Tony Simotes Movies

Developed by Tina Sinatra and approved by Frank himself, Sinatra is a made-for-television mini-series following the life and times of Frank Sinatra, one of the most popular and acclaimed singers of the 20th century. Opening with his childhood in Hoboken, New Jersey, the film follows Sinatra's (Philip Casnoff) rise to the top in the '40s, through the dark days of the early '50s and his triumphant re-emergence in the mid-'50s, to his status as pop culture icon in the '60s, '70s and '80s. In between, the film hits all of the main events, including his three marriages, his connections with the Mafia and his notorious friendship with the Rat Pack. Even with the presence of Tina Sinatra as executive producer, Sinatra doesn't gloss over the more unsavory portions of Frank's life, which makes it all the more impressive. With the exception of a couple of early songs, all the music in the movie is taken from the original Sinatra recordings. ~ Stephen Thomas Erlewine, All Movie Guide

From director Jim Abrahams, one of the minds behind the Airplane! and Naked Gun films, comes another parody. This time around, Abrahams has his sights set on the action-adventure genre, specifically Top Gun. Charlie Sheen stars as Topper Harley, a maverick air force pilot who constantly lives in the shadow of his father's legacy. Unable to handle the pressure, Harley has left the Air Force to live among a tribe of Native Americans. But when the United States seeks to destroy some Iraqi nuclear facilities, there's only one man for the job. After being coaxed back into service, Harley soon realizes that in addition to Saddam Hussein, he'll have to contend with a rival pilot, played by Cary Elwes, and a devious aerospace executive. Among the many films lampooned are Dances With Wolves, 9 1/2 Weeks, The Fabulous Baker Boys, and Gone With the Wind. ~ Matthew Tobey, All Movie Guide

A sequel to the sci-fi action thriller that made him and star Arnold Schwarzenegger A-list Hollywood names, writer/director James Cameron upped the ante with this follow-up by employing a more sweeping storyline and cutting-edge special effects. Linda Hamilton returns as Sarah Connor, now a single mother to rebellious teen John Connor (Edward Furlong), during the late nineties. Having been informed by a time-traveling soldier in the first film that John will one day grow up to become humanity's savior from a computer-controlled Armageddon, Sarah has responded by becoming a muscle-bound she-warrior bent on educating John in survival tactics and battle strategies. Her ranting about humankind's future has landed Sarah in an insane asylum and John in the foster care system. The rebellious John has responded to his situation by getting into scrapes with the law. When a new and improved Terminator android called the T-1000 (Robert Patrick) arrives from the future to eliminate John, an older model T-800 (Schwarzenegger) is sent to protect the boy. The T-1000, however, has the ability to morph itself into any shape it desires, allowing it chameleon-like powers and near indestructibility. The T-800 saves John's life and helps break Sarah out of the institution. Staying only one step ahead of the dogged T-1000, Sarah leads her son and the T-800 to the headquarters of Cyberdyne Systems, the company that will invent a robotic intelligence that will eventually take over the world. There, they attempt to convince inventor Miles Dyson (Joe Morton) to help them stop the future from ever occurring by destroying his work. Dyson sacrifices himself in an explosion to save the world, leading to a final showdown between the two Terminators at a steel foundry. Terminator 2: Judgment Day (1991), which won four Oscars in technical categories for its groundbreaking effects, was followed by a short sequel filmed exclusively as an attraction for theme parks, Terminator 2: 3-D Battle Across Time (1996). ~ Karl Williams, All Movie Guide

In this vaguely allegorical science fiction-crime film, a Los Angeles cop tries to solve the murder of his best friend with the help of his new partner -- a member of a star-faring alien race. In the near-future world of Alien Nation, the "Newcomers" are a race of formerly enslaved humanoids seeking refuge and integration into Earth society. These unusual immigrants face anger and resentment from some humans, including Matthew Sykes (James Caan), a cop whose partner, Tug (Roger Aaron Brown), was killed in a shoot-out with several Newcomers. In order to get some insight into Newcomer society and track down the "slags" who killed Tug, Sykes volunteers to take on a new partner,Sam "George" Francisco (Mandy Patinkin), the first alien ever promoted to the rank of detective. As Sykes tries to overcome his bigotry against George and his kind, who eat raw beaver and get drunk on spoiled milk, the friendly, helpful George soon learns the identity of Tug's killer: William Harcort (Terrence Stamp), a pillar of Newcomer society who is secretly manufacturing the same powerful narcotic that was used to enslave his race. It's up to Sykes and George to stop Harcort before he turns his fellow Newcomers into drooling addicts and pulls the skeletons out of his race's closet for all of humankind to see. Omen 3 director Graham Baker made his screenwriting debut with Alien Nation, as did co-writer Rockne S. O'Bannon. Kenneth Johnson, creator of the miniseries V, would adapt Alien Nation into a weekly television show in 1989 and several made-for-TV movies in the mid-'90s. ~ Brian J. Dillard, All Movie Guide

Stepping into the role made famous on Broadway by Tom Conti, Richard Dreyfuss stars as a profoundly handicapped sculptor in Whose Life is it Anyway? Left a quadraplegic after an auto accident, the embittered Dreyfuss feels utterly useless, as both an artist and a human being. He doesn't want his family's love, or his doctor's care, or his nurse's ministrations. Dreyfuss simply wants to die-but this is impossible, given the legal state of things in the 1970s. Whose Life is It Anyway? may be the only film in which a person's right to self-destruction is regarded as a happy ending. Not as depressing as it sounds, Whose Life Is It Anyway is perversely hilarious at times, with Dreyfuss at his acerbic best. The film was scripted by Reginald Rose and Brian Clark from Clark's stage play. ~ Hal Erickson, All Movie Guide