Charles Smith Movies

In this astonishingly inexpensively produced ($12,000 Australian) feature by first-time director Lara Dunston, a Boy and a Girl (Annabel Stokes and Simon Hamm) are drawn together by their obsession with discovering the West, a mythologically rustic, romantic and primeval land. They are inspired by the country-and western tunes they both love, and the feature shows them developing a desire to travel through Australia in search of this imaginary land. They are interviewed extensively before they set out, and the film follows them in their ultimately unfulfilled and impossible search. Eventually, they discover that the West they are looking for is not to be found in the wilds of Australia, but in themselves. ~ Clarke Fountain, All Movie Guide

The Gnome-Mobile was Walt Disney's first all-out fantasy since Mary Poppins. Walter Brennan stars in a dual role, as kindly lumber tycoon D. J. Mulrooney and the irascible (and much tinier) 943-year-old gnome Knobby. Mulrooney likes Knobby and his fellow gnomes, but the feeling isn't reciprocal, since Knobby considers Mulrooney a threat to his beloved forest. Meanwhile, the tycoon's vice-president Ralph Yarby (Richard Deacon), hearing his boss' claims that he's been consorting with gnomes, decides that the old guy is insane and has him committed. Rescued by his grandchildren Rodney (Matthew Garber) and Elizabeth (Karen Dotrice), D.J. seeks out Knobby and Knobby's own grandson Jasper (Tom Lowell), who are hiding somewhere in the woods with gnome-king Rufus (Ed Wynn, in his final film role). There follows an amusing rite of passage wherein Jasper becomes engaged to gnomette Shy Violet (Cami Sebring), leading to a happy ending for all concerned. The film's title refers to D. J. Mulroney's precious 1930 Rolls Royce, which is "adopted" by the gnome population. Gnome-Mobile is a virtual inventory of Disney's most beloved trademarks, ranging from excellent miniature and special-effects work (including the producer's newest innovation, audio-animatronics) to a zany slapstick car chase. Walt Disney did receive a producer credit on this film, which was actually made in 1966 - the year of his death - and released nationally in 1967. ~ Hal Erickson, All Movie Guide

Andy's new deputy Warren Ferguson is convinced that he, Warren, has psychic powers. When Andy and Helen refuse to heed his warnings of an impending accident, Warren decides to teach them a lesson by carefully staging the aforementioned mishap. Written by Fred Freeman and Lawrence J. Cohen, "A Warning from Warren" was filmed after The Andy Griffith Show's "Hollywood arc" (the three episodes wherein Andy goes to Hollywood with Aunt Bee and Opie), but telecast earlier, on October 18, 1965. In fact, it was originally slated to air on October 11, until the producers opted to "introduce" the character of Warren with the episode titled "The Bazaar." ~ Hal Erickson, All Movie Guide

Coming across a Nazi work camp, Saunders (Vic Morrow) and the squad liberate a group of starving Polish slave laborers. These men had been abandoned by their captors because they are to weak to walk--and it is for the same reason that Saunders may also be forced to leave the prisoners behind. A clue to the story's outcome can be found in titular reference to the Biblical Gideon, an Israelite military leader whose ragtag army won an important battle armed only with trumpets, torches and clay jars! ~ Hal Erickson, All Movie Guide

This Walt Disney filmization of Esther Forbes' Revolutionary-War novel Johnny Tremain was appropriately released on July 4, 1957. New Disney discovery Hal Stalmaster plays the title character, an apprentice silversmith in 1773 Boston. An on-the-job injury prevents Johnny from finding a job, but he is welcomed with open arms at the headquarters of the Revolution. After standing trial on a trumped-up robbery charge brought about by British sympathizer Jonathan Lyte (Sebastian Cabot), Johnny is set free, whereupon he joins the Sons of Liberty during their execution of the Boston Tea Party. Later on, General Gage (Ralph Clanton), the officer in charge of the colonies, does his best to stem the activities of the Sons of the Liberty without resorting to violence but this becomes a moot point after the battle of Lexington Green. If the storyline of Johnny Tremain seems to be divided into two even halves, it is because the film was originally intended as a two-part installment of the Disneyland TV anthology. As it turned out, the film did receive TV exposure on Walt Disney Presents, divided (as planned) into two segments: "The Boston Tea Party" (first telecast November 21, 1958) and "The Shot That Was Heard Around the World" (December 5, 1958). ~ Hal Erickson, All Movie Guide

