Alex Serra Movies

Italian horror auteur Dario Argento produced and co-wrote (with director Lamberto Bava) this gory, nightmarish horror film set almost entirely within the "Metropol," a huge, cathedral-like Berlin cinema showing an invitation-only screening of a rather lame slasher film. The difference, of course, is that the cheap scares on the Metropol's screen are child's play compared to the horrors which soon emerge to lay hold of the unsuspecting filmgoers: when a young woman is scratched by part of a display in the theatre lobby, she begins to mutate into a fanged, slavering creature who then attacks other audience members, spreading the demonic infection until only a handful of survivors are forced to combat rampaging armies of inhuman beasts, making the latter portion of the film resemble Night of the Living Dead. A handful of sequels followed; there's a little "reward" for those who stick around for the end credits. ~ Cavett Binion, Rovi

Salome is a drama that oscillates between Judea in 30 A.D. to a kitsch New York in the 20th century. King Herod (Tomas Milian) is having a hard time. He is worried about the upstart Caesar, he's plagued by bad omens like the wrong birds flying in the wrong direction, and it does seem like term limits may be imposed on them. After all, he and his wife are responsible for their constituents' inability to enjoy sex; they murdered Salome's father (King Herod's brother) which has left the people with a decided lack of libido. Salome herself (Jo Champa) comes along to set things right again, and then grabs her seven veils for a performance down in a basement where the long-suffering Yokanaan (Fabrizio Bentivoglio) is tied-up in chains. ~ Eleanor Mannikka, Rovi