Flora Robson Movies

The story of Paul Gaugin (1848-1903), the Parisian stockbroker who left his job, his wife and his five children for the life of an artist in Tahiti, was superbly fictionalized in Somerset Maugham's The Moon and Sixpence. Gaugin the Savage is the same story with no names changed, told in two wearisome hours. David Carradine is the right age for Gaugin, and certainly does well in conveying the man's callous self-absorption. But we never quite see the inner fire that would compel a man to totally kick over the traces at age 35 and devote the remaining 20 years of his life to art and debauchery. This made-for-TV movie is at its best when showcasing Gaugin's fiercely brilliant paintings. Otherwise, Gaugin the Savage is as shallow as its advertising campaign, which showed a goateed David Carradine standing in the middle of Tahitian garden with both fists clenched--more closely resembling a disgruntled magician rather than a brilliant artist. ~ Hal Erickson, Rovi

The wife of a greedy Yankee entrepreneur comes back to haunt him after he scares her to death in this thriller. He is after her fortune and must try several times before he succeeds. Because she is mentally exhausted from being frightened all the time, she commits suicide. The dastardly husband soon begins experiencing her ghostly presence. The question is--is she really a ghost, or is she playing mind games similar to those he played on her? He tends to believe the former. ~ Sandra Brennan, Rovi

The 1979 TV movie Les Miserables was advertised as the 12th feature film to be based on the 1862 Victor Hugo novel (and that was a modest estimate). This time, Richard Jordan is the persecuted French ex-convict Jean Valjean, and Anthony Perkins is the relentless police officer Javert, who dogs Valjean's trail for forty years. Screenwriter John Gay does a nice compression job on Hugo's mammoth novel, including most of the familiar episodes ("The Bishop's Candlesticks" etc.) and reintroducing several vignettes that had been ignored by earlier adaptations. Norman Rosemont produced Les Miserables on a lavish scale in both England and France, populating the cast with several of Europe and America's best actors (including veteran Claude Dauphin, in his last screen appearance). Les Miserables debuted as a three-hour "IBM Special" on December 27, 1978. ~ Hal Erickson, Rovi

Set in the British Isles in the 1930s, this film involves two old-maid sisters who lock their deranged brother in a cellar to keep him out of the war. He's there for thirty years, and when he finally gets loose he's a little irritated. Enough so, that he plagues the local countryside with a rash of very nasty murders. Maybe they needed a stronger lock. ~ Rovi

This chilling mystery begins when Lucy Dawson (Flora Robson) is found strangled in her apartment. Her nephew Tim (David Hemmings) is the former-drug-addict-turned-successful-author who wrote a book about his experiences. When Tim looks into his aunt's death, people give sketchy answers and the police offer little help. Apparently they think his pleas are simply a drug-addict's ravings. As he investigates he begins to find himself plagued by threatening phone calls, and his own paranoia. The pressure begins mounting until at last he suffers a complete breakdown. As a result, the murder is never solved. ~ Dan Pavlides, Rovi

A fine cast distinguishes this unusual supernatural thriller. When London-based vintner Phillippe de Montfaucon (David Niven) receives the bad news that dry weather is expected to destroy crops in his vineyard in France for the third year in a row, he immediately leaves for his castle on the continent, Bellenac, instructing his wife Catherine (Deborah Kerr) to stay behind with their children. However, Catherine's curiosity gets the better of her and she arrives at Bellenac to discover that the villagers who tend the grapes and watch the castle are members of a pagan cult, and that they believe the death of Marquis may be required for the future health of the crops. While pre-release editing left its narrative a bit fragmented, Eye of the Devil is certainly notable for its cast, which includes Donald Pleasance, Edward Mulhare, David Hemmings, and Sharon Tate. Kim Novak was originally cast as Catherine, but was forced to bow out midway through shooting due to an injury. ~ Mark Deming, Rovi

