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Karl Scheydt Movies

1982  
NR  
Add Querelle to Queue Add Querelle to top of Queue  
A sailor learns to take, and give, it like a man in this surrealistic adaptation of writer and thief Jean Genet's novel Querelle de Brest by avant-garde German director Rainer Werner Fassbinder. In a colorful brothel in the port of Brest, proprietor Nono (Gunther Kaufmann) is known for wagering with his customers. Win a throw of the dice, and they get to make love with his wife, Lysiane (Jeanne Moreau); lose, and they must take it from behind by Nono himself. One day, Lysiane reads the tarot for her lover, Robert (Hanno Poschl), and learns in the cards of his intense passion for his brother, Querelle (Brad Davis). Querelle himself soon arrives, and the brothers enact a bizarre greeting halfway between a hug and a wrestling match. Querelle, it seems, is looking for partners in a drug deal; Robert points him in the right direction. An argument about the merits of sex between men soon leads Querelle to murder his fellow smuggler, Vic (Dieter Schidor). Back at the whorehouse, Querelle loses on purpose to Nono and finds he has a taste for passive gay sex. Meanwhile, fellow sailor Gil, who looks exactly like Querelle's brother (and is played by the same actor), murders one of his compatriots after the brute publicly impugns his manhood. Wanted by the police for both his own crime and Querelle's, Gil goes on the lam. Querelle soon crashes his hideout, and an intense bond develops between the two murderers -- a friendship that will lead Querelle to the greatest love, and the greatest treachery, of his life. Director Fassbinder was in the process of editing Querelle when he died of a drug overdose in June 1982. Gunther Kaufmann, who plays Nono, was Fassbinder's ex-lover; the film is dedicated to another former lover, El Hedi Ben Salem, the news of whose suicide had just reached the director. Critically derided even by many of Fassbinder's admirers, Querelle earned a Golden Raspberry award for Worst "Original" Song for "Each Man Kills the Thing He Loves," an Oscar Wilde poem set to music by Peer Raben and sung repeatedly by Jeanne Moreau. Moreau had previously starred in Mademoiselle, a Tony Richardson effort co-scripted by Genet. Look for Frank Ripploh, another pioneering German director, in a cameo. ~ Brian J. Dillard, Rovi

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Starring:
Brad DavisFranco Nero, (more)
 
1978  
 
Add In a Year With 13 Moons to Queue Add In a Year With 13 Moons to top of Queue  
This Rainer Werner Fassbinder drama centers around the lonely quest for love of Elvira Weishaupt, a man who became a woman to please his/her man. Just prior to that, Elivira had been jilted by her previous live-in partner, a man. She does the operation to win the heart of another, Anton. Unfortunately, the sex-change operation does not change the intended's mind; Anton is simply not interested. ~ Sandra Brennan, Rovi

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Starring:
Volker SpenglerIngrid Caven, (more)
 
1975  
 
Add Fox and His Friends to Queue Add Fox and His Friends to top of Queue  
Faustrecht der Freiheit (Fox and His Friends) was one of the many films in the short, but prolific, career of German auteur Rainer Werner Fassbinder. Fassbinder plays Franz Biberkopf, a financially poor gay man who performs in a traveling circus as Fox the Talking Head. One day, he lucks into winning half a million marks in a lottery. This attracts the attention of numerous swindlers, including Eugen (Peter Chatel), who becomes Fox's lover, gets Fox to spend the money on Eugen, and then dumps Fox mercilessly once the money is gone. Unable to come to terms with how he has been used, and miserable at being in the same place he was before he won the money, Fox commits suicide. The cast is rounded out by El Hedi ben Salem and Brigitte Mira, the stars of Fassbinder's celebrated Ali: Fear Eats the Soul. ~ Perry Seibert, Rovi

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Starring:
Rainer Werner FassbinderPeter Chatel, (more)
 
1974  
 
Add Ali: Fear Eats the Soul to Queue Add Ali: Fear Eats the Soul to top of Queue  
Rainer Werner Fassbinder not only directed Ali: Fear Eats the Soul (Angst essen Seele auf), but also scripted the film, designed the sets, and produced. Brigitte Mira heads the cast as a lonely German cleaning woman, who enters into an affair with equally lonely--and much, much younger--Moroccan mechanic El Hedi Ben Salem. They marry, despite the shocked, bigoted reactions of those around them. This thinly disguised remake of Douglas Sirk's All That Heaven Allows (cult favorite Sirk was one of Fassbinder's personal heroes) won the international critic's prize at the Cannes Film Festival. ~ Hal Erickson, Rovi

