Guy Rolfe Movies

The Puppetmaster Andre Toulon (Greg Sestero) battles supernatural forces in order to rescue loved ones. ~ All Movie Guide

In this gory horror outing, the hellish little self-motivated puppets are back, but this time they working for good to prevent brain-fluid sucking demons from stealing their master's secret. ~ Sandra Brennan, All Movie Guide

Taped in Britain, The Dark Angel is an extra-long entry of PBS' Mystery series. Peter O'Toole heads a cast of dissipated, decadent 19th century aristocratic types. The script is based on a novel by Sheridan LeFanu, whose fascination with vampirism and "the undead" precipitated Bram Stoker by nearly thirty years. As in most gothic novels, the characters are motivated by greed, lust and the desire to hide Deep Dark Family Secrets from the outside world. The Dark Angel was originally presented in several weekly installments, here boiled down to 150 minutes for videocassette convenience. The film bears absolutely no relation to the 1935 Hollywood period drama of the same name. ~ Hal Erickson, All Movie Guide

In this update of James Whale's classic The Bride of Frankenstein, pop star Sting furthers his burgeoning film career by portraying cinema's signature mad scientist. Disgusted by his dim-witted and ugly original creation (Clancy Brown), Dr. Frankenstein sets out to animate an improved version. Though lovely on the outside, Eva (Jennifer Beals) begins her new life as little more than an animal. With the help of his trusty housekeeper (Geraldine Page), however, Frankenstein soon grooms the beautiful zombie into a reasonable facsimile of an upper-class debutante. He's unprepared, however, when his ward displays a mind -- and sexual urges -- of her own. Meanwhile, the good doctor's discarded original creation assumes the name of Viktor and takes to the road. Befriended by an enterprising dwarf named Rinaldo (David Rappaport), Viktor becomes a circus performer but continues to pine after his bride. Connected to her psychically, he soon makes his way back to the scene of their mutual creation. There, he finds the girl embroiled in a love triangle between a callow suitor (Cary Elwes) and Frankenstein himself. In addition to its iconic '80s leads, The Bride boasts a famous supporting cast that includes gay memoirist Quentin Crisp and '60s model Veruschka. ~ Brian J. Dillard, All Movie Guide

Nicholas and Alexandra covers the rise and fall of the last of the Russian Romanovs. We first meet Czar Nicholas (Michael Jayston) and his German bride Alexandra (Janet Suzman) at their 1894 wedding. Though Nicholas is devoted to Alexandra, the Russian populace is less politely inclined to having a "foreigner" as their Czarina. Alexandra gains favor when she gives birth to the much-loved Prince Alexis (Roderick Noble). Alas, Alexis suffers from hemophilia, a disease which strikes every second generation of Alexandra's family. When all conventional medical ministrations fail, Alexandra puts the fate of her son in the hands of mystical holy man Rasputin (Tom Baker, later famous for his portrayal of Doctor Who). As Rasputin's influence and power grows, the Russian peasantry becomes more restless and disgruntled. They are now willing to listen to the speeches of such rabble-rousers as Lenin (Michael Bryant) and Trotsky (Brian Cox), who sow the seeds of revolution. Even after the murder of Rasputin, the Bolsheviks are unsatisfied: The revolution finally comes to pass in October of 1917. At first, the moderate Kerensky (John McEnery) pleads with his followers to allow the Romanovs safe passage out of Russia. But the radicals seize control, and on July 16, 1918, the royal family is summarily executed. ~ Hal Erickson, All Movie Guide

A legendary Jack the Ripper-type killer named the Gaslight Ghoul has apparently returned from the dead. Using the London fog as his cover, the Ghoul is systematically bumping off members of a world disarmament conference. Steed and Tara investigate this phenomenon, only to find themselves on the venerable murderer's hit list. Written by frequent Avengers guest star Jeremy Burnham, "Fog" made its British TV bow on March 12, 1969; it had previously aired in America that same year, on February 17. ~ Hal Erickson, All Movie Guide

