Chuck Roberson Movies

Rugged Hollywood movie star Will Preston (Chuck Roberson), a longtime idol of Dr. Quincy (Jack Klugman), is found dead under mysterious circumstances. It might have been murder, and there is no shortage of suspects: prominent among the "possibilities" is a disgruntled stuntman and a pair of suspicious houseboys. Interfering with Lt. Monahan's investigation of the case, Quincy unearths forensic evidence that leads in a most startling direction. ~ Hal Erickson, All Movie Guide

Undoubtedly having second thoughts after turning down Dirty Harry, John Wayne showed up in 1974 in his own "maverick cop" adventure, McQ. Wayne, playing McQ, a veteran detective, turns in his badge when he's officially denied the opportunity of clearing the name of his late best friend, who has been posthumously accused of drug pushing. Investigating on his own, McQ becomes romantically involved with his friend's widow (Diana Muldaur), who unbeknownst to him is up to her neck in police corruption. Considering the usual flag-waving content of John Wayne's 1970s films, it is rather startling to discover that the real villains in McQ are a coterie of crooked cops! ~ Hal Erickson, All Movie Guide

The action never stops in this western, which has a surprise ending. Ann-Margret stars as Mrs. Lowe, a widow who wishes to recover some gold stolen by her husband and hidden away. She says she wants to return it to the bank it was stolen from and clear her family name. In order to do this, she persuades Lane (John Wayne) to ride into Mexico with her and recover the loot. Once they cross the border, they discover two very different pursuers: a large group of bandidos, and a lone horseman who seems to know their every move (Ricardo Montalban). ~ Clarke Fountain, All Movie Guide

John Wayne, in the last of his Civil War characterizations, portrays Cord McNally, a Union Army colonel who loses a gold shipment in a Confederate raid, during which a devoted young officer is also killed. After the end of the war, McNally bears no ill-will toward the leaders of the raid, Pierre Cordona (Jorge Rivero) and Tuscarora Phillips (Christopher Mitchum), who were acting as soldiers, but he still wants the two unknown men on the Union side who they say sold them the information about the gold shipments. A year later, McNally crosses paths with one of the men, now a deputy from Rio Lobo, who is about to take Shasta Delaney (Jennifer O'Neill), a seemingly innocent young woman, out of a neighboring town at gunpoint. A shootout ensues, in which McNally's man and three other Rio Lobo deputies are killed, with help from Cordona -- this makes McNally very interested in what's going on in Rio Lobo, and he decides to go there with Cordona and Shasta. They find a whole community under siege from their own sheriff, a sadistic ex-outlaw named Hendricks (Mike Henry). What follows is a series of confrontations and revelations that are alternately suspenseful, sadistic -- with maimings worthy of a spaghetti western and characters even getting blown to bits -- and even occasionally comical. But the pieces all tie together very neatly, despite a convoluted plot that's sort of Rio Bravo (made 11 years earlier, also starring Wayne and directed by Hawks, and scripted by Leigh Brackett) turned sideways and readjusted to a more cynical era. ~ Bruce Eder, All Movie Guide

The Hawaiians is the sequel to 1969's Hawaii; both films were adapted from the same sprawling novel by James A. Michener. Charlton Heston is top-billed as a sailor who returns to his Hawaiian homestead, only to learn that his grandfather's fortune has been bestowed upon his hated cousin Alec McCowan. As a reprisal, Heston sets up his own pineapple plantation in competition with his cousin. Heston's son John Phillip Law falls in love with the daughter (Virginia Ann Lee) of a Chinese farmer (Mako). The issue of miscegenation rears its ugly head, but by the end of this very long film Heston's family is united by marriage to the Chinese clan. The British title of The Hawaiians was Master of the Islands. ~ Hal Erickson, All Movie Guide

This routine western finds Union Colonel John Henry Thomas (John Wayne) and company attacking Confederate soldiers lead by Colonel James Langdon (Rock Hudson). After a crushing defeat, Langdon torches his plantation rather than have it fall into enemy hands. A group of Southerners accept the invitation of Emperor Maximilian to join them, and Langdon heads off with a wagon train of settlers to a new land. Thomas with his adopted Indian son Blue Boy (Roman Gabriel) bring a herd of 3,000 horses across the Rio Grand for sale. The two factions meet at a Fourth of July party and relive the war through a drunken brawl. When Mexican General Rojas (Tony Aguilar) holds the Southerners hostage, Thomas orders the herd to stampede into the General's camp as ransom payment for their former enemies. Merlin Olsen plays the blacksmith Little George. Both Gabriel and Olsen were pro-football all-stars for the Los Angeles Rams. Olsen continued his acting and sports announcing after his gridiron days were over. ~ Dan Pavlides, All Movie Guide

