Peter T. Stader Movies

Director Dominic Sena follows up his stylish action film Gone in 60 Seconds (2000) with this high-tech thriller. John Travolta stars as Gabriel Shear, a charismatic spy who plots to steal a multi-billion-dollar fortune in illegal government funds. In order to make his scheme work, however, Gabriel needs some help from a computer hacker, which is where Stanley Jobson (Hugh Jackman) comes in. Stanley has been paroled from prison after serving a lengthy sentence for penetrating the FBI's cyber-surveillance operations. Issued a restraining order that keeps him away from computers and living penniless in a trailer park, Stanley wants only to be reunited with his daughter Holly, who's in the custody of his ex-wife, now remarried to a pornographer. Gabriel and his partner Ginger (Halle Berry) offer Stanley the chance to get his child back in exchange for his help, but the hacker soon realizes he's a pawn in a larger operation than the high-tech bank heist he thought he was perpetrating. In the meantime, a dedicated federal agent (Don Cheadle), the same man who once arrested Stanley, is trying to expose Gabriel's operation. Swordfish also stars Sam Shepard and Zach Grenier. ~ Karl Williams, Rovi

A doctor dabbles in magical resurrection with horrific consequences in this supernatural thriller adapted from the novel by Stephen King. When Dr. Louis Creed (Dale Midkiff) and his family move from Chicago to an old farmhouse in rural Maine, their only concern is the busy highway that flanks their new home. Louis' family -- wife Rachel (Denise Crosby), daughter Ellie (Blaze Berdahl), and toddler Gage (Miko Hughes) -- soon meet kindly old duffer Jud Crandall (Fred Gwynne), who introduces them all to the local attractions, including a pet cemetary built on the remains of a Native American burial ground. When Rachel and the kids head off to visit Louis' in-laws, Ellie's cat gets flattened by a truck. Jud counsels Louis to bury it in the old Indian portion of the cemetary; the next day, it returns from the dead, carrying with it the stink of the earth and a decidedly bad attitude. Shortly thereafter, Louis is tempted to use the cemetary's magical powers again when his son suffers a tragic accident. A snarling kitty, it turns out, is nothing compared to the horror of a little boy with no soul and a taste for scalpels. In addition to adapting his own novel for the screen, writer King appeared in a brief cameo as the minister presiding over Gage's funeral. Director Mary Lambert would return with Pet Sematary Two. ~ Brian J. Dillard, Rovi

When a priceless Torah is stolen by a particularly mean-spirited smuggler, Magnum (Tom Selleck) teams with Higgins' old friend, Rabbi Asher Solomon (Nehemiah Persoff), to retrieve the sacred document. A battle-scarred survivor of European persecution against the Jewish race, Rabbi Solomon had managed at great personal sacrifice to save the Torah from destruction during the Holocaust, and he's not about to give it up to thieves at this point. Not surprisingly, as the case progresses, the viewer learns that there is lot more than the Torah at stake! ~ Hal Erickson, Rovi

This spoof of a "typical" double-feature bill of the 1930s is introduced by George Burns, who explains that we're about to see two classic films produced by the legendary Warren Brothers. The first, "Dynamite Fists," is a black-and-white takeoff of such boxing dramas as Golden Boy. Harry Hamlin plays a John Garfield-like pugilist who is brought along by a tough-but-lovable fight promoter George C. Scott. Nasty gangster Eli Wallach attempts to compromise Hamlin by offering him the delectable Trish VanDevere, but Hamlin proves loyal to Scott. When Scott is killed by Wallach, Hamlin vows to become an attorney and bring the murderer to justice -- which he does in the space of one year. Along the way, Hamlin's gangster brother-in-law secures an eye operation for his nearly blind sister Kathleen Beller (whose bump-in-the-wall myopia is good for several laughs). After "Dynamite Fists," we are treated to a coming-attractions trailer for a Dawn Patrol-style aviation epic, again starring George C. Scott. The last segment, "Blansky's Beauties of 1933," is an all-stops-out Technicolor lampoon of Busby Berkeley musicals. Told by doctor Art Carney that he is dying, Broadway impresario Blansky (George C. Scott again) determines to produce one last spectacular show before the curtain goes down for good. The highlights in "Blansky's Beauties" are too numerous to mention here: memorable bits include composer Barry Bostwick's rooftop number, and the opening dialogue exchange between Carney and Scott (told that he has a month to live, Scott philosophically replies that at least he has 30 days left -- whereupon Carney dolefully reminds his patient that it's February). An additional sequence, parodying the Republic serials of the era, was filmed for Movie, Movie but cut from the final release print. Michael Kidd, who plays "Pop Popchick" in "Dynamite Fists," handled the choreography in "Blansky's Beauties." On the videocassette version of Movie, Movie, "Dynamite Fists" has been reprocessed in color. ~ Hal Erickson, Rovi