Joy Shelton Movies

A young Susannah York had her first lead role in this drama about a teenage girl on the cusp of womanhood. When her mother falls ill during a vacation in the French wine country, 16-year-old Joss Grey (York) is left to her own devices as she and her three younger siblings are left in the reluctant care of Madame Zisi (Danielle Darrieux), the proprietor of the hotel where they were staying. Eliot (Kenneth More), Zisi's strapping boyfriend, offers to show the youngsters some of the sights in the countryside, and Joss finds herself developing a strong infatuation with the older man. However, when she realizes that Eliot and Zisi are lovers, she becomes despondent and ends up getting drunk on wine with Paul (David Saire), a boy who works in the kitchen at Zisi's hotel. When Joss learns that Eliot is actually a jewel thief wanted by the law, she informs the police of his whereabouts. However, that same night, Paul's efforts to seduce Joss degenerate into a violent attempt at rape, but when Eliot hears her screams for help, he comes to Joss' rescue. Having spared her virtue and perhaps her life, Joss confesses to Eliot that she has turned him in to the police, and urges him to flee for his own safety. One of Joss' sisters is played by Jane Asher, a distinguished actress who was most famous in the United States not for her abilities as a performer, but for spending several years as Paul McCartney's girlfriend. ~ Mark Deming, Rovi

This is one of the rare comedies by director Gerald Thomas that does not have the words "Carry On...." in the title, and that is the first indication that the wacky, hare-brained, ribald core of the "Carry On" series is missing here. The premise is that a young couple, David and Catherine Robinson (Leslie Phillips and Geraldine McEwan), have to turn their large country house into a money-making proposition. Their solution is to invite the kids of the rich and famous, since that is where the money lies, to spend a summer enjoying all the loving care and attention they miss at home. After the youngsters arrive, David quickly realizes what the offensive little punks need is some real discipline, and so the summer begins. ~ Eleanor Mannikka, Rovi

A tired-looking Tom Conway plays a private detective who is framed for murder. Eva Bartok, the head of a smuggling, has arranged the frameup. Eva is herself "set up" by the actual killer, unreconstructed Nazi Robert Adair. At this point, Bartok belatedly sides with Conway. Only one of the three above-mentioned actors is still alive at fadeout time: guess which one. ~ Hal Erickson, Rovi

Impoverished British bank clerk John Ross (Jack Watling) is hopelessly in love with drop-dead gorgeous Irene James (Pat Kirkwood). Ross will do anything to win Irene's affections -- including embezzlement. She ends up marrying him, but she can't give up her true love, slimy counterfeiter Jimmy Smart (Sydney Tafler). By the time Ross realizes that his former fiancee Vera Lamb (Joy Shelton) was the right girl all along, it's a shade too late. The magnificent Thora Bird steals the show in Once a Sinner as the fickle Irene's slatternly mother. ~ Hal Erickson, Rovi

Stanley Holloway carries the ball, comedically and dramatically, in the British Midnight Episode. Holloway plays "The Professor," a tattered hobo who recites Shakespeare for pennies. He also picks up spare change by opening car doors for theatre patrons. While thus occupied, the Professor is startled when a dead body tumbles out of a limousine. Soon after, the body disappears, leaving behind a wallet bulging with money. The Professor providentially turns in some of the money to the authorities, keeping the rest for himself--and thereby hangs the rest of this complicated tale. Wilfred Hyde-White, who later co-starred with Stanley Holloway in My Fair Lady, turns in a surprising characterization as the leader of a criminal gang. ~ Hal Erickson, Rovi

Before detective Slim Callaghan (Michael Rennie) can meet with prospective client Col. Stenhurst, he gets drugged, is ordered not to take the case by the colonel's step-daughter, and finds Stenhurst's dead body. So, of course, Callaghan investigates for himself, accurately predicting that several of the relatives will hire him. What he finds is a sordid history of murder and blackmail. Vernon Sewell's Uneasy Terms is a scrambled British attempt at American-style hard boil. ~ Steve Press, Rovi

This 1949 British film told a very plausible story about a triangle between a woman, her soldier husband, and her new lover. Jim Colter (John Mills) has joined the services, leaving his wife Tillie (Joy Shelton) with his mother (Beatrice Varley) and sister. Tillie is lonely, meets Ted Purvis (Stewart Granger), and falls for him. It turns
out that Purvis is a small-time crook and swindler and falsified his medical records in order to avoid serving in the war. Jim finds out about the affair and deserts the war to return home and settle matters. But he is set upon and beaten by Purvis' hoodlum buddies. Unchastened, Jim goes after Purvis, and they engage in a climactic fist fight as bombs are dropping during a Nazi air raid. The entire story is played out against the noisy backdrop of a country at war. It was based on a story by director Sidney Gilliat. ~ Michael Betzold, Rovi

Millions Like Us is a fundamentally honest dramatization of the British "home front" during World War II. Patricia Roc plays a worker in a defense plant who lives in an all-female rooming house. Shy and sheltered, Roc loses some of her inhibitions when she falls in love with an airman (Gordon Jackson). After they marry, he is killed in battle. Roc's coworkers and friends rally round her, giving her the strength to persevere. Millions Like Us attempts to show the temporary breakdown of the British class structure during the war, with everyone--highborn to low--pitching in, working together, and bolstering one another's morale. That the old social system would inevitably resume after the war wasn't important to British movie fans, who lined up in droves to see Millions Like Us. ~ Hal Erickson, Rovi