Garry Shandling Movies

Comic Relief: The Greatest... and the Latest features a number of performances by some of the most talented comics of their day performing for a charity that collects money for the homeless. Among the performers who appear on this release are Sarah Silverman, Lewis Black, Jon Stewart, and David Cross. ~ Perry Seibert, All Movie Guide

A group of feisty forest critters awaken following the winter freeze to discover that not only has a new neighborhood cropped up during the cold months, but living in close proximity to humans may have its benefits in this computer-animated comedy-adventure for all ages featuring the voices of Bruce Willis, Garry Shandling, Steve Carell, Wanda Sykes, Avril Lavigne, Eugene Levy, and William Shatner. Despite Verne the Turtle's (Garry Shandling) initial hesitance to breach the formidable foliage that has appeared on his doorstep since last fall, the arrival of fearless raccoon RJ (Willis) and revelation that their new human neighbors throw out enough food in one day to feed a whole forest lead the gang to consider taking the plunge and exploring the snack-filled suburbs. As Verne and RJ learn to work together in taking on their strange new surroundings, Stella the Skunk (Sykes), Hammy the Squirrel (Carrel), Heather the Opossum (Lavigne), and Heather's father, Ozzie (Shatner), join in on the fun by scavenging for Girl Scout cookies and attempting to scuttle past the pesky new suburbanites undetected. ~ Jason Buchanan, All Movie Guide

Documentarist Christopher Monger's Special Thanks to Roy London profiles famed acting coach London (1943-93), a man with resounding professional success (including a litany of former pupils who graduated to A-list Hollywood triumph) but a rocky and notoriously complicated personal life. In this program, Monger examines London through the eyes of many of the said pupils, including Jeff Goldblum, Hank Azaria, Garry Shandling, Geena Davis and Patrick Swayze. The title, of course, refers to the "special thanks" mention to fall in the end credits of many a feature film. ~ Nathan Southern, All Movie Guide

The world of stand-up comedy is explored from the perspectives of two very different talents -- one wet behind the years, another already a legend -- in this documentary from TV-commercial director Christian Charles. Comedian follows Jerry Seinfeld and Orny Adams as they navigate their way through the cutthroat world of New York's comedy clubs, each working toward the ultimate goal of an appearance on Late Night with David Letterman. For Seinfeld, hitting the clubs is a way of proving himself after his years of sitcom success; for the up-and-coming Adams, nightly stand-up routines are an avenue to bigger and better things, preferably comedy festivals, talk show appearances, and sitcom roles. The two occasionally cross paths at such Manhattan comic haunts as The Gotham Comedy Club and Caroline's, where they debate ups and downs of the trade. Comedian also reveals many candid, behind-the-scenes discussions between Seinfeld and such comic legends as Chris Rock, Robert Klein, Dave Chappelle, and Jay Leno, as well as rare glimpses of the star's personal life. ~ Michael Hastings, All Movie Guide

Garry Shandling makes his big-screen debut as a leading man in this sci-fi romantic comedy. Harold (Shandling) is an alien from another galaxy sent to Earth on a vital mission: in order to ensure that his civilization will prevail, Harold must impregnate an Earth woman. But he discovers that this is more easily said than done, as he quickly gets a crash course in the arcane rituals of the human courtship process. What's worse, just when Harold thinks he's making progress in Earthbound seduction, he discovers that the males of his planet don't physically interface properly with women on Earth, so he is issued a variety of bizarre gadgets to complete his assignment. Mike Nichols directed What Planet Are You From?, which also features a top-notch supporting cast, including Annette Bening, John Goodman, Ben Kingsley, and Camryn Manheim. ~ Mark Deming, All Movie Guide

Betty Thomas directed this adaptation of the classic children's stories by Hugh Lofting (1886-1947), updating the original concepts into the present day. When noted surgeon Dr. John Dolittle (Eddie Murphy) swerves his car to avoid hitting a dog, he hits his head on the windshield, triggering his long-dormant gift for holding conversations with animals. Friends, associates and his wife Lisa (Kristen Wilson), all express concern, but Dr. Dolittle is happy as he takes on new animal clients. Soon Dolittle's clinic becomes a haven for talking rats, birds, and other assorted members of the animal kingdom, and Dolittle's new four-legged and furry friends, in turn, teach him a few things about being human. The effects seamlessly combine Jim Henson Creature Shop animatronics, computer graphics, and real animals, but some viewers might yearn for a return of the Great Pink Sea Snail and Lofting's other imaginative creatures. The 1967 20th Century Fox musical Dr. Dolittle starred Rex Harrison in a strange storyline that began with Dolittle escaping from a lunatic asylum and leaving the Victorian village Puddleby-by-the-Marsh, England, to search the South Seas for the Great Pink Sea Snail. Along the way, he gathered diverse Dolittle denizens and animal anomalies, including the Giant Moon Moth and the famed, two-headed Pushmi-Pullyu. The earlier film spawned the Oscar-winning popular song success, "Talk To The Animals," along with numerous now-forgotten toys, books, and collectibles. ~ Bhob Stewart, All Movie Guide

