Michael Alaimo Movies

Sipowicz (Dennis Franz) and Medavoy (Gordon Clapp) pose as Hassidic Jews in hopes of nabbing a gang specializing in stealing Torahs. Though Lt. Fancy (James McDaniel) doesn't like the way Det. Morrissey (Conor O'Farrell) is handling a case involving several seemingly random stabbings, Fancy can't help but notice that Morrissey is getting positive results. And speaking of "positive," that's the same verdict reached in Sylvia's (Sharon Lawrence) pregnancy test. Meanwhile, Martinez (Nicholas Turturro) continues to recover from his gunshot wounds. ~ Hal Erickson, All Movie Guide

Jay Underwood plays Jeff Sherman, a teenage movie fan who idolizes the classic films of Humphrey Bogart. Jeff's Uncle Ben (Vince Edwards) owns a small detective agency, and Jeff asks if he could have a job working there to earn some extra money. Ben warily agrees, assigning Jeff the most rudimentary of tasks. But when a gangster client comes to the agency, needing someone to spy on his fiancee, Rita Benson (Tracy Scoggins), whom he suspects is cheating on him, Jeff is given the assignment. Hiding out in a closet in a hotel room, Jeff documents an assignation between Rita and her lover Glenn (Charles Lucia). But then strong-arm men push their way into the room, pump Glenn with tranquilizers, and carry him off. Jeff proceeds to fall out of the closet, and Rita asks Jeff for help. They immediately go to the police to report the crime. Unfortunately for the luckless duo, the police and the kidnappers are in cahoots, and soon Jeff and Rita are on the run from both the gangsters and the cops. ~ Paul Brenner, All Movie Guide

Carla (Rhea Perlman) becomes even more depressed than usual when her ad in a personals column yields not a single reply. The Cheers gang try to cheer her up by concocting a floridly romantic answer to the ad, inventing a "dream lover" in the form of a fearless international pilot named Mitch. And make way for the fabulous Sotto the Mime! ~ Hal Erickson, All Movie Guide

This evening's cases involve a porno filmmaker and a blind shoplifter. But most of the attention is focused on court bailiff Bull (Richard Bull), who is depressed because a charitable organization has refused to let him do volunteer work. It seems that Bull's fearsome appearance might scare off potential contributors! The rest of the gang do what they can to lift Bull's spirits, but it's a real uphill climb. ~ Hal Erickson, All Movie Guide

This fact-based made-for-television drama tells the story of nurse Joy Ufemal and her invaluable work with those dying of incurable diseases. ~ Sandra Brennan, All Movie Guide

This gripping 1979 drama about the dangers of nuclear power carried an extra jolt when a real-life accident at the Three Mile Island nuclear plant in Pennsylvania occurred just weeks after the film opened. Kimberly Wells (Jane Fonda) is a TV reporter trying to advance from fluff pieces to harder news. Wells and cameraman Richard Adams (Michael Douglas, who also produced) are doing a story on energy when they happen to witness a near-meltdown at a local nuclear plant, averted only by quick-thinking engineer Jack Godell (Jack Lemmon). While Wells and Adams fruitlessly attempt to get the story on their station, Godell begins his own investigation and discovers that corporate greed and cost-trimming have led to potentially deadly faults in the plant's construction. He provides evidence of the faulty equipment, which could lead to another meltdown (the "China syndrome" of the title), to the station's soundman to deliver to Wells and Adams at a hearing on nuclear power. However, on the way to the hearing, the soundman is run off the road by evil henchmen, leading Godell to realize that his own life is threatened, possibly by his bosses at the plant. Driven to the edge of a breakdown, Godell takes over the plant's control room at gunpoint and demands to reveal his findings on TV. The plant's management, however, has other plans, and the facility itself is becoming dangerously unstable. Whether or not you agree with the film's clear anti-nuclear bias, its sobering message and riveting, realistic story and performances are still difficult to ignore. ~ Don Kaye, All Movie Guide

In 1971, Jane Fonda and a group of fellow activist performers and musicians (including actor Donald Sutherland, musician Holly Near, and writer and comedian Paul Mooney) put together a satirical revue to perform at coffeehouses and parks near U.S. Army bases for the entertainment of G.I.'s who had come to oppose the war in Vietnam. Calling the show F.T.A. (meaning either "Free The Army" or "F-ck The Army" depending on what part of the show one witnessed), the show included protest songs, anti-war humor, appearances by G.I.'s and veterans who spoke out the war, and agit-prop theater designed to increase awareness and spread resistance against the military escalation in Vietnam. After a tour of the United States, the troupe headed to the Pacific, where they performed in Hawaii, Japan, the Philippines, and Okinawa. F.T.A. is a documentary of the troupe's Pacific Tour, including highlights from the show, appearances by local performers, behind the scenes footage of the logistical and political problems of keeping the show on the road, and conversations with soldiers as they discuss what they saw in battle, their anger with the military bureaucracy, and their opposition to America's presence in Indochina. American-International Pictures released F.T.A. in the United States in 1972, but it appeared in theaters the same week that Jane Fonda made her infamous trip to Hanoi; AIP soon pulled it from circulation and it has been seen very rarely since. ~ Mark Deming, All Movie Guide