Lewis J. Stadlen Movies
The son of famed voiceover actor Allen Swift, Lewis J. Stadlen prepared for his own show business career by studying with Sanford Meisner and Stella Adler. At 19, Stadlen was cast as Mendel in the touring company of Fiddler on the Roof. He made his 1969 Broadway bow as young Julius Marx--alias Groucho--in the short-lived musical comedy Minnie's Boys. Subsequent New York theatre credits included Neil Simon's The Sunshine Boys and the well-received revival of Leonard Bernstein's Candide, in which Stadlen sparkled in five distinct roles. In films since 1972, Stadlen has excelled in such eccentric characterizations as Lupinsky, a gay Polish actor forced by the Nazis to wear a pink star, in Mel Brooks' 1983 remake of To Be or Not to Be. Sitcom fans are most familiar with Stadlen's one-season portrayal of prissy political aide Jonathan Taylor on the weekly Benson. Devoting most of his time to the stage in the past two decades, Lewis J. Stadlen has appeared in such Broadway productions as Don Juan and More Don Juan and 1-2-3-4-5, and has starred in one-man shows based on the lives of Groucho Marx and S. J. Perelman. ~ Hal Erickson, Rovi
Actor Stanley Tucci made his directorial debut with a strong cast in this Depression Era farce focusing on two struggling two New York actors. In opening scenes, Maurice (Oliver Platt) and Arthur (Tucci) fabricate a fake fight at an outdoor cafe, do acting exercises, audition for a theater director (Woody Allen in an uncredited cameo), stage a pastry shop argument (to get food), and watch over-the-top, Barrymoresque actor Jeremy Burtom (Alfred Molina) on Broadway in Hamlet. Later, Burtom overhears himself insulted by a drunken Maurice and gives chase, forcing Arthur and Maurice to hide in a box. When they awaken, the box has been moved onto a luxury liner bound for France. To evade Burtom, they pose as stewards, meeting passengers and crew members: Staff director Meistrich (Campbell Scott) fancies head stewardess Lily (Lili Taylor), who goes for ship detective Marco (Matt McGrath). Others on board include Greek wrestling enthusiast Sparks (Billy Connelly); a former European queen (Isabella Rossellini); a suicidal lounge vocalist (Steve Buscemi); and a revolutionary (Tony Shalhoub) planning to bomb the liner. Shown in the Certain Regard section at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi
- Starring:
- Oliver Platt, Stanley Tucci, (more)
Life is sweet for high-school English teacher and sports coach Howard Brackett (Kevin Kline); he's still living where he grew up, he has a good relationship with his father (Wilford Brimley) and mother (Debbie Reynolds), he's respected by his community, and he's about to marry Emily (Joan Cusack), his fiancée of three years. Fearing she was about to become an old maid, Emily has shed 75 pounds for the upcoming nuptials. But first, the entire town of Greenleaf, IN, settles in to watch the Academy Award telecast, because young stud star Cameron Drake (Matt Dillon), who attended Greenleaf High, has been nominated for an Oscar. What's more, he wins, and in his acceptance speech, singles out Howard -- and announces his favorite teacher is gay. Everyone in town is thunderstruck, including Howard himself. The media descend on the town, particularly Peter Malloy (Tom Selleck), whose job is hanging by a thread. Even worse, Howard's principal Tom Halliwell (Bob Newhart) is shaken by the news, and is toying with firing Howard. The beleaguered teacher tries to convince everyone (and himself) that he's as straight and macho as the next guy; he even tries to follow the rules on a motivational tape, "Be a Man." But his fondness for Barbra Streisand, his theatrical mannerisms, and the fact that he and Emily have yet to make love make everyone's eyebrows stay permanently raised. Meanwhile, out in Hollywood, Cameron, who's really a decent guy, learns about the problems his impulsive comment has caused, and heads back to Greenleaf to see what he can do to help. Howard's mother is fiercely determined to see at least one of her two sons wed -- Walter (Gregory Jbara), the other, is a doofus -- and as the wedding date draws nearer and nearer, poor Howard's life flies even farther out of control. ~ Bill Warren, Rovi
- Starring:
- Kevin Kline, Joan Cusack, (more)