When Sid (Sid Newman) dies, nearly all of the crew members of The Larry Sanders Show find themselves in mourning. Having just told Sid in a jealous rage that the audience was laughing "at" him instead of "with" him following a successful skit, Hank (Jeffrey Tambor) is especially affected due to the fact that he feels partially responsible for Sid's death. As Hank vows to offer financial support to Sid's family, Larry (Garry Shandling) attempts to keep his relationship with Laura Dern a secret. ~ Jason Buchanan, All Movie Guide

When shady network suit Kenny Mitchell (Josh Malina) is appointed "Creative Liaison" and begins to implement drastic changes in the show's format, Larry (Garry Shandling) starts to sweat, but when his agent, Stevie (Bob Odenkirk), appears to be avoiding contract negotiations and ends up having lunch with Jon Stewart, Larry really starts to feel the heat. It seems that Kenny has been dropping increasingly frequent hints that the show could get better ratings with Stewart at the helm, and it's not long before he and a frustrated Artie (Rip Torn) nearly come to blows. ~ Jason Buchanan, All Movie Guide

As The Larry Sanders Show began to wind toward the end of its run, fans could see from the first episode of the season that things didn't bode well for the increasingly stressed host. From the moment in "Another List" when Larry (Garry Shandling) began to to fret over the fact that Jon Stewart got better ratings serving as guest host than Larry did on any given evening, the first three episodes clearly began to establish the fact that the end was near. After the suits move in on our gracious host and Larry subsequently announces that he won't be renewing his contract, caution is thrown to the wind for the majority of the season, resulting in a carefree feel in which The Larry Sanders Show would flourish. ~ Jason Buchanan, All Movie Guide

While organizing a roast for Larry (Garry Shandling), Norman (David Paymer) invites Dana Carvey, Bill Maher, Jon Stewart, and Al Franken to take their best shot at the self-absorbed talk-show host. When Artie (Rip Torn) invites Carl Reiner to host instead of Hank (Jeffrey Tambor), the sensitive sidekick retaliates by practicing his heckler defense skills and inviting an unexpected guest. ~ Jason Buchanan, All Movie Guide

Left in the lurch after the prop master unexpectedly quits the show, Artie (Rip Torn) is pressured by Hank (Jeffrey Tambor) to hire the sidekick's new squeeze. When Beverly (Penny Johnson) catches wind of the newly open position, she is prompted by her cousin Clyde (Paul Mooney) to demand that the job go to an African-American -- specifically Clyde himself. Disheartened by Larry's refusal to consider her proposal and feeling like a token minority among the staff, Beverly threatens to take a position as Laurence Fishburne's assistant. Troubled over the fact that he's losing a valuable employee, Larry attempts to keep Beverly with the show by hiring Clyde. ~ Jason Buchanan, All Movie Guide

Fed up that he has been bumped from the show nine times in a row, comedian Jeff Cesario is somewhat placated by Larry's (Garry Shandling) promise that he will most certainly be on the next show. Complications arise when Artie (Rip Torn) and Larry discover that not only has the next show been booked solid, but Hank's (Jeffrey Tambor) father has died, and the grief-stricken co-host has demanded tribute time on the show. When Artie and Larry decide that a guest must be cut, who will it be? ~ Jason Buchanan, All Movie Guide

A holiday comedy with dark overtones, Mixed Nuts presents a supposedly humorous look at the behind-the-scenes events at a crisis hotline on Christmas Eve. Philip (Steve Martin) runs Lifesavers, a Venice, California organization dedicated to helping the depressed and troubled. Unfortunately, Philip is a bit down himself, having learned that Lifesavers is on the verge of eviction. His staff isn't feeling particularly helpful either, with Mrs. Munchnik (Madeline Kahn) giving gruff, often insulting advice, and Catherine (Rita Wilson) obsessing over her own unspoken love for Philip. As the holiday approaches, various weirdoes of all shapes and sizes -- from to a pregnant clothing store owner (Juliette Lewis) to a disenchanted Santa Claus (Anthony LaPaglia) -- begin dropping in, throwing the already strained office into utter chaos. Director Nora Ephron followed her smash success Sleepless in Seattle with this remake of the cult 1982 French comedy Le Père Noël est une Ordure, co-authoring the script with her sister Delia Ephron. However, Mixed Nuts met with little box office or critical approval, with most viewers finding the film's manic farce disappointingly forced and abrasive. ~ Judd Blaise, All Movie Guide