Maureen Stapleton Movies

During her valedictorian address at her high school graduation, Renata Devereaux (Shanee Edwards) makes a startling confession: She's killed a fellow student. In flashbacks, she tells the story of how she came to accidentally drown a student (Charles Newmark) who taunted her. After that drowning, Renata, who can't keep out of trouble, helps her friend Jodi (Cherilyn Hayres) get an abortion, but the citizens of her small town, seeing Renata on television during an abortion protest, think Renata was the one that was pregnant. Consequently, Renata and Jodi have a lesbian fling. Life with her ex-sheriff father (Danny Aiello) and Zen-obsessed mother (Sally Kirkland) takes a dramatic turn during all of this, but somehow Renata is still the class valedictorian. ~ Buzz McClain, All Movie Guide

Jack Lemmon has mastered both stage and screen in his career with such hits as "The Odd Couple," "The Days of Wine and Roses," "The China Syndrome," "Save the Tiger" (for which he received an Oscar) and "Grumpy Old Men." He and Walter Matthau starred in numerous films together that were nearly always a hit. Lemmon has displayed a wide range of acting talents. He knows just how to make a character appear funny, sympathetic or absolutely driven. His ability to act in both solid dramas and lighthearted comedies has always served him well. Few can watch "The Days of Wine and Roses" without shedding a tear or laughing almost uncontrollably at his performances in both "The Odd Couple" or the original "The Out of Towners." Lemmon himself hosts this biography that includes interviews with many of his costars and colleagues such as playwright Neil Simon. ~ Elizabeth Smith, All Movie Guide

The Mommy Market originated as a fey satirical novel by Nancy Brelis. In the film version, Anna Chlumsky plays the oldest of three siblings who are fed up with their impossible mother (Sissy Spacek). Through methods too complicated to go into here, the kids are able to make Mom completely disappear. They then head to the local "Mommy Market" to select a new parent. Spacek returns to play three entirely different characters, an impressive chunk of versatility indeed. Far more impressive than the film itself, which suffers from lackluster direction (by Tia Brelis, daughter of author Nancy Brelis) and a threadbare budget. Test-marketed under its original title in 1992, The Mommy Market fell flat with audiences; it was reissued with alterations as Trading Mom in 1994, only to plunge into obscurity for a second time. ~ Hal Erickson, All Movie Guide

President Abraham Lincoln leads the Union in the fight to end the awful bloodshed of the Civil War. The year is 1863. The president had a continuous struggle with the commanders of his army, and the bloodshed from the fighting at Antietam and Fredericksburg distressed him greatly. 1863 was the year of his Emancipation Proclamation and Gettysburg Address. Listen to the story of the events that led to the amazing address at Gettysburg. Actor Jason Robards brings to life the voice of President Lincoln. PBS originally aired this program, the second of a four-volume set narrated by actor James Earl Jones. ~ Linda J. Shriver, All Movie Guide

This video is the fourth installment of the Lincoln series, originally aired on PBS. This volume focuses on the last days and hours of Abraham Lincoln's life. Viewers watch as Lincoln's enemies plot their final revenge on the man they believed had dishonored their heritage. The video also reveals how Lincoln's own dreams foreshadowed his murder and how the series of public funerals, following his death, helped fuel his legendary status that has only grown with time. ~ Karla Baker, All Movie Guide

By the third year of the Civil War, personal and national tragedy had worn down President Lincoln. However, he focused on his job tenaciously, having a strong sense of history. This is the third of four programs in the Lincoln series, which originally aired on PBS. Produced and directed by Peter W. Kunhardt, this program is narrated by renowned actor James Earl Jones and features award-winning actor Jason Robards reading from letters, speeches, and diaries. Highlights include period photographs. The other three programs in the series are titled Lincoln: The Making of a President, 1860-1862, Lincoln: The Pivotal Year, 1863, and Lincoln: Now He Belongs to the Ages, 1865. ~ Steve Blackburn, All Movie Guide

Cocoon 2: The Return, like most sequels, relies a bit too heavily on one's familiarity with the first film. Without dwelling too long on Cocoon #1, we can observe that it ended with a group of senior citizens heading for the distant planet of Antarea, hoping to find a new, rewarding and elongated life. Cocoon 2 picks up the action five years later: The Antareans return to earth to check on the damage caused to their life-regenerating cocoons by earthquakes. Coming along for the ride are the elderly couples whom we met in the first film. Also carried over from the first Cocoon are young ferryboat captain Steve Guttenberg and gorgeous Antarean Tahnee Welch, who resume their interplanetary romance. Oldster Jack Gilford, whose beloved wife died in Cocoon, likewise finds romance in the form of Elaine Stritch. A secondary plot involves an insidious secret government plan to exploit the Antareans, which is foiled by sympathetic researcher Courteney Cox. ~ Hal Erickson, All Movie Guide