John Ford's final film is set in China in 1935, where a group of American women, led by Agatha Andrews (Margaret Leighton), work as missionaries. One of the women, Florrie (Betty Field), is pregnant and accompanied by her husband, Charles (Eddie Albert), while the others are single and on their own. The mission has become crowded after a cholera epidemic forced several outsiders to flee a nearby British mission and seek shelter with the American group, while a Mongol warrior, Tunga Khan (Mike Mazurki), has assembled troops who are sacking the area. When a female doctor, Dr. D.L. Cartwright (Anne Bancroft), enters the picture, she attempts to bring humor and civility to the group, but her tough yet compassionate nature clashes with Agatha's by-the-book approach, and when Cartwright is willing to put her own safety at risk to gain the attentions of Tunga Khan and slow his onslaught, the group is strongly divided -- most of the women admire the doctor's bravery, but Agatha (who seems to have a non-professional interest in Cartwright herself) considers her foolish and reckless. Seven Women was originally planned to star Patricia Neal as Dr. Cartwright, but when she suffered a stroke during filming that put her acting career on hold for several years, Anne Bancroft was recast in the role. ~ Mark Deming, Rovi

Young Cassidy is based upon the autobiographical writings of firebrand Irish author Sean O'Casey. Rod Taylor is Cassidy, a boisterous boy who digs ditches to support his mother (Flora Robson) and sister (Sian Phillips). In his spare time, Cassidy is active with the Irish revolutionary movement against the occupying British. He still finds time enough for romance, notably with trashy chorine Julie Christie (in her first major role) and timid librarian Maggie Smith. Cassidy's latent writing talents are encouraged by such Irish literary giants as W.B. Yeats (Michael Redgrave) and Lady Gregory (Edith Evans), and in typically expeditious Hollywood fashion Our Hero almost instantly becomes a Man of Letters. John Ford began the direction of Young Cassidy, but fell ill and had to relinquish his responsibilities to Jack Cardiff; even the most diehard auteurist will have trouble discerning the personal "signature" of either director. ~ Hal Erickson, Rovi

Richard Attenborough stars as a stalwart sergeant-major, stationed in British colony in Africa. When the colony declares its independence, Attenborough is assigned to keep the peace during the governmental transition. Trouble begins when an insurgent African officer (Errol John) attempts to overthrow the new, British-approved rulers. As the political situation becomes more and complex, Attenborough finds that his deeply entrenched values and beliefs are no longer valid. Based on a novel by Robert Holles, Guns at Batasi is what used to be called a "thinking man's adventure film." ~ Hal Erickson, Rovi

Samuel Bronston produced this extravagant blockbuster, shot in Super Technirama 70. Nominally directed by Nicholas Ray (who makes a brief appearance as the U.S. ambassador), Ray was taken off the film and replaced by the more pliable directorial touches of Andrew Marton. Charlton Heston stars as Maj. Matt Lewis, the leader of an army of multinational soldiers who head to Peking during the infamous Boxer Rebellion of 1900. As the film unfolds, the foreign embassies in Peking are being held in a grip of terror as the Boxers set about massacring Christians in an anti-Christian nationalistic fever. Inside the besieged compound, the finicky British ambassador (David Niven) gathers the beleaguered ambassadors into a defensive formation. Included in the group of high-level dignitaries is a sultry Russian Baroness (Ava Gardner) who takes a shine to Lewis upon his arrival at the embassy compound with his group of soldiers. As Lewis and the group conserve food and water and try to save some hungry children, they await the arrival of expected reinforcements, but the tricky Chinese Empress Tzu Hsi (Flora Robson) is, in the meantime, plotting with the Boxers to break the siege at the compound with the aid of Chinese recruits. ~ Paul Brenner, Rovi

Based on the Rumer Godden novel An Episode of Sparrows, Innocent Sinners stars June Archer and Christopher Hey as the title characters. Neglected by her mother, contentious little Lovejoy (Archer) runs off to an abandoned London building, where with the help of several street urchins she begins to build a tiny garden as a home-away-from-home. Misunderstood by the film's adult authority figures, Lovejoy is carted off to a charity home, from which she is rescued by her new friends, including street-smart Tip (Hey). Among the few sympathetic grownups in the film are David Kossoff and Barbara Mullen as a pair of likeable restauranteurs, and Flora Robson and Catherine Lacey as the standard golden-hearted old crones. ~ Hal Erickson, Rovi

A rugged, isolated island off the coast of Nova Scotia provides the setting for this drama. Much of the island is owned by one person, the other inhabitants, primarily lobster fishermen, rent from him. One of the lobster men begins romancing the wealthy owner's daughter and marries her. After the wedding, the bride is disturbed to learn that her hubby is a compulsive gambler who quickly squanders their small savings. The impoverished couple has no choice but to leave the island and live on the mainland. ~ Sandra Brennan, Rovi