Helen Spring Movies

Officers Pete Malloy (Martin Milner) and Jim Reed (Kent McCord) try to break up a gang of auto thieves who use pretty, miniskirted girls as decoys for unwary male drivers. Elsewhere, the two cops are summoned to a teenage pot party (this is, after all, a Jack Webb) production. And in another incident, Jim and Pete rescue a mugger from an angry old lady (Hope Summers) who turns the tables on the "perp" and beats him up. Former Leave It to Beaver costar Tony Dow has a sizeable supporting role in this episode. ~ Hal Erickson, All Movie Guide

In the first episode of a two-part story, Rob (Dick Van Dyke) makes quite an impression with his heartfelt speech at a community meeting. In fact, he was so impressive that the Citizen's Committee for Better Government wants Rob to run for city councilman. At first, Rob is thrilled and flattered -- but then he gets an up-close and personal look at contemporary politicking, courtesy of an overly aggressive campaign manager. ~ Hal Erickson, All Movie Guide

While having lunch at the Plaza Hotel in New York, advertising executive Roger O. Thornhill (Cary Grant) has the bad luck to call for a messenger just as a page goes out for a "George Kaplan." From that moment, Thornhill finds that he has stepped into a nightmare -- he is quietly abducted by a pair of armed men out of the hotel's famous Oak Room and transported to a Long Island estate; there, he is interrogated by a mysterious man (James Mason) who, believing that Roger is George Kaplan, demands to know what he knows about his business and how he has come to acquire this knowledge. Roger, who knows nothing about who any of these people are, can do nothing but deny that he is Kaplan or that he knows what they're talking about. Finally, his captors force a bottle of bourbon into Roger and put him behind the wheel of a car on a dangerous downhill stretch. Through sheer luck and the intervention of a police patrol car and its driver (John Beradino), Roger survives the ride and evades his captors, and is booked for drunk driving. He's unable to persuade the court, the county detectives, or even his own mother (Jesse Royce Landis) of the truth of his story, however -- Thornhill returns with them to the mansion where he was held, only to find any incriminating evidence cleaned up and to learn that the owner of the house is a diplomat, Lester Townsend (Philip Ober), assigned to the United Nations. He backtracks to the hotel to find the room of the real George Kaplan, only to discover that no one at the hotel has ever actually seen the man. With his kidnappers once again pursuing him, Thornhill decides to confront Townsend at the United Nations, only to discover that he knows nothing of the events on Long Island, or his house being occupied -- but before he can learn more, Townsend gets a knife in his back in full view of 50 witnesses who believe that Roger did it. Now on the run from a murder charge, complete with a photograph of him holding the weapon plastered on the front page of every newspaper in the country, Thornhill tries to escape via train -- there he meets the cooly beautiful Eve Kendall (Eva Marie Saint), who twice hides him from the police, once spontaneously and a second time in a more calculated rendezvous in her compartment that gets the two of them together romantically, at least for the night. By the next day, he's off following a clue to a remote rural highway, where he is attacked by an armed crop-dusting plane, one of the most famous scenes in Hitchcock's entire film output. Thornhill barely survives, but he does manage to learn that his mysterious tormentor/interrogator is named Phillip Vandamm, and that he goes under the cover of being an art dealer and importer/exporter, and that Eve is in bed with him in every sense of the phrase -- or is she? ~ Bruce Eder, All Movie Guide

In this youthful drama, a young nephew is forced to live a highly restricted lifestyle by his two spinster aunts who will only bequeath him their fortune if he behaves like a proper gentleman. His aunts would have apoplexy if they new that their "perfect gentleman" had created a hot-rod club behind their backs. To make matters worse, he bankrolls his hobby by singing (in disguise) in Vincent's rock'n'roll band. He takes the money he earns to enter his car in a national race. Songs include: "Dance in the Street," "Dance to the Bop," "Baby Blue," and "Lovely Loretta." ~ Sandra Brennan, All Movie Guide

High Society is a glossy Technicolor-and-VistaVision musical remake of Philip Barry's The Philadelphia Story (1940), decked out with million-watt star power and a Cole Porter score. Set amongst the rich and famous in Newport, RI, the story revolves around the wedding plans of socialite Tracy Lord (Grace Kelly). Tracy is all set to marry stuffy George Kittridge (John Lund), while magazine writer Mike Connor (Frank Sinatra) and photographer Liz Imbrie (Celeste Holm) intend to cover the ceremony. Meanwhile, Tracy's ex-husband C.K. Dexter-Haven (Bing Crosby) also comes calling, ostensibly to the attend the annual Newport Jazz Festival, but actually for the purpose of winning Tracy back. In the course of events, Mike falls in love with Tracy, and she with him. The Jazz Festival subplot allows scriptwriter John Patrick to bring Louis Armstrong into the proceedings, much to the delight of anyone who cares anything about music. The Cole Porter tunes include the Crosby-Sinatra duet "Well, Did You Evah?," the Crosby-Armstrong teaming "Now You Has Jazz," the Kelly-Crosby romantic ballad "True Love," and the Sinatra solo "You're Sensational." Though it lacks the satiric edge of the Philip Barry original (Barry, incidentally, is not given any screen credit), High Society succeeds on its own lighthearted terms. The film represents Grace Kelly's final acting assignment before her real-life wedding to Prince Rainier of Monaco. ~ Hal Erickson, All Movie Guide

