Margaret Seddon Movies

Lippert Studio's first 1951 release was the compact western 3 Desperate Men. The title characters are the Denton Brothers, played by Preston S. Foster, Jim Davis and Ross Latimer. Accused of crimes they didn't commit, the Dentons are obliged to become outlaws to survive. So long as they stay away from their home town, the brothers are able to pull off their crime spree unabated. But their fate is sealed the moment they head homeward to exact revenge against those who framed them. Critics of the period were satisfied with 3 Desperate Men, though it was felt that at least two of the three Dentons could have used some lessons in horsemanship. The film secured pretty good bookings for a Lippert production. ~ Hal Erickson, All Movie Guide

One of the silliest and most unbelievable of the Universal Sherlock Holmes series, Sherlock Holmes in Washington is also undeniably one of the most enjoyable. The story gets under way when an Allied spy (an unbilled Gerald Hamer, one of this series' "regulars") smuggles a valuable piece of microfilm into the U.S. The film is hidden in a matchbook cover that passes through several hands, ultimately ending up in the possession of Washington, D.C., socialite Nancy Partridge (Marjorie Lord). Brought to Washington from London to help locate the missing film, Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) do their best to rescue Nancy from the clutches of the Axis villains -- nearly losing their own lives in the process. And when the case is finally solved, Holmes reveals that there's still another twist to the proceedings -- a few minutes before he delivers his obligatory patriotic quote from Winston Churchill. One of the delights of Sherlock Holmes in Washington is the casting of George Zucco and Henry Daniell as the bad guys; both actors also played Holmes' archenemy Moriarty in other series entries. It's also fun to see poor old Watson tangle with American slang and a wad of bubble gum, and to watch as Holmes and Watson driven past a series of famous D.C. monuments -- covering several miles in a matter of seconds! ~ Hal Erickson, All Movie Guide

In this WW II spy comedy, an American pilot stationed in England is flying a routine mission when the Nazis shoot down his plane. He ends up seeking shelter in the home of an unhappily married Dutch woman. She covers for the pilot by introducing him as her mentally unbalanced but basically harmless husband. A Nazi major has taken over her home, and mayhem ensues when he and her "husband" meet. In the end, the pilot steals a German plane and takes the woman safely to England. The film is also known as Yank in Dutch. ~ Sandra Brennan, All Movie Guide

Based on the Ben Hecht/Charlie McArthur play Chicago, Roxie Hart is a short-but-sweet satire of highly publicized court trials. Ginger Rogers plays showgirl Roxie Hart, whose no-good husband kills a man and insists that Roxie take the blame, since juries seldom send a woman to the chair. She agrees, figuring that the publicity will be beneficial to her career. Roxie's case is taken by grandstanding attorney Adolphe Menjou, who regards the sacred halls of justice as his own three-ring circus. George Montgomery plays the reporter covering the trial, who falls in love with Roxie and eventually marries her after she dumps her cowardly hubby. Roxie Hart plays fast and loose with legal ethics, but is no less hilarious because of it. Some of the best moments belong to Iris Adrian, as an imprisoned "Bonnie Parker"-type killer who's jealous that Roxie is stealing all the headlines. ~ Hal Erickson, All Movie Guide

When MGM decided to move up-and-coming star Laraine Day out of the "Dr. Kildare" series, the studio did so in a startlingly dramatic fashion. In Dr. Kildare's Wedding Day, Dr. Jim Kildare (Lew Ayres) and nurse Mary Lamont (Laraine Day) are finally able to exchange their marital vows. Alas, the honeymoon ends abruptly when poor Mary is struck down and killed by a speeding truck (hopefully, it is safe to give away this plot twist at this late date). Numbed by grief, Kildare is snapped out of his doldrums by his crusty mentor Dr. Gillespie (Lionel Barrymore), who urges the young medico to honor Mary's memory by continuing to help others. The grimmer aspects of Dr. Kildare's Wedding Day are offset by several comic subplots, one of which involves an orchestra leader (Nils Asther) who suffers buzzing in his ears due to his eating habits! ~ Hal Erickson, All Movie Guide

The Weaver Brothers hit the road and taste the hobo's life in this, the sixth, entry in the eleven-film "Weaver Brothers and Elviry" comedy-drama series. The singing hayseed family's journey begins when a drought destroys their farm. The young travelers soon hook up with a band of tramps and end up in a small town that has been nearly destroyed by the floods that occasionally roar through it. The Weavers' are moved by the townsfolk's plight and so decide to stay a spell and help out. When not appearing in film, the Weavers were known as the "The Arkansas Travelers" and frequently performed on the Grand Ole Opry. ~ Sandra Brennan, All Movie Guide

The fourth cinematic version of the novel Raffles, the Amateur Cracksman by E.W. Hornung, this romantic caper is a virtual remake of the 1930 version. David Niven stars as A.J. Raffles, a famed cricket player of English society's upper crust. Secretly, however, Raffles is a skilled cat burglar known as "The Amateur Cracksman" to Scotland Yard, which has been unable to catch him. Known for returning the items he's filched, Raffles is about to give up a life of crime because he's fallen for Gwen (Olivia de Havilland), a rich society girl. But first Gwen's brother, Bunny (Douglas Walton), needs help to extricate himself from a gambling debt that will be satisfied nicely by the valuable necklace owned by royal Lady Melrose (May Whitty). At a party thrown by Melrose, a rival thief and a detective (Dudley Digges) stand in Raffles' way, although the nimble and perturbed master criminal has a master plan that will result in the least possible harm coming to all involved. ~ Karl Williams, All Movie Guide

