Jean-Paul Roussillon Movies

The devastating reverberations of a profound tragedy echo through generations of a long-suffering French family in this emotional family drama from director Arnaud Desplechin. When Abel and his wife, Junon, started a family, it seemed like the seeds of true happiness had been planted. But while their daughter, Elizabeth, was healthy from the day she was born, things quickly turned dark when her brother Joseph was diagnosed with a rare and deadly genetic condition. Joseph's only hope for survival was a bone marrow transplant, but Abel, Junon, and Elizabeth were all incompatible. In one last, desperate chance to save their son's life, Abel and Junon conceived a third child. But not even little Henri could save his ailing brother's life. Joseph died at the age of seven, and neither his siblings nor his parents have ever found the strength to recover. Years later, family relations have deteriorated beyond the point of repair; the tensions between family matriarch Elizabeth and her cynical brother Henri finally culminating in a violent confrontation in which Elizabeth banishes her alcoholic brother and refuses him further contact with his troubled adolescent nephew, Paul. ~ Jason Buchanan, Rovi

The film is based on a true story of a young actor, Robert Hugues Lambert, who was hired to play the role of aviation hero Mermoz in occupied France during WW II. But his career came to a brutal end when his homosexuality was discovered and he was sent to a Nazi camp. The Vichy government's directive to bring to screen edifying films based on national myths, such as Charlemagne or Joan of Arc, led one producer to decide to make a film about Mermoz, an airmail pioneer who perished at the height of his fame, crashing in 1936. This symbolic figure was also an activist in an extreme rightwing party, the vice-president of a movement known as 'The Crosses of Fire.' Lambert, a relatively obscure theatre actor was hired for his physical resemblance. Another actor was hired to complete the film, but the sound crew managed to smuggle a microphone through the barbed wires to get a recording of Lambert's voice. The film had its premiere in Paris, but Lambert was shipped to Auschwitz, never to return. Based on this story, Jean Claude Grumberg wrote a fictional comedy about making a film during the Occupation. He decided that only a comedy could narrate the way most French people went about their business with their heads in the sand during the Occupation, seeking refuge in derivative comedy. The film's light tone, however, changes dramatically at the end when Lambert is taken away. ~ Gönül Dönmez-Colin, Rovi

A brave and resourceful young woman keeps the spirit of the Three Musketeers alive in this historical adventure. Eloise (Sophie Marceau) is the daughter of the famed swordsman D'Artagnan (Philippe Noiret); while she has a remarkable gift with a blade herself, Eloise is devoting herself to her studies at a convent. However, when a slave escapes from the estate of the evil Duke of Crassac (Claude Rich) and seeks refuge in the convent, the Mother Superior (Pascale Roberts) is murdered in retaliation by the Duke's soldiers. In the midst of the attack, Eloise learns that the Duke and his men have even more dastardly plans in store; the murder of the Mother Superior is part on an ongoing scheme to throw the nation into disarray, making it easier for the Duke to overthrow the King and seize power. Joined by Quentin (Nils Tavernier), a poet, Eloise sets out to call her father and his old compatriots to action to stop the Duke; however, D'Artagan, who now lives a quiet life teaching fencing, isn't so sure he wants to wage a battle against the insurgent forces, no matter how awful they may be. La Fille de d'Artagnan (The Daughter of d'Artagnan) was released in the United States as Revenge of the Musketeers; leading lady Sophie Marceau does her own fencing on screen. ~ Mark Deming, Rovi

Who would have expected Brigitte to marry a prisoner with a long sentence in the first place? In this romantic action movie, that is only the first in a long line of surprising actions by the young woman. Somehow, she manages to get hooked to the young prisoner before realizing that he'll be locked up for another three or four decades. She decides that this is much too long to wait to spend time with her sweetheart and decides to learn how to fly a helicopter. Why? So she can fly in and take him out of his prison yard, which is exactly what she does, thrilling romantics all over France and seriously upsetting the authorities. This award-winning film (it's a 1991 Cannes jury-prize winner) is based on a true incident from 1986. ~ Clarke Fountain, Rovi

The Italians have bocce ball, and the French have a similar game, boules. This is played (generally in the southern part of the country) with steel balls on a packed-earth court. While these games have a bucolic, countrified and even genteel air about them, competition and betting are fierce. In this sports/crime thriller, a young man whose father was killed for violating the unspoken roles of the game in professional competition trains with his grandfather to become a champion boules player just like his father. ~ Clarke Fountain, Rovi

The very busy actor Michel Serrault lends his talents to the depiction of a monstre sacree of French literature, the extremely repugnant but very clever Paul Leautaud, who was famous for his rude, clever observations and his epigrams. Although unkempt and very mean, his rapier-like wit and strong lust were sufficiently magnetic that at the time of this film he was engaged in a long-term relationship with his equally vile mistress (Annie Girardot), and a new relationship with a librarian (Aurore Clement) who is a fan of his writing. The story is based on the author's personal diaries from the period. ~ Clarke Fountain, Rovi

Noted stage director Patrice Chereau adds his stylistic flair to this drama loosely taken from a story by Anton Chekhov. A French family is shown as they go through the daily routines of life. Arguing, feasting, crying, and yearning for love are just some of the human emotions encountered. The mood wavers between excessive noise to silence while those not participating in the conversations listen in. ~ Dan Pavlides, Rovi

In this political drama, five left-leaning friends gradually lose heart in the Socialist government elected in 1981 in France. One of the five men is a television broadcaster; the others are a teacher about to become an academic inspector, a tax man, the director of a cultural center, and a sociologist who is about to step into a ministerial position. Their interlocking lives are told in alternating vignettes over a four-year period, and the professions director Jacques Fansten has chosen for his main characters seem to be a comment on the media, education, budget or finance, the arts, and government bureaucracy under Socialist rule. ~ Eleanor Mannikka, Rovi

On Ne Meurt Que Deux Fois, a French murder mystery based upon a novel of the same name, is an unusual, involving film with excellent performances by its entire cast. Police Inspector Staniland (Michel Serrault) is investigating the death of a pianist. While conducting his investigation and looking through the victim's apartment, he meets Barbara (Charlotte Rampling), the mistress of the murder victim. Barbara confesses to the crime, but Staniland, based on his observations and experience, does not believe her. He then sets out to find the truth, with surprising results. Both Serrault and Rampling are outstanding in this well-directed, well-paced film. On Ne Meurt Que Deux Fois was also released as He Died With His Eyes Open and won the Jury Prize at the 1985 Montreal World Film Festival. ~ Linda Rasmussen, Rovi

This French sex farce is translated in English as The Trout. Joseph Losey directed and co-wrote the film, which stars Isabelle Huppert as Frederique, a young woman living on her family's rural trout farm. Frederique is trapped in a dull marriage to a rube. She decides to leave him and the trout farm for the city; she wants to make her living in the financial sector. She ends up in a cutthroat corporate world and meets up with the sophisticated Lou (the legendary Jeanne Moreau). Frederique finds herself trading sexual favors for corporate advancement and becoming more deeply involved in a complicated series of business dealings. Eventually, she longs for a return to her simpler life on the trout farm. ~ Michael Betzold, Rovi