Legendary scientist Albert Einstein (played here by Walter Matthau) takes a break from theoretical physics to try to set up his intellectual niece with a handsome auto mechanic in this romantic comedy. The movie's central conceit is that Einstein's brilliance extends to matters of the heart, allowing him to immediately sense that Ed Walters (Tim Robbins), a bright, lower-class mechanic obsessed with Popular Science Magazine, would be perfect for his niece Catherine (Meg Ryan). Unfortunately, Catherine is already engaged to a stiff Princeton man. In order to defeat Catherine's resistance, Uncle Albert decides to help Ed pretend to be a revolutionary scientist, a charade that inevitably leads to much farcical confusion. Einstein's scientist pals are portrayed as a Greek chorus of Catskills-style kibitzers, featuring such notable perfomers as Lou Jacobi as Kurt Godel and director Gene Saks as Boris Podolsky. ~ Judd Blaise, Rovi
- Starring:
- Tim Robbins, Meg Ryan, (more)
- 1991
Viewers familiar with the trial of the Mendendez Brothers may recognize a few similarities in this Law & Order episode. A wealthy couple is murdered in their home, and it looks as if the killers were the victims' own sons, Nick and Greg Jarman (Matt Hofherr, Stephen Mailer). The Defense's claims that the boys were defending themselves against their father's abuse do not hold much water with the D.A.'s office, nor does the pressure brought to bear by the other members of the suspects' powerful and influential family. And then comes a startling and wholly unexpected development in the case. ~ Hal Erickson, Rovi
The once-in-a-lifetime collaboration between star Gene Wilder and director Leonard Nimoy resulted in the charmingly haphazard and anachronistic Funny About Love. Wilder plays political cartoonist Duffy Bergman, who falls in love with much-younger Meg (Christine Lahti) during a book-signing session. Once married, the old "clash of careers" bugaboo arises: Meg wants to continue working as a chef in a fancy New York restaurant, while Duffy would prefer that she think about starting a family. When it seems as though Meg may be incapable of bearing children, the self-involved Duffy impregnates earthy college coed Daphne (Mary Stuart Masterson). How a happy ending can grow from this complication is a puzzlement. Funny About Love was based--extremely loosely--on a speech once delivered by Chicago Tribune columnist Bob Greene. The laughs tend to be sporadic, though Stephen Toblowsky scores high marks as a jocular fertility doctor. ~ Hal Erickson, Rovi
- Starring:
- Gene Wilder, Christine Lahti, (more)
- 1987
Robert Hays stars in Murder by the Book in the dual role of mild-mannered mystery writer D. H. Mercer and his creation, hard-boiled private eye Biff Deegan. While writing his latest book, Mercer becomes so immersed in his material that he inadvertently causes Biff to come to life. Mercer teams up with his Chandleresque doppelganger to solve a genuine mystery involving art fraud, murder, and a beautiful lady in peril (Catherine Mary Stewart). Made for television, Murder By the Book was based on a novel by Mel Arrighi, titled (what else?) Alter Ego. It was filmed late in 1985 and first telecast on March 17, 1987. ~ Hal Erickson, Rovi
- 1984
- R
In this film, Danny Morgan's (John Shea) life comes crashing down around him when he discovers that the two most important people in his life, Emily (Kate Capshaw) and his Sol (Josh Mostel), are about to fade out of it. Emily, his former girlfriend, is about to be married, and Sol, his close friend, is slowly succumbing to the ravages of leukemia. ~ Iotis Erlewine, Rovi
- Starring:
- John Shea, Kate Capshaw, (more)
- 1983
- PG
Mel Brooks and his real-life wife Anne Bancroft play Frederick and Anna Bronski, musical comedy stars in 1939 Poland. The highlight of the Bronskis' act is Frederick's imitation of Adolf Hitler, but he is forced to eliminate this turn for fear of offending the Nazis. Meanwhile, Anna enters into a harmless flirtation with Polish bomber pilot Andre Sobinski (Tim Matheson). The pilot's nightly signal to visit Anna in her dressing room is "To Be or Not to Be," spoken by Bronski during the Shakespearean portion of his act. When the Germans march into Warsaw, the Bronskis and the rest of their troupe are forced into hiding (notably the homosexual Lupinski, played by Lewis J. Stadlen, who is forced to endure the humiliation of wearing a pink star). Flying for the Polish resistance in England, Sobinski asks kindly Professor Seletzky (Jose Ferrer) to deliver his "To Be or Not to Be" message to Anna. When Seletzky doesn't seem to recognize the name of Anne Bronski, Warsaw's biggest star, Sobinski suspects that something is amiss. Sure enough, Seletzky is a Nazi spy, heading to Warsaw to help Col. "Concentration Camp" Ehrhardt (Oscar-nominated Charles Durning) destroy the underground movement. Parachuting into Poland, Sobinski enlists the aid of the Bronski troupe to foil the Nazis. What follows is an uproarious series of disguises and deceptions, capped by Bronski's impersonation of Der Fuhrer. ~ Hal Erickson, Rovi