In this comedy, a WWI veteran gets married after receiving his bonus money from the government. His meddlesome aunts then attempt to tell him how the tidy sum should be spent. He listens and reluctantly invests in oil. Trouble ensues when con men appear in town and attempt to sell every one phony petroleum futures. Later the nephew begins drilling himself and by the film's end has struck real oil. ~ Sandra Brennan, All Movie Guide

Future best-selling novelist Irwin Shaw made his screenwriting bow with the modest RKO Radio sports drama The Big Game. The story revolves around the efforts by a group of crooked gamblers to fix the outcomes of college football games. When star quarterback Clark (Philip Huston) refuses to be bribed, the villains kidnap him on the eve of the titular Big Game. Clark is rescued by his burly teammates just in the nick of time, but the film's not over yet: there's a riot on the football field during the final scenes, reportedly inspired by a real-life incident during a 1935 NYU-Fordham game. Adding to the enjoyment of The Big Game is the presence of several genuine members of the 1936 All-American football squad: The University of Chicago's Jay Berwanger, Notre Dame's William Shakespeare, Southern Methodist's Bobby Wilson, NYU's Irwin "King Kong" Klein, Ohio State's Gomer Jones, and Stanford's Robert "Bones" Hamilton, Monk Moscrip and Frank Alustiza. ~ Hal Erickson, All Movie Guide

When a car crash ends the life of a fabulously wealthy patron of the arts, the decedent's $20,000,000 fortune is inherited by one Longfellow Deeds (Gary Cooper) of Mandrake Falls, Vermont. Already a reasonably successful local businessman, Deeds doesn't really feel the need for anything extra in his life: he just wants enough time to practice his tuba and compose greeting-card doggerel. When Deeds is convinced to move to New York, hard-boiled newspaper reporter Babe Bennett (Jean Arthur) is dispatched to get the inside scoop on "The Cinderella Man." Babe's stories of Deeds' eccentricities and no-nonsense dealings with phonies and poseurs provide excellent headline fodder; but she begins to regret her actions, having fallen in love with the big lug. Deeds ultimately sets up a foundation to dispense his fortune to the country's neediest souls, on the proviso that the recipients do their best to get back on their feet, a turn of events that leads his lawyer John Cedar (Douglas Dumbrille) to try to have him declared insane. By the end of the sanity hearing, the judge (H. B. Walker) declares: "Not only are you sane, but you're the sanest man who ever walked in this courtroom!" A joyously unadulterated hunk of Frank Capra-corn, Mr. Deeds Goes to Town was adapted by Robert Riskin from Clarence Buddington Kelland's short story "Opera Hat." In addition to the pleasure of watching the country bumpkin outwit city slickers, the movie is a film buff's dream, boasting one of the best character-actor casts ever assembled for a single film. Nominated for four Academy Awards, the film won Frank Capra his second Oscar (out of three) as Best Director. ~ Hal Erickson, All Movie Guide

MGM's The Flame Within was the second entry in the "psychiatric" film-cycle inaugurated by Paramount's Private Worlds. Ann Harding stars as female psychiatrist Mary White, who likes to think that she is personally above her patients' emotional problems. This proves not to be the case when Mary takes a more than professional interest in the plight of self-destructive alcoholic Jack Kerry (Louis Hayward). Also involved in this situation is Kerry's troubled fiancee Lillian Belton (Maureen O'Sullivan), who has twice attempted suicide out of love for the man. Thus, Mary's dilemma is compounded: she has fallen in love with Kerry herself, and where does that leave poor Lillian? A little shaky in terms of psychology, The Flame Within works best on a purely melodramatic level. ~ Hal Erickson, All Movie Guide

David Copperfield was MGM's major Christmas release for its 1934-1935 season and also the first of producer David O. Selznick's major "literary" films for that studio. While a great deal of editing and streamlining was necessary to distill Charles Dickens' massive novel into 133 minutes of screen time, the end result was so successful that only the nittiest of nitpickers complained about the excised characters and events. Freddie Bartholomew plays the young Copperfield, who, after the death of his mother (Elizabeth Allan), is cruelly mistreated by his stepfather, Mr. Murdstone (Basil Rathbone). David's life brightens when he meets the ever-in-debt Mr. Micawber (W.C. Fields), and he is sheltered by Micawber's large and loving family until Micawber is carted off to debtor's prison. Forced once more to seek a home, David makes his way to the Dover estate of his Aunt Betsey (Edna May Oliver), where he meets another colorful cast of characters, none more so than the childlike Mr. Dick (Lennox Pawle). When Murdstone arrives, insisting that David be returned to him, Aunt Betsey and Mr. Dick form a united front to protect the boy. Flash-forward several years: the grown David (now played by Frank Lawton) is attending school, where he meets the lovely Agnes Wickfield (Madge Evans). David discovers that Agnes' businessman father (Lewis Stone) is under the thumb of the "'umble" prevaricator Uriah Heep (Roland Young) and the equally disreputable Steerforth (Hugh Williams). With the help of Mr. Micawber-who in a weak moment has taken a job working side-by-side with Heep-David proves Heep's treachery and rescues the Wickfields. By rights, he should marry Agnes, but David impulsively weds the empty-headed Dora (Maureen O'Sullivan). Only after Dora's death does David come to his senses, realizing that Agnes is the true love of his life. Originally, Charles Laughton was slated to play Micawber, but he pulled out of the production, worried that he wouldn't be funny enough. The casting of W.C. Fields was an inspired choice: although he injects his own established screen personality at every opportunity, Fields was born to play Micawber. Likewise, second-billed Lionel Barrymore fits his portrayal of crusty old Dan Peggoty like a glove. In fact, there isn't a false bit of casting in the whole production, and this, as much as Selznick's sumptuous production values, is the key to David Copperfield's enormous success. ~ Hal Erickson, All Movie Guide