Like so many other films that were once considered "lewd" and "scandalous", The French Line seems as harmless as Pollyanna when seen today. Essentially a remake of The Richest Girl in the World, the film stars Jane Russell as Mary Carson, an incredibly wealthy Texas oil heiress. Lucky in investments but unlucky in love, poor Mary can never keep a fiance: either they're fortune-hunters or they don't want to marry anyone so rich and powerful. Thus, while on an ocean voyage to France, Mary poses as the model of dress designer Annie Farrell (Mary McCarthy), hoping to attract a man who is interested in her for herself, and not her millions. That man turns out to be dashing stage star Pierre (Gilbert Roland), but there's many comic complications and misunderstandings before the happy ending. What shocked the censors in 1954 was Jane Russell's sizzling musical number "Lookin' for Trouble", in which she performed an uninhibited bump-and-grind while wearing nothing more than a seven-ounce glorified bikini. While Ms. Russell herself was offended by her skimpy costume, she saw nothing wrong with the dance itself, pointing out that she intended it as a parody of a "burleycue" number. The professional blue-noses disagreed, however: the film was condemned by the Catholic Legion of Decency and denied a Production Code Seal. Eventually, producer Howard Hughes got the Seal--along with a million dollars' worth of free publicity, which is what he intended all along. Filmed in 3D, The French Line is the film that was ballyhooed with the classically tasteless ad campaign "J.R. in 3D--It'll knock both your eyes out!" ~ Hal Erickson, All Movie Guide

Carrie is based on Sister Carrie, a novel by Theodore Dreiser. Dreiser's clumsy, unwieldy prose is streamlined into a neat and precise screenplay by Ruth and Augustus Goetz. Jennifer Jones stars as Carrie, who leaves her go-nowhere small town for the wicked metropolis of Chicago. Here she becomes the mistress of brash traveling salesman Charles Drouet (Eddie Albert), then throws him over in favor of erudite restaurant manager George Hurstwood (Laurence Olivier). Obsessed by Carrie, George steals money from his boss to support her in the manner to which he thinks she is accustomed. Left broke and disgraced by the ensuing scandal, Carrie deserts George to become an actress. Years later, the conscience-stricken Carrie tries to regenerate George, who has fallen into bum-hood. If Laurence Olivier seems a surprising casting choice in Carrie, try to imagine what the film would have been like had Cary Grant, Paramount's first choice, accepted the role. ~ Hal Erickson, All Movie Guide

Since Universal was out of the "B"-western business by 1951, many former Universal contractees were obliged to seek work elsewhere. Monogram's Rhythm Inn stars Jane Frazee, Kirby Grant and Lois Collier, Universal alumni all. It all begins when bandleader Dusty Rhodes (Kirby Grant) is forced to pawn his musician's instruments. It so happens that pawnshop clerk Eddie Thompson (Charles Smith) is an aspiring songwriter. Thus it is that band-singer Carol Denton (Jane Frazee) is able to sweet-talk Thompson into allowing the musicians to use their instruments after office hours, with the promise that the clerk's songs will be performed. Complications ensue when Thompson's girl friend Betty (Lois Collier), misunderstanding the situation, becomes jealous. Specialty numbers in Rhythm Inn are provided by the Anson Weeks orchestra, Armida, Jean Ritchie, Ames & Arno and the Ramon Bros. ~ Hal Erickson, All Movie Guide

