Tala Birell Movies

The scene is Shanghai: the time, WW II. An international group of women left stranded during the Japanese invasion are rounded up by the local authorities to act as "comfort girls" for high-ranking Nazi and Japanese officials. Bridling at this degrading treatment, the ladies secretly work on behalf of the Chinese Underground, relaying vital information to the Allies and, at one point, committing murder in the name of Democracy. The plot thickens with the introduction of a Nazi "cosmic ray" device, which OSS operative Van Arnheim (William Henry) hopes to destroy before it can be used in battle. Van Arnheim's courageous wife is played by Virginia Christine, light-years removed from her stint as "Mrs. Olsen" in the Folger's Coffee TV commercials. ~ Hal Erickson, All Movie Guide

The second of PRC's trio of "Philo Vance" mysteries, Philo Vance's Gamble stars Alan Curtis as S. S. Van Dine's erudite amateur sleuth. The plot is set in motion when a valuable emerald is smuggled into the U.S. The gem promptly disappears, resulting in two murders. Following the trail of clues, Philo Vance gets mixed up with an international smuggling ring, not to mention a third murder. Leading lady Terry Austin offers an interesting performance as the none-too-typical heroine, while Frank Jenks is on hand for mildly amusing comedy relief. Perhaps the best of PRC's "Vance" entries, Philo Vance's Gamble is still rather far removed from Van Dine's original concept of the character. ~ Hal Erickson, All Movie Guide

In this mystery, a millionaire shipping tycoon commands that eight of his relatives come to his Chinese mountain retreat upon his death. There each will be entitled to an equal share of his fortune. He dies, and the eight go to China. Trouble ensues in the remote cabin when two relatives are murdered. More murder attempts soon follow before the survivors learn the surprising truth. ~ Sandra Brennan, All Movie Guide

An installment from Universal's "Inner Sanctum" series (whose trademark featured an introduction narrated by a spooky disembodied head), this low-budget thriller stars Lon Chaney, Jr. as luckless stage hypnotist "Gregor the Great" who, after seemingly causing the death of one of his audience volunteers, is forced to go into hiding. He is eventually offered a job by Rudi Poldan (Martin Kosleck), assistant curator of a wax museum. This apparent stroke of good fortune is actually part of a nefarious scheme concocted by Gregor's sleazy manager (Milburn Stone), with whose assistance Rudi hopes to drive the unbalanced performer off the deep end and steal away his girlfriend (Evelyn Ankers). Chaney's performance is less than compelling and fails to give this low-rent programmer the melodramatic boost it desperately needs. Despite the title, no ghosts actually appear -- frozen or thawed. ~ Cavett Binion, All Movie Guide

A women's prison provides the setting for this drama that centers around a naive small-town woman framed by a man whom she met in a nightclub in the big city. She is not welcomed by the inmates and immediately the prisoners are divided. The conflict ends in murder. In the end, the innocent woman's lawyer comes to her rescue and she is at last, freed. Included are two stirring songs sung by the inmates in the prison's rec room. ~ Sandra Brennan, All Movie Guide

The usual modus operandi for Hollywood "through the years" sagas was to gradually age its young actors in the course of the film. In Mrs. Parkington, 35-year-old Greer Garson appears in old-lady makeup for virtually the entire 124-minute running time, even though this filmization of Louis Bromfield's best-selling novel covers the years 1875 through 1938. Eightyish widow Mrs. Susie Parkington (Garson) gathers together all of her grown children in an effort to bail out son-in-law Amory Stilham (Edward Arnold), who's gotten in Dutch through crooked financial deals. As the children and grandchildren bicker over the "impossibility" of giving up any part of their inheritance, Mrs. Parkington's mind wanders back to her marriage to wealthy mine owner Maj. Augustus Parkington (Walter Pidgeon) and her own efforts, as an unlearned Nevada serving girl, to fit into proper Manhattan society. Augustus' ex-love Aspasia Conti (Agnes Moorehead, in a surprisingly sexy role) is engaged to teach Susie the in and outs of which fork to use and how low to curtsy. Shut out by the "400," Susie is avenged by her husband, who wheels and deals to ruin the snobs financially. Later on, he assuages his anger by conducting several extramarital affairs, before perishing in one of those convenient movie auto accidents. Just how all these incidents strengthen Mrs. Parkington's resolve to rescue her wastrel son-in-law is a mystery that even two viewings of this overlong soap opera may not solve. Incidentally, Greer Garson isn't the only one who is prematurely aged in Mrs. Parkington; keep an eye out for 27-year-old Hans Conried, convincingly playing a doddering musician. ~ Hal Erickson, All Movie Guide

The year is 1942: eight American airmen crash-land during the Doolittle bombing raid on Tokyo and are taken prisoner. Though slated for execution, the pilots are put through a "show trial" by the military, on a charge of committing war crimes. The Japanese judges promise to be merciful if only the Americans will reveal vital US military secrets. But captain Dana Andrews speaks for the rest of his melting-pot crew-some of whom have been subjected to the most horrific of tortures--when he chooses death before dishonor. In its own way, The Purple Heart is as racist a piece of propaganda as was ever produced by Hollywood. The Japanese are shown to be little more than sadistic beasts (at one point, the judges interrupt the trial by moronically shouting "Banzai" after receiving news of a military victory), while hissing, buck-toothed interrogator Richard Loo ("I attended your...Amelican universities"), unable to admit that he's been wrong about Yankee resilience, commits hara-kiri. Remember, however, that The Purple Heart was made at a time when America was still at war with Japan, and political correctness was hardly a consideration. Its jingoism aside, the film is a first-rate piece of moviemaking, socked across by director Lewis Milestone with the same fervor that he'd expended on his anti-war masterpiece All Quiet on the Western Front (1930). ~ Hal Erickson, All Movie Guide