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Starring:
Brigitte MiraEl Hedi Ben Salem, (more)
 
1974  
NR  
Add Effi Briest to Queue Add Effi Briest to top of Queue  
Rainer Werner Fassbinder's adaptation of a late 19th-century novel by Theodor Fontane is an austere period piece that may be the least characteristic of the German director's films. The titular heroine, played by Fassbinder regular Hanna Schygulla, is a 17-year-old girl forced into a loveless marriage with an old count. Living as the aristocrat's trophy wife, Effi endures her provincial existence unhappily. Her circumstances lead to a brief affair with a young lieutenant that attracts the attention of the townspeople, but not her unsuspecting husband's. Years later, however, the count discovers the love letters between his wife and her lover. As dictated by convention, he challenges the lieutenant to a duel and throws his wife out of their home. The shamed Effi is forced to live by herself, shunned by society and spurned by her family. Effi eventually returns to her unsympathetic parents, who reluctantly take in their disgraced daughter. ~ Elbert Ventura, Rovi

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1973  
 
A scientist in charge of a project that could usher in a bold new era of technology begins experiencing signs of mental illness that may indicate the onset of schizophrenia, but could be the bold first step in merging man and machine in Rainer Werner Fassbinder's mind-bending sci-fi classic. The "Simulacron 1" project was designed by The Institute for Cybernetics and Futurology to predict the events of the future with uncanny accuracy. Though the benevolent scientists in charge of the project envision the "Simulacron 1" being used to improve living conditions for all the people of planet Earth, other, less altruistic people see it as a source of unparalleled power. The future of the project comes into question, however, when its mastermind, Professor Vollmer, dies unexpectedly. Attributing his death to suicide due to his strange behavior in recent weeks, institute head Herbert Siskins quickly places the capable Dr. Fred Stiller in charge of the project. But it isn't long before Dr. Stiller, too, begins to display signs of mental instability that seem to indicate the early stages of schizophrenia. Now, the deeper Dr. Stiller immerses himself in the project, the more he begins to see signs of life in the electronic 'identity units' of the "Simulacron 1." As the "identity units" begin to take on the appearance of someone he knows, the line between technology and humanity becomes indistinguishable. ~ Jason Buchanan, Rovi

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1972  
 
Based on Franz Xaver Kroetz's play, which is in turn based on a true story, this film by Rainer Werner Fassbinder tells the story of a very young girl who, after persuading a local boy to become her lover, induces the lad to kill her father, whose incestuous sexual attentions to her have grown unbearable. The site they choose for this deed, which gives its name to the film, is a wild-game crossing. ~ Clarke Fountain, Rovi

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1971  
 
Add The Merchant of Four Seasons to Queue Add The Merchant of Four Seasons to top of Queue  
Der Händler der vier Jahreszeiten (The Merchant of Four Seasons) is about the deterioration of a man's soul. Fruit vendor Hans (Hans Hirschmüller) cannot please his family. His mother harps on his failures. His wife is openly discontent. He must peddle produce to his beloved ex-girlfriend, and he is mocked by his customers for being shorter and fatter than his wife. He is withdrawn, crushed, and humiliated. He turns to drinking and violence, but his rage causes his wife and daughter to leave him. While desperately begging for their return, Hans suffers a debilitating heart attack. His family comes back, but Hans is unable to work and must hire help for his fruit stand. Hans' first employee is his wife's ex-lover, whom he fires for embezzling. He then hires a friend and hero from his legionnaire days, Harry (Klaus Löwitsch), out of pity. Harry is hardworking, diligent, and clever. He turns Hans' business around and enlivens his home life. Harry's success also begins to displace Hans -- with his fruit stand, with his wife, and even with his child. Hans becomes useless, a nothing -- exactly what his mother, his wife, and those around him set him up to be. ~ Aubry Anne D'Arminio, Rovi

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1970  
 
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American Soldier (originally Der Amerikanische Soldat) was the third of Rainer Werner Fassbinder's "gangster trilogy." The film stars Karl Scheid as a German/American Vietnam veteran who takes a job as a hired assassin on behalf of the Munich crime lords. Scheid works both sides of the fence when three policemen engage him to knock off some awkward malcontents. ~ Hal Erickson, Rovi

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Starring:
Karl ScheydtElga Sorbas, (more)