Alfred Ryder Movies

While being held in a small-town jail for a minor traffic infraction, Qiuincy (Jack Klugman barely escapes with his life when the jail catches fire--but four other prisoners aren't so lucky. Though Quincy's autopsy indicates that at least one of the four dead inmates was the victim of foul play, the local authorities insist that all the deaths were accidental. Convinced that a cover-up is in the works, Quincy sets out to prove his theory by teaming up with town doctor Carl Jessup (Duncan Gamble)--who suffers mightily for his cooperation. ~ Hal Erickson, Rovi

Hardbitten, hard-driving San Francisco police detectives Mike Stone (Karl Malden) and Steve Keller (Michael Douglas) may have finally met their match in the form of brash, bullying New York cop Bert D'Angelo (Paul Sorvino). Having arrived in the Bay Area to track down a runaway informant who may have set up his ex-partner for murder, D'Angelo breaks as many rules as humanly possible--but withal, he earns the grudging respect of his SFPD counterparts. Originally telecast on March 4, 1976, this episode was rather blatantly designed as the pilot for the weekly Streets of San Francisco spinoff Bert D'Angelo, Superstar, which had launched its single-season run some two weeks earlier on February 21. ~ Hal Erickson, Rovi

They've Kidnapped Anne Benedict is the rerun title for the made-for-TV movie The Abduction of St. Anne. Robert Wagner stars as detective who is hired by Vatican for $100,000. It's his job to find out if it's true that a mobster's 17-year-old daughter (Kathleen Quinlan) has miraculous and healing powers. If the rumors are fact, Wagner is expected to kidnap the girl on behalf of the Church, with the help of bishop E.G. Marshall. Before the film runs its course, all three principals--Wagner, Marshall, and Quinlan--find themselves up to their necks in life-threatening peril. ~ Hal Erickson, Rovi

In this film, also released under the title I Want Her Dead, Katie Lewis (Twiggy) and her husband Ben (Michael Witney) discover that they are the targets of a mysterious killer who leaves the letter W at the scene of their near-fatal "accidents." While trying to avoid death, the couple must struggle to discover where the source of these attacks stems from. This movie was Twiggy's first film appearance. ~ Iotis Erlewine, Rovi

Based primarily on the "Silver John" tales of Manly Wade Wellman, this enthusiastically silly low-budgeter tells the story of young John (Hedge Capers), a balladeer who returns home to find that his Grandpappy (Denver Pyle) -- also named John -- has decided to do battle with the Devil by playing a special tune (penned by Hoyt Axton, no less!) on a silver-stringed guitar. Unwisely, the elder John chose silver dollars to make his strings, realizing too late that modern-day dollar coins contain no silver at all (due, of course, to an evil government conspiracy), and his soul is lost. The younger John decides to follow the old man's path -- only not quite as stupidly -- and creates his own silver strings (this time genuine). In his travels, he encounters an undertaker who made a deal with a witch (Susan Strasberg) in exchange for gold; an evil gatekeeper named O.J. and his "Big Ugly Bird" (depicted via stop-motion animation); and a cotton plantation run by a voodoo overlord. He eventually reaches Washington, D.C., presumably to do battle with the ultimate evil: the Army Corps of Engineers. Sticking to the essence of the Appalachian ghost stories on which Wellman's stories were based, director John Newland (erstwhile host of One Step Beyond) conjures some delightfully bizarre images despite the painfully low budget, but one wonders exactly where he was going with this. This film is also known as Who Fears the Devil. ~ Cavett Binion, Rovi

After a decade's absense, an affable gent named Hamilton (Ed Nelson) returns to his home town. The locals welcome him effusively, never suspecting that Hamilton is a professional thief--and that he is currently being sought after by the FBI. Inevitably, Hamilton's past catches up to him in a particularly violent fashion. Featured in the cast is Susan Oliver, best remembered as the "Green Girl" in the closing credits of Star Trek, and ubiqutious cartoon voiceover artist Michael Bell. ~ Hal Erickson, Rovi

Once again, Inspector Erskine (Efrem Zimbalist Jr.) must take a crash course in some highly specialized skills for an undercover mission. This time, the Inspector sets about to learn both chess and braille, the better to pose as a blind chess master in order to infiltrate a spy ring. The episode's typically strong supporting cast includes veteran movie "heavies" Patrick O'Neal and Alfred Ryder, not to mention 1950s "beefcake" star George Nader. ~ Hal Erickson, Rovi

