Louise Sorel Movies

Season Seven of Law & Order begins with the good news that Assistant D.A. Claire Kincaid (Jill Hennessy) was not immediately killed in the car accident which took her out of commission at the end of Season Five (though actress Hennessy would not return to the show, necessitating a later episode which confirmed beyond doubt that Kincaid was never going to come back). New to the D.A.'s office is Jamie Ross (Carey Lowell), an ambitious young woman whose approach to her job does not always meet with the approval of her partner Jack McCoy (Sam Waterston). In the season's first episode, Ross intends to use a gruesomely graphic audiotape to put the noose around the neck of carjacker-murderer Fernando Salva (Victor Sierra). ~ Hal Erickson, Rovi

Joanna Crane (Kathleen Turner) is a cold, workaholic sportswear designer, divorced and dedicated only to her job. Once strapped into that role, Joanna looks for an "out" and finds it by donning a wig and hitting the pavement as a $50/trick hooker named China Blue. Explicit scenes show her at work on her night job, including a long S and M segment with a policeman. While making money as China Blue, Joanna runs into a menacing, fanatic preacher (Anthony Perkins) who is out to save her from this life of sin, but in the meantime, he is also busy watching nude girly shows. As China Blue and the sexually ambivalent Reverend heat up their relationship, he becomes difficult to read: is this psycho reverend a killer? While China Blue is plying her trade, Bobby Grady (John Laughlin) has finally realized after 12 years of marriage that his wife Amy (Annie Potts) is frigid and just as he has this remarkably delayed insight, he is assigned by Joanna's boss to find out if she is stealing designs or not. By tracking Joanna, Bobby sees her transformation as China Blue and as might be expected, sex is not far behind. ~ Eleanor Mannikka, Rovi

In this made-for-TV comedy an unemployed stand-up comedian is tossed out by his girl friend and so gets a job driving a limo. He is still determined to win her back, and nothing, not even his inadvertent involvement with two hit men, will stop him. ~ Sandra Brennan, Rovi

Remember that controversial participation game of the 1980s called "Dungeons and Dragons"? Remember how sociologists warned us that the game was potentially dangerous to those who couldn't altogether separate fantasy from reality. This is the premise of Mazes and Monsters, a made-for-TV film based on the best-seller by Rona Jaffee. Future Oscar-winner Tom Hanks portrays one of four college students who become so deeply involved in a Mazes & Monsters session that the results may turn fatal at any moment. Despite its potential for silly sensationalism, the film is based on a believable premise, and arrives at a logical conclusion. When first aired December 28, 1982, this Canadian-American production was titled Rona Jaffee's Mazes and Monsters. ~ Hal Erickson, Rovi

A vampire chases after a woman who is the daughter of one of his former loves. ~ Rovi

Taking a breather from his usual horror and science-fiction endeavors, producer/director/writer Dan Curtis reminisces about his childhood in When Every Day Was the Fourth of July. Set in Bridgeport, Connecticut in the 1930s, the film concentrates on attorney Dean Jones and his 9-year-old daughter Katy Kurtzman. Responding to Katy's fervent pleas, Jones takes on the case of mute handyman Geoffrey Lewis, who has been accused of murder. Curtis would follow this ficitionalized flashback with his 1981 production The Long Days of Summer. Made for television, When Every Day Was the Fourth of July first aired March 12, 1978. ~ Hal Erickson, Rovi

In the conclusion of a two-part story, any hopes of Kojak (Telly Savalas) enjoying a day off are dashed when a dead body is found in the trunk of a white Rolls Royce. Now the overworked detective must tear Manhattan apart in search of a woman (Kitty Winn) who has killed her husband, abandoned her child, and is now determined to commit suicide. And all the while, Kojak's romantic rendezvous with his lady friend Laura Martinson (Maud Adams) is repeatedly--and frustratingly--postponed. ~ Hal Erickson, Rovi

In this actioner, a rebel leader hijacks a boat and holds the passengers hostage in the hopes of beginning a coup. ~ Sandra Brennan, Rovi

One of Our Own stars George Peppard as Dr. Jake Goodwin, the chief neurosurgeon of an inordinately busy hospital. As he makes his rounds, Goodwin becomes involved in a vast array of medical cases, solving virtually every problem he's confronted with. It looks, however, as though he's going to have tough sledding with the film's Major Crisis: A seriously injured doctor, and the two colleagues who battle over how to save his life. Originally telecast in May of 1975, One of Our Own was obviously conceived as a pilot for a George Peppard weekly series. But when that series premiered in September 1975, it had sprouted the new title of Doctor's Hospital (as opposed, perhaps, to Lawyer's Hospital). ~ Hal Erickson, Rovi

Made for television, The Mark of Zorro is virtually a scene-for-scene remake of the 1940 Tyrone Power theatrical film--the principal difference being that, where Power's version ran 93 minutes, the TV version blurs along at a mere 78 minutes. Frank Langella plays Don Diego, the supposedly foppish Spanish California nobleman who fights for the people's rights in the guise of Zorro. Ricardo Montalban appears in the Basil Rathbone role as the evil oppressor whom Zorro eventually bests with his sword. Gilbert Roland is cast as Zorro's father, allowed a bit of swashbuckling on his own (the 69 year old Roland is astonishingly athletic). Alfred Newman's pulsating score from the original Mark of Zorro is cleverly redeployed in this remake. What's missing in the 1974 Mark of Zorro is the freshness and virtuosity of the earlier film's director Rouben Mamoulien; and, in all due respect to his considerable talent, Frank Langella is no Tyrone Power. ~ Hal Erickson, Rovi

The Dorothy Uhnak novel The Ledger was the basis of Get Christie Love! The title character, played by former Laugh-In regular Teresa Graves, is the first black woman to be hired by a big-city police force. Christie Love proves her value to her fellow officers by going undercover to smash a drug ring. First telecast January 22, 1974, Get Christie Love! served as the pilot film for the weekly TV series of the same name. That series ran from September 11, 1974 until July 18, 1975. ~ Hal Erickson, Rovi

Ross Martin guest stars as Damien, a nightclub psychic who lately has been experiencing disturbing visions of fire and flame. Ironside (Raymond Burr) becomes interested in what Damien has seen (and what he WILL see) when the psychic insists that he can predict where an arsonist who is terrorized San Francisco will strike next--but are Damien's powers real, or is there something more sinister afoot? Ironically, this episode was written by one Judy Burns! ~ Hal Erickson, Rovi

Louise Sorel plays a mild-mannered young woman saddled with a cruel and overbearing husband (John Vernon). Her slow, methodical solution to the problem is anything but mild. In hopes of permanently eliminating her domestic irritation, the harried Ms. Sorel creates far deeper problems for herself than she'd ever imagined. Don Stroud and a pre-MASH Mike Farrell costar in this taped suspenser. Nightmare Step was originally telecast on the late-night network anthology ABC Wide World Mystery. ~ Hal Erickson, Rovi