Alison Steadman Movies

The often-troubled life of one of the greatest comic actors in the history of the British cinema provides the basis for this biopic. Peter Sellers (Geoffrey Rush) was raised by a domineering mother (Miriam Margolyes) and meek father (Peter Vaughan), and at an early age discovered he liked to hide behind the emotional curtain of playing a character. In time, Sellers put this skill to use as an actor, and discovered he had a great gift for comedy. In the late '50s, Sellers rose to fame on the wildly popular radio series The Goon Show alongside Spike Milligan (Edward Tudor Pole) and Harry Secombe (Steve Pemberton), but as his success on radio gave way to stardom on the big screen, Sellers' ego began to get the better of him. While working on a film with Sophia Loren (Sonia Aquino), Sellers fell in love with the great Italian beauty, and eventually left his wife Anne (Emily Watson) to pursue her; when it became clear that Loren wanted nothing to do with him, Sellers fell into an affair with her stand-in instead. Professionally, Sellers career hits a new high when he agrees to take a role in a picture being directed by American filmmaker Blake Edwards (John Lithgow) called The Pink Panther, and personally he finds a new love with the beautiful Britt Ekland (Charlize Theron). But Sellers' mood swings eventually put paid to their marriage, and while he finds commercial success as a funnyman onscreen, he achieves little in the way of happiness or respect. Produced for the American premium cable service HBO, The Life and Death of Peter Sellers was screened in competition at the 2004 Cannes Film Festival. ~ Mark Deming, All Movie Guide

New wrinkles are added to an old crime when a spitting image of the victim shows up in this dark comedy. Pen-y-wig is a small town along the southern coast of Wales where, in 1988, Jenny Thomas (Emmy Rossum) won first prize in a local beauty contest. On her way home, Jenny began having car trouble, and when Tin Man (Om Puri), a local oddball, found her stranded by the side of the road, he offered to go find help. Jenny was soon approached by Joe (Richard Coyle), a boy she had been dating, as well as Joe's friend Glen (Paddy Considine). Jenny and Joe got into a quarrel, and when Jenny tripped and fell, she struck her head and died immediately. Panicked, Joe and Glen told the police that Tin Man had killed Jenny, and he was found guilty and sentenced to a lengthy stay behind bars. In 2000, Jenny's sister, Tina Trent (Susan Lynch), returns to Pen-y-wig after spending several years in Alaska, and she brings along her teenaged daughter, Nicky Trent, who bears a striking resemblance to Jenny (and is also played by Emmy Rossum). Nicky's arrival in town inspires no small amount of gossip about the death of her aunt, which is bad news for Glen, currently running for a seat in an upcoming local election. As it happens, Tin Man is due to be released from jail soon, and Max (Ioan Gruffudd), a police detective new to the community, begins looking at the loose ends of the case against Tin Man, certain there's more to the story than he's been told. Max also develops a personal interest in the case when he becomes involved with Nicky, who is living with her mother in the same rooming house that Max calls home. Happy Now was the first feature film from director and screenwriter Philippa Collie-Cousins, who in 1999 won the BAFTA award for Best Short Film for her comedy The Deadness of Dad. ~ Mark Deming, All Movie Guide

The line between reality and fiction becomes increasingly blurred as an ailing screenwriter struggles with a story that seems to come to life before his eyes. A self-destructive loaner whose battle with pancreatic cancer has left him embittered and in great pain, Daniel Feeld (Albert Finney) decides to focus his attention on an a new screenplay entitled "Karaoke." A lurid tale concerning the murder of a young girl working in a seedy karaoke bar, the story soon begins to invade Feeld's reality when he overhears people speaking the dialogue that he had written and finds that the people working in a local karaoke dive not only share his character's names, but their lives as well. Drawn to the suspiciously familiar plight of hostess Sandra (Saffron Burrows), Feeld's suspicions of thuggish club-owner Arthur "Pig" Mallion (Hywel Bennett) begin to mount as Feeld increasingly questions both his health and sanity. ~ Jason Buchanan, All Movie Guide

This two-part British miniseries chronicled the misfortunes of meek solicitor Henry Farr (Robert Lindsay), trapped in dead-end suburban domesticity and saddled with a feminist virago of a wife named Elinor (Alison Steadman). Finally able to stand no more, Henry plotted to do away with Elinor by means of poison. Alas, his scheme had a few glitches, and before long virtually everyone in the town of Wimbledon had dropped dead except for Elinor. Meanwhile, the local constabulary, led by Detective John Rush (Philip Jackson), tried to figure out what was causing the unusually high mortality rate. Played as much for laughs as for thrills, The Wimbledon Poisoner originally aired in 1994. ~ Hal Erickson, All Movie Guide

