P. Jay Sidney Movies

This thriller is the second film based on the novel of the same name by Ira Levin. Matt Dillon stars as Jonathan Corliss, a lethal schemer from the wrong side of the tracks. Now a student at the University of Pennsylvania, Jonathan has been obsessed since childhood with the fortunes of a company called Carlsson Copper. Jonathan plans to ingratiate himself with the wealthy family of magnate Thor Carlsson (Max von Sydow) and has begun secretly dating Carlsson's daughter Dorothy (Sean Young). When Dorothy learns that she's pregnant and informs Jonathan that she'll be cut off without her inheritance when her father learns the truth, Jonathan murders her, making it appear to be a suicide, and moves to New York. There, he makes the acquaintance of Ellen Carlsson (also played by Young), the late Dorothy's twin sister, and begins wooing her. This time he meets with success, winning Ellen's hand in marriage and a powerful position in his new father-in-law's company. However, Ellen has long nursed suspicions about her twin's death and as she probes deeper into the alleged suicide, she uncovers alarming facts about some other murders and the identity of her sister's unknown lover. Director James Dearden also wrote Fatal Attraction (1987), which contains similar themes. ~ Karl Williams, All Movie Guide

The "nature-nurture" theory that motivated so many Three Stooges comedies is the basis of John Landis's hit comedy. The fabulously wealthy but morally bankrupt Duke brothers (Ralph Bellamy and Don Ameche) make a one-dollar bet over heredity vs. environment. Curious as to what might happen if different lifestyles were reversed, they arrange for impoverished street hustler Billy Ray Valentine (Eddie Murphy) to be placed in the lap of luxury and trained for a cushy career in commodities brokerage. Simultaneously, they set about to reduce aristocratic yuppie Louis Winthorpe III (Dan Aykroyd to poverty and disgrace, hiring a prostitute (Jamie Lee Curtis) to hasten his downfall. When Billy Ray figures out that the brothers intend to dump him back on the streets once their experiment is complete, he seeks out Winthorpe, and together the pauper-turned-prince and prince-turned-pauper plot an uproarious revenge. With the good-hearted prostitute and Winthorpe's faithful butler (Denholm Elliott) as their accomplices, they set about to hit the brothers where it really hurts: in the pocketbook. ~ Hal Erickson, All Movie Guide

New York detective Moe Brummell (George Segal) is assigned to track down a serial killer who has been preying on lonely middle-aged ladies. Each of the bodies is discovered with a lipstick kiss drawn on the forehead. We know (but Brummell doesn't) that the murderer is Christopher Gill (Rod Steiger), a round-the-bend actor whose hatred for his mother has driven him to his killing spree. Gill is fond of adopting a different personality and costume with each killing (a priest, a homosexual, a plumber etc.), making him doubly difficult to trace. When Brummell comments to the media that he's up against a criminal genius, he finds himself the reluctant recipient of Gill's anonymous phone calls, wherein the killer plants cryptic clues leading to his next crime. It may not be readily apparent from the previous sentence, but No Way to Treat a Lady is a comedy-albeit a jet-black one. Moe Brummell is hampered with an archetypal Jewish mamma (Eileen Heckart), who in her own way is as deadly as the elusive Christopher Gill. Lee Remick plays Brummell's girl friend, who, as the only person who might be able to identify Gill, is placed in harm's way at the film's climax. A curious by-product of No Way to Treat a Lady is the fact that Rod Steiger was cast in the lead in the 1976 biopic W.C. Fields and Me on the basis of the third-rate Fields imitation he offers to George Segal during one of his taunting phone calls. ~ Hal Erickson, All Movie Guide