- Starring:
- Mel Brooks, Anne Bancroft, (more)
- 1982
- R
When a young, single, neurotic New Yorker finds the perfect woman, he tries desperately to get her to fall for him. Young director Jonathan Kaufer has been compared to Woody Allen with this, his first feature. ~ Kristie Hassen, Rovi
- Starring:
- Saul Rubinek, Marcia Strassman, (more)
In Sidney Lumet's powerful courtroom drama The Verdict, Paul Newman stars as Frank Galvin, an alcoholic Boston lawyer who tries to redeem his personal and professional reputation by winning a difficult medical malpractice case. Frank, down on his luck, is presented with the case of his life when he is approached by the family of a woman who has been left in a coma following an operation in a large Catholic hospital. Helped by his assistant Mickey (Jack Warden), he agrees to take the case, hoping for a fast settlement. When he visits the victim in the hospital, he becomes emotionally involved, turns down a sizable settlement offer made by the hospital, and decides to bring the case to trial despite the formidable opposition of the Church and its lawyer, Newman (James Mason). He is also assisted by his new girlfriend, Laura (Charlotte Rampling), a woman who turns out to have an unusual past. Oscar-nominated for "Best Picture" and "Best Director" (Lumet) as well as for "Best Adapted Screenplay" (David Mamet from a novel by Barry Reed), The Verdict is an outstanding, if not very legally accurate, courtroom drama; Frank's decision to try the case without telling the family of the victim of the settlement offer would probably lead to his real-life disbarment. Paul Newman and James Mason give fine, Oscar-nominated performances, and Charlotte Rampling is quite good as the deceitful Laura, who never seems to turn down a drink. ~ Linda Rasmussen, Rovi
- Starring:
- Paul Newman, Charlotte Rampling, (more)
- 1977
- R
Director Joan Micklin Silver's follow-up to her acclaimed debut, Hester Street, is a more ambitious film that manages to be both an entertaining comedy and a pointed look at the corrupting power of money on an idealistic enterprise. Writer Fred Barron's characters are all associated with a weekly alternative newspaper in Boston, modeled after the Phoenix. (Silver did once work on the Village Voice, but this enterprise is several rungs below that esteemed paper.) Harry (John Heard) is an ambitious reporter romantically involved with Abbie (Lindsay Crouse), the paper's star photographer. Michael (Stephen Collins) is a writer trying to work on a novel and stay faithful to his loving wife, Laura (Gwen Welles), while Max (Jeff Goldblum), the paper's rock critic, shamelessly uses his job to try to pick up women. Lynn (Jill Eikenberry), a typist who is the paper's mother-hen figure, is also its most principled employee. When a publishing mogul (Lane Smith) buys the paper and promises changes that will compromise its aggressive political stance in favor of more "lifestyle" articles, Lynn resigns, and it's clear to the group that their carefree days are behind them. ~ Tom Wiener, Rovi
- Starring:
- John Heard, Lindsay Crouse, (more)
- 1976
In 1931, nine young black drifters were arrested in Scottsboro, Alabama on the charge of gang-raping a white woman. Despite the flimsiness of the case and the questionable morals of the plaintiff, eight of the nine were sentenced to death by an all-white jury. The U.S. Supreme Court, sensing that the Scottsboro case was an example of racism run amok, reversed the decision. Arguing that the boys had not received proper council, the Court (in a landmark decision) demanded that the case be retried. The judge on the case is James E. Horton, a popular Decatur, Alabama jurist who places his career--and his life--on the line to see to it that the Scottsboro five are given a fair trial. Among the many iniquities arising from this hot-potato case was the utter vilification of the honest Horton by his former friends and associates; he died in 1973, a virtual pariah in his community. Arthur Hill stars as the judge in the made-for-TV Judge Horton and the Scottsboro Boys, which was written by John McGreevey and first telecast April 22, 1976. ~ Hal Erickson, Rovi
