shoot, and Wayne took up the slack, but The Comancheros displays some of the same freewheeling charm and deep passions that informed classic films of his such as Captain Blood, The Adventures of Robin Hood, and The Sea Hawk. Wayne and Whitman between them manage to evoke some of the rambunctiousness of Errol Flynn, and when Balin (one of the sexiest leading ladies ever to grace a John Wayne movie) arrives onscreen, the testosterone level shoots up even higher and the sexual sparks fly. The film's 105 minutes go by very fast, and this is a movie whose ending comes almost too soon. Curtiz's final film is one that leaves audiences with a smile, but also wanting more, which was a pretty good way to go out. John Wayne's daughter, Aissa Wayne (who subsequently went into a law career) appears in a small role. ~ Bruce Eder, All Movie Guide

In the 13th episode of Walt Disney's 17-part miniseries Tales of Texas John Slaughter, John (Tom Tryon) finds himself in the uncomfortable position of mediating an argument between his son Willie (Brian Corcoran) and his new bride Viola (Betty Lynn). This domestic disturbance is temporarily shelved when word arrives that Apache marauders are killing the local ranchers' cattle. Hoping to stem this wave of terror, John pays a visit to his Indian friend Natchez (Jay Silverheels), who is now chief of the Apaches. Alas, the situation is beyond Natchez' control; the person responsible for the present crisis is the renegade Geronimo (Pat Hogan). Much against the wishes of his family, John tries to bring Geronimo out into the open by challenging the Apache to mortal combat. Originally telecast as part of the Walt Disney Presents anthology, "Geronimo's Revenge" and the 1961 episode "The End of the Trail" were edited together in 1964 and released theatrically overseas as a "feature film," also titled Geronimo's Revenge. ~ Hal Erickson, All Movie Guide

Set in Texas during the late 1860s, Rio Bravo is a story of men (and women) and a town under siege. Presidio County Sheriff John T. Chance (John Wayne) is holding Joe Burdette (Claude Akins), a worthless, drunken thug, for the murder of an unarmed man in a fight in a saloon -- the problem is that Joe is the brother of wealthy land baron Nathan Burdette (John Russell), who owns a big chunk of the county and can buy all the hired guns he doesn't already have working for him. Burdette's men cut the town off to prevent Chance from getting Joe into more secure surroundings, and then the hired guns come in, waiting around for their chance to break him out of jail. Chance has to wait for the United States marshal to show up, in six days, his only help from Stumpy (Walter Brennan), a toothless, cantankerous old deputy with a bad leg who guards the jail, and Dude (Dean Martin), his former deputy, who's spent the last two years stumbling around in a drunken stupor over a woman that left him. Chance's friend, trail boss Pat Wheeler (Ward Bond), arrives at the outset of the siege and tries to help, offering the services of himself and his drovers as deputies, which Chance turns down, saying they're not professionals and would be too worried about their families to be good at anything except being targets for Burdette's men; but Chance does try to enlist the services of Wheeler's newest employee, a callow-looking young gunman named Colorado Ryan (Ricky Nelson), who politely turns him down, saying he prefers to mind his own business. In the midst of all of this tension, Feathers (Angie Dickinson), a dance hall entertainer, arrives in town and nearly gets locked up by Chance for cheating at cards, until he finds out that he was wrong and that she's not guilty -- this starts a verbal duel between the two of them that grows more sexually intense as the movie progresses and she finds herself in the middle of Chance's fight. Wheeler is murdered by one of Burgette's hired guns who is, in turn, killed by Dude in an intense confrontation in a saloon. Colorado throws in with Chance after his boss is killed and picks up some of the slack left by Dude, who isn't quite over his need for a drink or the shakes that come with trying to stop. Chance and Burdette keep raising the ante on each other, Chance, Dude, and Colorado killing enough of the rancher's men that he's got to double what he's paying to make it worth the risk, and the undertaker (Joseph Shimada) gets plenty of business from Burdette before the two sides arrive at a stalemate -- Burdette is holding Dude and will release him in exchange for Joe. This leads to the final, bloody confrontation between Chance and Burdette, where the wagons brought to town by the murdered Wheeler play an unexpected and essential role in tipping the balance. ~ Bruce Eder, All Movie Guide