Tartuffe, French playwright Moliere's 16th-century satire of religious quackery, is given right and proper treatment by the Royal Shakespeare Company in this videotaped staging. Anthony Sher plays the title role, a haughty, self-righteous phony who inveigles his way into a wealthy household. Not content with robbing his host blind in the name of the Almighty, Tartuffe also sets about to seduce the lady in the house. The satire was so pointed that, when the play was originally presented, Moliere was forced to shoehorn in a scene showing Tartuffe's punishment at the hands of the authorities--the best possible way of distancing Tartuffe's fraudulent piety with the real-life power abuses then being perpetrated by the Church. Also featured in this witty adaptation of the Moliere original is Nigel Hawthorne, who would later be nominated for an Oscar for The Madness of King George. ~ Hal Erickson, All Movie Guide

British character actor Alfred Molina contributes another top-rank characterization in Virtuoso. Molina essays the role of real-life concert pianist John Ogden. The film touches briefly upon Ogden's performing genius, then takes a dark turn by concentrating on his descent into mental illness. Alison Steadman co-stars in this made-for-British-TV production. Virtuoso was first seen in the US over the A&E cable network. ~ Hal Erickson, All Movie Guide

Produced for London Weekend Television, Wilt is based on the novel of the same name by Tom Sharpe. Griff Rhys Jones and Mel Smith, stars of the internationally popular TV series Not Necessarily the News, head the cast as Henry Wilt and Inspector Flint. Though master of his own destiny on the lecture circuit, Wilt is a natural-born doormat in his day-to-day life. He also has a bad habit of inadvertently gumming up the various investigations conducted by Inspector Flint. Things come to a head when the hapless Wilt is implicated in a murder, allowing the zealous Flint to persecute -- er, prosecute -- the poor man to the full limit of the law. With its parade of eccentric character and Gilbert & Sullivan-style plot complications, Wilt can't help but raise chuckles. ~ Hal Erickson, All Movie Guide

Stormy Monday is a four-person character study in which style is all that matters. This tautly constructed, deftly executed crime thriller is set in economically depressed Newcastle England. Sting plays Finney, a relatively honest Newcastle jazz-club owner who crosses the path of crass American gangster Cosmo (Tommy Lee Jones). Flaunting his wealth at every opportunity, Cosmo wants to involve Finney in a land development deal -- if only he'll give up his club. Both men are enamored of Kate (Melanie Griffith), who becomes a pawn in their ongoing one-upsmanship. Kate and her lover (Sean Bean) try to prevent Finney from corrupting his own sense of values by wallowing in the gutter with Cosmo. Stormy Monday, the first feature-length directorial effort of former jazz musician Mike Figgis, who also wrote the script and composed the score, tells its story using subtle shadings of character and a vivid evocation of its Newcastle setting rather than through violent action. Figgis's moody direction of his excellent screenplay is quietly effective and brimming with visual nuance and irony -- particularly in its perceptive take on love, money, jazz, and economic necessity. ~ Hal Erickson, All Movie Guide

John Cleese's knack for mining hilarity from the growing frustration of a dignified gentleman is fully exploited in the British comedy Clockwise. Cleese portrays Brian Stimpson, a perfectionist English headmaster who has been selected to make an important presentation before a group of his peers. When Stimpson sets out upon his journey, however, he finds himself facing a seemingly never-ending series of delays and inconveniences, which range from missing a train to becoming a fugitive from the police. The film goes no deeper than its farcical surface, but is nevertheless consistently entertaining, thanks to former Monty Python member Cleese's precisely tuned transitions from composure to complete collapse. ~ Judd Blaise, All Movie Guide

John Hurt plays the British jockey Bob Champion in this true story of how Champion overcame cancer and the rigors of chemotherapy for an impressive personal and professional comeback. Just as Champion is in the middle of a vacation in Kentucky, he finds out he has cancer, and, like others before him, submits to the full, painful treatments of multiple injections and radiation, suffering as much or more from the cure as from the illness (these treatments are graphic). Gaunt and nauseous, Champion also endures realistic meetings with his doctors that hold forth no guarantee of a cure. His eventual remission leads to yet another grueling physical schedule to get him back into shape for the Grand National Steeplechase -- a 30-fence, well-publicized race that offers difficult hurdles for both the horses and their jockeys. If the 115-minutes running time of this film were cut in places, it would create a better, trim and slim, fast-paced telling of an even more focused tale. ~ Eleanor Mannikka, All Movie Guide

In this conventional, formulaic tale about a nonchalant snooker (pool, British style) hustler who is conned into competing in a national championship, good ensemble acting carries the story beyond its predictable evolution. Bob Geldof is Harry (Flash) Gordon, the snooker player who hustles games in low-end London halls, picking up a little cash here and there and also getting into occasional trouble. Nevertheless, he is more or less content with his life and his girlfriend (a prostitute who loves him) until promoter Billy Evans (Mel Smith) comes along and convinces him to leave the penny-ante and troubles behind and compete in a national championship for real money. Big stakes create bigger headaches, and by the time the final game is set to be played, Gordon is faced with a decision to either save his skin and give in to pressure to throw the game, or stick to his scruples and play the best he can. For foreign, including American English speakers, the accents in the snooker halls may leave them a little linguistically snookered at first. ~ Eleanor Mannikka, All Movie Guide