For his first directorial assignment at RKO Radio, Edward Dmytryk was handed the mile-a-minute topical meller Seven Miles From Alcatraz. James Craig and Frank Jenks star as cynical Alcatraz inmates Champ and Jimbo, who manage to escape from the "rock" and then take refuge in the lighthouse maintained by Captain Porter (George Cleveland) and his pretty daughter Anne (Bonita Granville). Though concerned only about their own plight at first, Champ and Jimbo alter their getaway plans to foil a nest of Nazi spies who are using the lighthouse as their rendezvous. As Jimbo explains it, "We may be rats, but we're American rats!", which may be why he and Champ are granted a happier denoument than most Alcatraz escapees. Among the Nazis is a slim and youthful John Banner, two decades removed from his duties as cuddly Sergeant Schultz in TV's Hogan's Heroes. ~ Hal Erickson, All Movie Guide

The Song of Bernadette is a reverent recounting of the life of St. Bernadette of Lourdes. As a teen-aged peasant girl growing up in the tiny French village of Lourdes in the 19th century, Bernadette (Jennifer Jones) experiences a vision of the Virgin Mary in a nearby grotto. At least, she believes that she did. The religious and political "experts" of the region cannot accept the word of a silly little girl, and do their best to get her to renounce her claims. Bernadette's vision becomes a political hot potato for many years, with the authorities alternately permitting and denying the true believers' access to the grotto. No matter what the higher-ups may think of Bernadette, there is little denying that the springs of Lourdes hold some sort of recuperative powers for the sick and lame. Eventually, Bernadette dies, never faltering in her conviction that she saw the Blessed Virgin; years later, she is canonized as a saint, and the Grotto of Lourdes remains standing as a permanent shrine. The 20th Century-Fox people knew that The Song of Bernadette would whip up controversy from both the religious and the agnostic. The company took some of the "curse" off the project with a now-famous opening title: "To those who believe in God, no explanation is necessary. To those who do not believe in God, no explanation is possible." Jennifer Jones' performance in The Song of Bernadette won her the Best Actress Oscar in 1943. ~ Hal Erickson, All Movie Guide

Set in Japanese-occupied China shortly before the bombing of Pearl Harbor, this action/drama stars Alan Ladd as Mr. Jones, a cynically materialistic American who has no qualms about selling oil to the enemy; as far as he's concerned, their money spends as well as anyone's. Against the advice of his friend and partner Johnny Sparrow (William Bendix), Jones heads to Shanghai to negotiate a sale with representatives of the Japanese government. En route, Jones and Sparrow are caught in a massive rainstorm that leaves the roads all but impossible to navigate; the yanks are also stopped by Chinese guerilla troops, who force them to take on a group of schoolgirls and their instructor, an American named Carolyn Grant (Loretta Young). Between the patriotic Carolyn, the Chinese schoolgirls, and a baby that Sparrow rescued from the side of the road, Jones has a lot more going on than he's used to dealing with, but the situation forces him to take a long, hard look at his personal politics. When he discovers that one of the girls was brutally raped by Japanese soldiers after she tried to return to her family, Jones decides he can no longer stand alongside the Japanese and kills the three soldiers responsible. This was one of a small number of pro-China films made in the United States during World War II, when the two countries had a mutual enemy in Japan; however, a few years down the line, Hollywood's attitude towards China would be markedly different. ~ Mark Deming, All Movie Guide

Katharine Hepburn and Cary Grant star in this inspired comedy about a madcap heiress with a pet leopard who meets an absent-minded paleontologist and unwittingly makes a fiasco of both their lives. David Huxley (Grant) is the stuffy paleontologist who needs to finish an exhibit on dinosaurs and thus land a $1 million grant for his museum. At a golf outing with his potential benefactors, Huxley is spotted by Susan Vance (Hepburn) who decides that she must have the reserved scientist at all costs. She uses her pet leopard, Baby, to trick him into driving to her Connecticut home, where a dog wanders into Huxley's room and steals the vital last bone that he needs to complete his project. The real trouble begins when another leopard escapes from the local zoo and Baby is mistaken for it, leading Huxley and Susan into a series of harebrained and increasingly more insane schemes to save the cat from the authorities. Inevitably, the two end up in the local jail, where things get even more out of hand: Susan pretends to be the gun moll to David's diabolical, supposedly wanted criminal. Naturally, the mismatched pair falls in love through all the lunacy. Director Howard Hawks delivers a funny, fast-paced, and offbeat story, enlivened by animated performances from the two leads, in what has become a definitive screwball comedy. ~ Don Kaye, All Movie Guide

In this musical comedy of errors, David Brassard, Sr. (William Collier, Sr.) has his heart stolen from him by a conniving, gold-digging nightclub singer named Josette (Tala Birell). Brassard's two sons, Pierre (Robert Young) and David Junior (Don Ameche) are both horrified and vow to lure the temptress away from their dad. However, they somehow become convinced that the woman in question is Renee LaBlanc (Simone Simon), who is merely posing as a chanteuse in order to help out her friend Barney Barnaby (Bert Lahr), whose nightspot is in trouble. In time, Pierre and David Junior both realize that they've been chasing the wrong woman -- but they also realize that they've both fallen in love with her. The supporting cast includes William Demarest and Lon Chaney, Jr., the latter only a year before One Million B.C. would reshape his career and make him a star of horror and science fiction films. ~ Mark Deming, All Movie Guide