Though Fall of the Roman Empire is now infamous as the epic which destroyed the cinematic "empire" of producer Samuel Bronston, the film is actually an above-average historical drama, attempting to make sense of the political intrigues which resulted in the dissolution of the Glory That Was Rome. The film begins with wise, diplomatic emperor Marcus Aurelius (Alec Guinness) calling together the various representatives of the many nations within the Empire as a means of securing peace and prosperity for all involved. When Marcus intimates that he intends to turn over his crown to adopted son Livius (Stephen Boyd) rather than the logical successor Commodus (Christopher Plummer), he is poisoned by one of Commodus' cronies. Marcus' daughter Lucilla (Sophia Loren) tries to get Livius to claim the throne, but he wants no part of it; thus, the fate of the empire is in the incompetent hands of the preening Commodus. Despite efforts by cooler heads to save Rome from ruin, Commodus vainly declares himself a god and kills anyone who poses a threat to him. When he learns that Lucilla actually has a stronger claim to the throne than he does, Commodus condemns her to be burned at the stake. Only then does Livius intervene, slaying Commodus and promising to try to pick up the pieces of the disintegrating empire. Attempting to find a common ground between history buffs and action fans, Fall of the Roman Empire has come to be regarded as a classic. Alas, audiences in 1964 had grown weary of epics (especially after the highly touted but disappointing Cleopatra), and failed to turn out in sufficient enough numbers to justify Fall's exorbitant cost. Virtually wiped out, Samuel Bronston would not be able to return to filmmaking until 1971, and then only on a much smaller and more pinchpenny scale. ~ Hal Erickson, All Movie Guide

In this 1961 William Castle film based on Ray Russell's novel Sardonicus, Guy Rolfe stars as the wicked Sardonicus, a wealthy count who wears a mask because his face is frozen in a horrifying death grimace. Ronald Lewis stars as Sir Robert Cargrave, a brilliant doctor who is at the top of his field in the early 20th century. A curious letter from his former love, Maude (Audrey Dalton), draws him to Europe where she lives in a remote castle with her brooding husband, his badly scarred, but dedicated man-servant, Krull (Oscar Homolka), and a frightened housekeeper whom Sir Robert finds tied up and covered with leeches. The good doctor soon discovers the truth behind the leeches...and the true nature of his visit when Sardonicus reveals his terrible story: He dug up his father's grave in search of a winning lottery ticket, and upon seeing the corpse, his face muscles froze leaving him looking like a living skull. Dangling Maude as his ransom, Sardonicus forces Sir Robert into attempting a radical treatment to make his face normal again, but even when it is a success, the evil Sardonicus can find no cure from the curse of his father's desecrated corpse. Castle appears in the climax to offer viewers an opportunity to afford additional punishment on Sardonicus which leads to a satisfying conclusion. ~ Patrick Legare, All Movie Guide

In this family-oriented comedy, Snow White is taken to the woods to be killed at the behest of her evil stepmother and ends up abandoned and alone. Fortunately she stumbles across a charming cottage inhabited by the Three Stooges, and comical fairy-tale chaos ensues. ~ Iotis Erlewine, All Movie Guide

The scene is Burma during World War II. A small British brigade led by Stanley Baker comes upon a Burmese village controlled by the Japanese. The brigade wipes out the enemy, whereupon Baker discovers that the late Japanese commandant has a coded map secreted on his person. When a Burmese prisoner who can decode the map refuses to talk, Baker orders that two peaceful villagers be executed. Baker's actions seem cruel and extreme until it becomes apparent that the enemy is twice as ruthless as he. Based on a TV play by Peter R. Newman, Yesterday's Enemy is a brutal but insightful look at the blurred line between good and evil in wartime conditions. ~ Hal Erickson, All Movie Guide

In this comedy, a woman finds herself addicted to auctions and begins bringing the strangest things back to her home. Her husband, ignorant of her passion, begins suspecting her of kleptomania and hires a detective to spy on her. He next sends her to a psychiatrist. After the woman gets wise to the schemes, she reveals the identity of the real thief. ~ Sandra Brennan, All Movie Guide

In this thriller, a murderous writer kills his blackmailer and his ex-lover and then tries to convince his fiancee to help him hide the bodies. She does until she learns that he is planning to frame innocent people for his crimes. ~ Sandra Brennan, All Movie Guide

This remake of John Ford's The Black Watch (29) stars Tyrone Power as British army captain stationed in India in 1857. Shunned by his fellow officers because he is a half caste, Power defies the social structure of the era by falling in love with the daughter (Terry Moore) of his superior officer. Power proves his loyalty to the Crown by quelling an uprising, led by his Indian boyhood friend (Guy Rolfe). The actors do their best, but the storyline is trite and stilted when dwelling on matters of honor and romance. King of the Khyber Rifles works best as an action picture--and in this respect it is immensely superior to the earlier John Ford film, which almost plays like a comedy when seen today. ~ Hal Erickson, All Movie Guide