The sexual dysfunction of a married couple provides the basis of this thought-provoking drama that was originally released in 1950 and was then re-released 11 years later with a prologue tacked on. In the prologue, the couple begin attending a group therapy session helmed by a prominent doctor. Neither the husband and wife are able to enjoy sex. The doctor then tells them a story and this story is the original 1950 film of a sexually repressed and unresponsive bride who ends up trying to kill herself. Fortunately, a psychiatrist helps her to see that her overbearing mother is the cause of her difficulty. This story inspires the first couple to keep working on their problem. ~ Sandra Brennan, All Movie Guide

Two Weeks With Love is set in a Catskills resort in the early 1900s. Seventeen-year-old vacationer Patti Robinson (Jane Powell) feels that she's a bit too strait-laced to attract the male contingent, and dreams of being a "woman of the world." Naturally, the principal object of her affections, dashing Demi Armendez (Ricardo Montalban), prefers an old-fashioned girl, but Patti doesn't find that out until the last reel. The supporting cast is well served, especially Louis Calhern and Ann Harding as Patti's long-suffering parents and Phyllis Kirk as a bitchy coquette. Stealing the film from their "elders" are relative newcomers Debbie Reynolds and Carleton Carpenter, who get to perform the delightful "Abba-Dabba Honeymoon." ~ Hal Erickson, All Movie Guide

Both Van Johnson and Gregory Peck were considered for the role of baseball star Monty Stratton in the 1949 biopic The Stratton Story before settling upon the real Stratton's own first choice, James Stewart. The film covers several years in the 1930s, as Texas farm boy Stratton rises from the minors to the Chicago White Sox. Along the way, Monty marries an Omaha gal named Ethel (June Allyson), who gives him a son. In November 1938, Monty accidentally shoots himself in the leg while on a hunting excursion. When the leg has to be amputated, it looks as though Stratton's pitching career is over. He broods over his bad luck for months before snapping out of his self-pity and learning to walk with his new prosthesis. To prove to himself that he's overcome his handicap, Monty takes a job pitching with the Southern All-Stars. His return to baseball is rough sledding (the other team persistently bunts balls out of his reach), but Monty Stratton is finally able to make a successful comeback. Only occasionally playing fast and loose with the facts (the time-frame of Stratton's real-life return to baseball is telescoped by several years), The Stratton Story was one of the best and most profitable baseball pictures ever turned out by Hollywood. Fans of the game will get an extra kick from the presence in the cast of big-leaguers Bill Dickey and Jimmy Dykes. ~ Hal Erickson, All Movie Guide

If Eagle-Lion's Out of the Blue looks more like a slick Warner Bros. product at times, it's because the film was peopled by former Warners personnel, both in front of and behind the cameras. George Brent and Carole Landis play the Earthleighs, tenants in a roomy Greenwich Village apartment. When Mr. Earthleigh isn't being nagged by his domineering bride, he's enmeshed in a feud with his neighbor, loose-living artist David (Turhan Bey). During his wife's absence, Earthleigh makes the mistake of inviting Olive (Ann Dvorak), a glamorous interior decorator who's somewhat the worse for drink, to his apartment. When Olive passes out on his floor, Earthleigh assumes that she's dead-and in the course of subsequent events, so does everyone else. Adding to the general zaniness is Deborah (Virginia Mayo), one of David's sexier models, who weaves in and out of the proceedings at the most inopportune moments, and a huge, cantankerous canine named Rabelais. Despite some formidable competition, the comedy honors in Out of the Blue are won hands-down by Ann Dvorak, in a truly offbeat performance. ~ Hal Erickson, All Movie Guide

In this comedy, a scatter-brained professor nearly starts a riot when he writes a book claiming that women like to be treated roughly. A paper publishes snippets from the book and later the professor, feeling he was misquoted, begins suing for libel. The paper then sends out a female reporter to dredge up some dirt on the sexist academic. Not only does she do her job and prevent the suit, she and the professor end up falling in love. ~ Sandra Brennan, All Movie Guide