Greer Garson's first non-MGM starring vehicle was the stylish western Strange Lady in Town. That lady is Julia (Garson), who arrives in 1880 New Mexico to set up practice as a doctor. The townsfolk are not only resistant to the notion of a lady sawbones, but they become downright hostile when Julia turns out to be a tireless advocate of the Women's Suffrage movement. Rival doctor O'Brien (Dana Andrews) doesn't feel that there's any room in the medical profession for ladies; his personal feelings for the lovely Julia are another matter. Faced with such roadblocks as prejudice, ignorance and downright stupidity, Julia nonetheless perseveres with O'Brien eventually seeing things her way. When Julia's hotheaded younger brother David (Cameron Mitchell) turns outlaw, the townspeople are prepared to ride her out of town on a rail, but she is rescued by the intervention of the local Mexicans and Indians, who have accepted her presence and her ministrations without reservation. Hmmmm . . . could Strange Lady in Town be the direct ancestor of TV's Dr. Quinn, Medicine Woman? ~ Hal Erickson, All Movie Guide

Personally supervised by Howard R. Hughes, the RKO Technicolor musical Two Tickets to Broadway stars Janet Leigh as a small-town girl who hopes to make it big in the Big Apple. Moving into a Manhattan boarding house populated by such showbiz hopefuls as Ann Miller, Tony Martin, Gloria De Haven and Barbara Lawrence, Leigh aspires to appear on the popular TV variety program hosted by bandleader Bob Crosby. Two-bit agent Eddie Bracken promises to make her dreams come true, even though he doesn't know Crosby from Adam. Along the way, Leigh falls for Martin, though the course of true love seldom runs smooth--in fact, at one point it threatens to run all the way back to Leigh's home town. Injecting their time-honored routines into the proceedings are veteran vaudevillians Joe Smith and Charlie Dale, playing a couple of stagestruck deli owners (their roles were originally slated for Stan Laurel and Oliver Hardy, but Laurel's illness precluded any film work). Despite the creative input of choreographer Busby Berkeley, the film's best number is the simplest: Let's Make Comparisons, wherein Bob Crosby explains why he's not his brother Bing. Seemingly a surefire box-office hit, Two Tickets to Broadway inexplicably posted a loss of $1,150,000. ~ Hal Erickson, All Movie Guide

Produced and distributed by legendary road-show entrepreneur Kroger Babb, One Too Many details the tragedy of alcoholism. Ruth Warrick stars as concert pianist Helen Mason, who destroys her life and career through drinking. Helen is finally saved from herself when she joins Alcoholics Anonymous. When originally released to theaters, One Too Many was screened in tandem with a live appearance by an ostensible expert on alcoholism, who delivered a cautionary lecture, then distributed pamphlets. Most Kroger Babb productions were shoddily put together: One Too Many is an exception, boasting a talented cast, competent direction (Erle C. Kenton) and reasonably attractive production values. As a bonus, the film features several guest stars, ranging from dancer Louis da Pron to Hollywood makeup artist Ern Westmore. ~ Hal Erickson, All Movie Guide

Caged, considered the best woman's prison film ever made, represents a union between realistic socially conscious drama and the more stylized world of film noir. Marie, (Eleanor Parker), is sentenced to prison for helping her husband in a small robbery. The prison is run by the sadistic matron Evelyn (Hope Emerson) who is secure in her position due to corrupt political influence. The film shows Marie's slow disillusionment with society and her eventual decision to become a prostitute in order to gain parole after observing her friend and fellow inmate Kitty (Betty Garde) lose her sanity and murder their oppressor Evelyn. With this uncompromisingly pessimistic statement on human nature, John Cromwell reaches his peak as a director. Under his expert direction, Eleanor Parker gives the best performance of her career and creates a convincing metamorphosis from a innocent young girl to a hardened criminal. Her performance is nuanced, low-keyed and emotionally charged. Equally impressive is Cromwell's visual realization of the claustrophobia of prison life, aided by the high-contrast photography of Carl Guthrie. This excellent, grim drama is uncompromising in its refusal to sentimentalize the plight of Marie as a victim or to absolve her of her role in her fate, nor does it absolve society as it shows the results of desperation and brutalization on human dignity. ~ Linda Rasmussen, All Movie Guide

Cover-Up transfers the metropolitan "film noir" milieu to a small Midwestern town. Dennis O'Keefe plays Sam Donovan, an insurance detective, investigating the suicide of a policy holder. All signs point to murder, but no one in the victim's hometown is willing to cooperate with Donovan, least of all sheriff Larry Beat (William Bendix). Local girl Anita (Barbara Britton) breaks through the wall of silence and helps Donovan solve the mystery. Intriguingly, the action of Cover-Up takes place at Christmastime, with the tinselly Yuletide atmosphere providing stark contrast to the sordid murder story. ~ Hal Erickson, All Movie Guide

The life stories of Broadway tunesmiths Richard Rodgers and Lorenz Hart are prettified for the screen in MGM's Words and Music. Billed fourth, the colorless Tom Drake plays Rodgers, but never mind that: the film belongs to Mickey Rooney, as the dynamic, self-destructive Lorenz Hart. Understandably, Hart's bisexuality is downplayed. According to MGM, his biggest problem in life is that he was never satisfied with his work. We are, however, especially when those great Rodgers & Hart tunes are performed by the likes of Judy Garland, Janet Leigh, Perry Como, Lena Horne, June Allyson, Cyd Charisse, Betty Garrett, Ann Sothern, Mel Torme, Allyn McLerie, Gene Kelly and Vera-Ellen. The musical highlights include Garland's powerhouse rendition of Johnny One-Note, Kelly's Slaughter on 10th Avenue dance solo, Horne's interpretation of Where or When, Allyson's take on Thou Swell, and, best of all, Rooney's premiere performance of I'll Take Manhattan, which he allegedly had just written on the back of an automobile advertisement! ~ Hal Erickson, All Movie Guide