High-priced hooker Barbra Streisand has been arrested for the murder of one of her clients. The attorney engaged by Streisand's parents hope to cop an insanity plea so that she can avoid a trial and manslaughter conviction. But she refuses this, citing a proviso in New York law that may result in her spending the rest of her life in an institution. Against all odds, struggling lawyer Richard Dreyfuss tries to prove that Streisand is not crazy and capable of standing trial. Dreyfuss certainly has his work cut out for him: from what we've seen in the film thus far, the violently impulsive Streisand is not only "nuts," but certifiably so. Though she has plenty of opportunity in Nuts to give out with her usual bravura Streisandisms, Streisand (who also produced the film and wrote the songs) is surprisingly restrained through most of the proceedings. And then there's that extended-monologue climax. Nuts was adapted by Tom Topor, Darryl Ponicsan and Alvin Sargent from Topor's stage play. ~ Hal Erickson, All Movie Guide

Alan Rudolph directed this offbeat, boy-meets-girl romance in which boy dies, dead boy meets dead girl, dead boy loses dead girl, and dead boy tries to find dead girl again. The tale begins is a small Pennsylvania town, where Mike Shea (Timothy Hutton) dreams of escaping small town life and moving to California with his girlfriend Brenda (Mare Winningham). But Brenda leaves him with his motor running and Mike takes off alone. On the way, he rescues a woman and her children from an icy river but perishes himself. He finds himself in Heaven, where he is greeted by Aunt Lisa (Maureen Stapleton), who explains the rules and regulations. Once in the ethereal realm, Mike falls in love with a heavenly lass with flaxen locks named Annie (Kelly McGillis). But their love is torn asunder because Annie has not yet earned her wings on Earth; she must leave on a tour of duty and put in time inhabiting a human body. Mike is beside himself in despair, but the heavenly powers, in the form of Emmett (Debra Winger), chain-smoking and sporting an orange crewcut like a ghostly Laurie Anderson, offer him a deal. Mike can return to Earth, but only on the stipulation that neither he nor Annie will remember each other. They then have thirty years in which to find one another again. ~ Paul Brenner, All Movie Guide

Animation veteran Faith Hubley worked solo for the first time since her husband's death in 1977 to oversee the feature-length cartoon The Cosmic Eye. The film concentrates on nothing less than the evolution of the earth, as seen through the eyes of three ultracool jazz musicians. Newly filmed material is blended with earlier Hubley projects to come up with an immensely satisfying unified whole. The animation is brilliantly complemented by the voicework (and musical contributions) of Dizzy Gillespie as the head musician, and by the soothing tones of Jean Stapleton as the humanized Earth. The film's overall message of peace, tolerance and conservation is never offered in the sledgehammer fashion of say, TV's Captain Planet. Completed in 1985, The Cosmic Eye was distributed on a limited basis the following year. ~ Hal Erickson, All Movie Guide

Cocoon is a warm-hearted science-fiction fable that avoids becoming overly corny thanks to the performances of its mostly senior cast. Wilford Brimley, Don Ameche, and Hume Cronyn are three old-timers who sneak out of their retirement home a few days a week to swim in the large pool on an abandoned estate next door. When the threesome begins to feel curiously younger, they discover strange pods on the floor of the pool. These pods are alien cocoons, which are being pulled from the ocean by a team of extra-terrestrials in human form led by Walter (Brian Dennehy), who has hired a local charter operator (Steve Guttenberg) to assist him. Walter explains to the seniors that energy from the cocoons is restoring youth and vigor to the older men every time they go for a dip. The aliens agree to let the men continue to swim in secret, but of course they can't keep their discovery to themselves. Soon the pool is swarming with retirees, with the notable exception of Bernie (Jack Gilford), who has no interest in prolonging life any longer than necessary. The aliens ultimately prepare to return home and offer the retirees eternal life if they leave Earth behind as well. Director Ron Howard treats his old-timers with care and dignity, and they respond with deeply sympathetic performances (Ameche won the Best Supporting Actor Oscar); the film's science-fiction trappings ably sustain the story's all-too-human ruminations on youth, aging, life, and death. ~ Don Kaye, All Movie Guide