Adapted by Waldo Salt and Norman Wexler from Peter Maas's book, Sidney Lumet's drama portrays the real-life struggle of an honest New York City cop against a corrupt system. Neophyte officer Frank Serpico (Al Pacino) is determined not to let his job get in the way of his individuality. Despite his colleagues' leery reactions, he keeps one foot firmly planted in the counterculture, sporting a beard and love beads and living in bohemian Greenwich Village, while he performs his police duties with dispatch. Serpico's peers genuinely ostracize him, however, when he refuses to take bribes like everybody else. Appalled by the extent of police corruption, Serpico goes to his superiors, but when he discovers that they have ignored his charges, he takes the potentially fatal step of breaking the blue wall of silence and going public with his exposé. Serpico's revelations trigger an independent investigation by the Knapp Commission, but they also make him a marked man, permanently changing his life. Shot on location with a gritty emphasis on documentary-style realism, Serpico presents a city in decay both literally and morally, as everybody is in on the take, and the cops and criminals are almost interchangeable. Released in late 1973, after months of revelations of Presidential malfeasance in the breaking Watergate scandal, Serpico's true story of bureaucratic depravity touched a cultural nerve, and the film became a hit with both critics and audiences, particularly for Pacino's complex performance as the honest, long-haired whistleblower. One year after his star-making triumph in The Godfather, Pacino was nominated for an Oscar again, and lost again; Lumet and Pacino would reunite two years later for another true New York story, Dog Day Afternoon. ~ Lucia Bozzola, Rovi
- Starring:
- Al Pacino, Tony Roberts, (more)
- 1972
- R
Screenwriter Ernest Lehman, whose credits include the screenplays for North by Northwest, Sabrina, West Side Story, and The Sweet Smell of Success, made a less than distinguished debut as a director with this adaptation of Philip Roth's controversial novel about Alexander Portnoy (Richard Benjamin), a Jewish man who, during a session with his analyst, goes on one long tirade after another about his family, his childhood, his sexual fantasies and desires, his problems with women, and his obsession with his own Judaism. If ever there was a novel that by its nature would defy accurate presentation onscreen, this was it; but for all its flaws, Portnoy's Complaint does feature a few good performances, most notably Karen Black as Portnoy's Gentile lust object, "The Monkey," Jeannie Berlin as the memorably named local slattern Bubbles Girardi, and Jill Clayburgh as Naomi, a woman Portnoy meets in Israel. Lehman never directed again. ~ Mark Deming, Rovi
- Starring:
- Richard Benjamin, Karen Black, (more)
This hippie parable, co-written and directed by James Ivory and produced by his long-time partner Ismail Merchant, tries to make a heavy-handed parallel between civilization and corruption. A tribe of nameless natives (played by Sam Waterston, Susan Blakely, Salome Jens and Martin Kove, among others) finds a croquet ball and, rolling it along the ground mystified by what it might be, stumbles upon an estate. They enter and occupy the mansion and don the clothes and trappings of civilized luxury. A dividing line begins to develop between strong and weak tribe members, with the weak becoming subordinate to the others. A lavish party is thrown that resembles nothing so much as a summer weekend gathering of sophisticates. After a game of croquet, however, the natives begin to tire of their masquerade and devolve back into their original, more primitive state, and disappear into the forest. Cinematographer Walter Lassally makes the film's point more blunt and obvious by filming the prologue in black and white and then switching to color once the tribe discovers the estate. One of Ivory's co-writers was Michael O'Donoghue, infamous bad boy of the original Saturday Night Live writing staff. ~ Karl Williams, Rovi
- Starring:
- Lewis J. Stadlen, Anne Francine, (more)
- 1972
This drama contains a strongly anti-military message as it presents the supposed abuses that go on inside US military stockades. The story is set in the fictitious Fort Nix (based on Fort Dix, New Jersey where many of the accounts the film is based on came from), and contains scenes of graphic violence as it tells the prisoners' tales. ~ Sandra Brennan, Rovi
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