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Phillip Salvador Movies

1989  
R  
In this low-budget political drama, a social activist is finally released from prison after the fall of the Marcos regime in the Philippines. Unfortunately, now the islands are terrorized by ultra-conservative death squads. Fortunately, the activist teams up with a radical priest to stop the vengeful vigilantes. ~ Sandra Brennan, Rovi

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Starring:
Phillip SalvadorDina Bonnevie, (more)
 
1984  
 
One atrocity after another, as well as screaming, yelling, and crying, catapults this exploitation film into a level of excess that kills off the story itself. When a young man gets married and brings his wife home to meet his family, her resemblance to his dead mother is so strong that it causes a violent reaction -- especially in his father. In a fit of emotion, he tries to rape his daughter-in-law, an act which enrages his son so much that he cuts his father's head off. That murder precipitates other tragedies and killings, all in gory detail. ~ Eleanor Mannikka, Rovi

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Starring:
Cecile CastilloPhillip Salvador, (more)
 
1984  
 
This movie is an interweaving of several true events into a coherent story line which was intended to point out the inherent corruption in the government of the Philippines at all different levels. Delayed by censors while they tried to find a way to keep the movie from being released, eventually some sex scenes from Manila's live sex shows were cut and the film allowed out. It wasn't until the furor the movie caused at the Cannes Film Festival that the government realized how critical the movie was of the current regime and arrested Brocka. He was later released. The movie takes a strike that paralyzed Manila, the kidnapping of a businessman and the shoot-out between the kidnappers and police, all true events, and winds them into a coherent story that ably shows the corruption prevalent in the Manila governmental system. ~ Tana Hobart, Rovi

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Starring:
Phillip SalvadorGina Alajar, (more)
 
1982  
 
Ellis (Christopher de León) and Lorens (Phillip Salvador) are two quarreling brothers set to inherit their large ranch one day from an overbearing mother. The older brother Ellis is an errant womanizer who long ago turned his back on schooling -- and whose main pursuit in life is incidentally fathering the offspring that result from his seductions of various housemaids, while remaining married to his wife. His younger brother is also married, but he is not of the same profligate temperament, and he certainly does not share his brother's streak of cowardice. Events conspire to get each brother involved in local gangs, and if they continue on their collision course, their future may be much shorter than their mother's. ~ Eleanor Mannikka, Rovi

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Starring:
Christopher De LeonPhillip Salvador, (more)
 
1982  
 
Seen only from the viewpoint of its male protagonist, a Frenchman (Feodor Atkine) wanders around Manila fantasizing about women and sex and watching the city and its nightlife (and day life) go by. In his prurient visions, he remembers excerpts from films by Raoul Walsh, Fritz Lang and other directors, and he finds some of his fantasies outdone by the moves of the female performers in the night spots. This film tends to treat women as objects of sexual passion, and parents may want to decide themselves whether or not their children should see it. ~ Eleanor Mannikka, Rovi

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Starring:
Féodor AtkineEiko Matsuda, (more)
 
1982  
 
Graves (Leonard Urso) is an American soldier stationed in the Philippines who meets Lydia (Hilda Koronel) an attractive Filipino woman, and a relationship begins. Unfortunately, Graves accidentally kills a young boy while on guard duty at the American base, and the boy happens to be the little brother of Lydia's former romantic interest, Sidro (Phillip Slavador) - a hit man for the top mobster Gómez. Instead of taking action against Graves for this incident, the military brass hush it up, preferring to frame Graves as a drug dealer as an excuse to "extradite" him to another country. Before they can do so, Graves escapes the base, knowing he will have to outmaneuver the military police and mobsters, Sidro included, who want his head on a platter. ~ Eleanor Mannikka, Rovi

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Starring:
Hilda KoronelPhillip Salvador, (more)
 
1981  
R  
Bona was filmed in the Philippines by one of that country's most highly regarded directors, Lino Brocka. Nora Aunor plays Bona, a middle-class schoolgirl who falls in love with shiftless, ageing gigolo Philip Salvador. Bona moves in with the bum, and begins waiting on him hand and foot while he pursues other women. Salvador assumes he can dump the girl when he's tired of her and move on. But meek little Bona responds to this cavalier treatment with hell-hath-no-fury violence. ~ Hal Erickson, Rovi

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Starring:
Nora AunorPhillip Salvador, (more)
 
1980  
 
In this film noir from the Philippines, Poldo (Philip Salvador), a poor man, becomes a security guard in a posh apartment house to help his family. Trouble ensues after he saves resident Sonny (Mengie Colarribias) from a corrupt nightclub owner's attack. The grateful resident offers Poldo a job as his bodyguard. Unbeknownst to Poldo, his new employer publishes porno magazines and is just as corrupt as his attacker. He soon discovers that the men were fighting over Cristy (Amy Austria) a woman whom Poldo is now supposed to protect. Poldo and Cristy feel a sexual attraction and act upon it. Not long after that, a gang war erupts into violence and Poldo kills a man. Later his boss offers to save him and his family in exchange for his silence. With its main character trapped in an amoral world, Jaguar has a true noir sensibility and mood of grim determinism. This is one of the few Filipino films to be shown at the Cannes Film Festival, where it was well-received. ~ Sandra Brennan, Rovi

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Starring:
Phillip SalvadorAmy Austria, (more)