All three Cartwright men-Ben, Hoss and Joe-are arrested for trespassing along with their ranch hand Candy. The men are summarily sentenced to a brutal prison camp run by a despot known as The Judge (Alfred Ryder), who specializes in acquiring slave labor to work his gold mine, then in killing his mostly innocent workers when they've outlived their usefulness. Joe manages to escape, but will he be able to save the others? Richard Mulligan also appears as Farley. Written by series star Michael Landon and originally filmed in 1968, the ultra-violent "Kingdom of Fear" was shelved due to the rash of high-profile assassinations in the spring of that year. The episode finally saw the light of day on April 4, 1971, by which time David Canary (Candy) had left the series; accordingly, Canary was given "special guest star" status in the opening credits. ~ Hal Erickson, Rovi

In fine Hollywood tradition, John Wayne had to play a "one-eyed fat man" before the Motion Picture Academy considered him worthy of an Oscar. In True Grit, Wayne plays grumpy, pot-bellied U.S. marshal "Rooster" Cogburn, hired by 14-year-old Mattie Ross (Kim Darby) to find Tom Chaney (Jeff Corey), who killed her father. The headstrong Mattie could have had her pick of lawmen, but selects the aging Cogburn because she believes he has "true grit" (she talks this way all through the picture, so be prepared). Also heading into Indian territory in search of Chaney is Texas Ranger La Boeuf (Glen Campbell), who wants to collect the reward placed on the fugitive's head for his earlier crimes. Complicating matters are Chaney's scurrilous cronies Ned Pepper (Robert Duvall), Quincy (Jeremy Slate), and Moon (Dennis Hopper), who have no qualms about killing a troublesome teenaged girl like Mattie. While the plot of True Grit, adapted (and streamlined) by Marguerite Roberts from the novel by Charles Portis, maintains audience interest throughout, the glue that truly holds this Western together is John Wayne, delivering one of his finest performances (though some believe he was better in She Wore a Yellow Ribbon). Wayne's casual charisma is infinitely more effective than the mannered method acting of Kim Darby and the floundering non-acting of poor Glen Campbell. And who could not love the climatic face-off between Duvall and company and John Wayne, whose "Fill your hand, you son of a bitch!" is not only a classic bit of dialogue, but the apotheosis of the Wayne mystique. In 1975, Wayne repeated his True Grit characterization opposite Katharine Hepburn in Rooster Cogburn, but the film failed to match its predecessor and the overall effect was blunted. ~ Hal Erickson, Rovi

Murder One was the pilot film for the Jack Webb-produced TV series The D.A. Howard Duff plays the title role, with Robert Conrad his able-bodied deputy. The indictment they must prepare for the Grand Jury is that of nurse Diane Baker. Several of Baker's husbands and relatives have met untimely deaths, and it appears that the good nurse has been dispatching the victims with overdoses of insulin. While Murder One was first telecast on December 8, 1969, the D.A. series itself wouldn't premiere until nearly two years later. ~ Hal Erickson, Rovi

Unable to recover valuable documents concerning America's missile system, the IMF must resort to a contingency plan. In order to convince enemy agents that the documents are worthless, Phelps and his cohorts work hand in glove with Susan Buchanan (Lee Grant), the wife of an American diplomat. Mrs. Buchanan's mission: To lure playboy-spy Roger Toland (Fernando Lamas) into a highly compromising situation. Originally broadcast on December 1, 1968, "The Diplomat" was written by Jerry Ludwig. ~ Hal Erickson, Rovi

The posh St. Gregory Hotel in New Orleans is the setting for this drama based on a popular novel by Arthur Hailey. Trent (Melvyn Douglas) is the long-time owner who realizes that the hotel is in dire financial straits. Trent calls on faithful manager Peter McDermott (Rod Taylor) to try and bring about the necessary reversal of fortune so that they can stay in business. After the Duke (Michael Rennie) and Duchess (Merle Oberon) of Lanbourne check in, the Duke is involved in a vehicular homicide after he has too much to drink. His car is traced back to the St. Gregory by hotel detective Dupere (Richard Conte), who blackmails the Duke. Although not on the same level of Grand Hotel, the film contains first-rate performances from a fine cast portraying a variety of eccentric guests. ~ Dan Pavlides, Rovi