The Green Berets is an exciting war film that was lambasted by critics who at the time of its release opposed the war in Vietnam. Wayne's role is similar to his part in The Longest Day (1963), but it was evident to the worldwide public that the same bravado that flew well in World War II crash-landed in 1968 in the wake of a very different war and political time. Wayne plays the hard-nosed rough-and-ready Colonel Mike Kirby who heads a courageous bunch of tough-as-nails Green Berets determined to capture an important enemy general. They are accompanied by a skeptical reporter who soon becomes a gung-ho red-white-and-blue patriot as the Colonel and the others lecture and show him why they must defeat the "commies." Interestingly, despite the massive anti-war sentiments of the times, the film grossed over $11 million at the box-office and is especially notable for the fine battle scenes. The film also features the hit song "Ballad of the Green Berets," sung by Sgt. Barry Sadler. ~ Dan Pavlides, All Movie Guide

John Wayne and Kirk Douglas spend half of The War Wagon trying to knock one another off and the other half working shoulder to shoulder. Settling an old score with avaricious mine owner Bruce Cabot, Wayne plans to steal a $500,000 gold shipment from his enemy. Douglas, at first hired by Cabot to kill Wayne, goes along with the robbery scheme. Also in on the plan is Howard Keel, superbly cast as a world-weary, wisecracking Native American (it's the sort of part that nowadays would go to Graham Greene). The titular war wagon is the armor-plated, Gatling-gun fortified stagecoach wherein Cabot's gold is transported. Thus the stage is set for a slam-bang finale, and director Burt Kennedy isn't about to disappoint the viewers. Best bit: after Kirk and The Duke gun down Cabot's henchmen Bruce Dern and Chuck Roberson, Douglas quips "Mine hit the ground first"--whereupon Wayne replies "Mine was taller." ~ Hal Erickson, All Movie Guide

Myko (Mike Kellin), the manager of an intergalactic gladiator show, arranges a boxing match between Dr. Smith (Jonathan Harris) and the midget Geoo (Harry Monty). Believing that he'll receive a huge sum of money and a trip back home if he wins, Smith accepts the challenge--little knowing that the match is actually part of a wide-ranging scheme to conquer the earth. It falls to John Robinson (Guy Williams) to take Smith's place in the ring when it becomes obvious that the outcome of the bout has been "fixed" and that the Robinsons are slated for destruction. ~ Hal Erickson, All Movie Guide

This musical spoof of Westerns featured Lee Marvin in dual roles that won him a Best Actor Oscar. Jane Fonda stars as the title character, a prim schoolmarm returning to her hometown of Wolf City, Wyoming, after receiving an Eastern education. On the train ride, Cat meets up with a pair of friendly, charming crooks, Clay Boone (Michael Callan) and his uncle, Jed (Dwayne Hickman), the former becoming hopelessly smitten with the naive but tough Cat. Upon arriving home, Cat discovers that her eccentric father, Frankie (John Marley), is being threatened with bodily harm by a development company that desperately wants his land. When Frankie is murdered by ruthless, noseless killer Tim Strawn (Marvin), Cat straps on a pair of six-shooters and persuades Clay, Jed, and her father's loyal Native American hand Jackson Two-Bears (Tom Nardini) to sign on as her posse. In her quest for revenge, Cat also recruits Kid Shelleen (also played by Marvin), a one-time fearsome gunslinger who's now a hopeless alcoholic. Cat Ballou (1965) is interspersed throughout the narrative with appearances by Stubby Kaye and Nat King Cole as a pair of balladeers who comment on the action musically in Greek chorus style. ~ Karl Williams, All Movie Guide

John Ford's last western film, Cheyenne Autumn was allegedly produced to compensate for the hundreds of Native Americans who had bitten the dust in Ford's earlier films (that was the director's story, anyway). Set in 1887, the film recounts the defiant migration of 300 Cheyennes from their reservation in Oklahoma territory to their original home in Wyoming. They have done this at the behest of chiefs Little Wolf (Ricardo Montalban) and Dull Knife (Gilbert Roland), peaceful souls who have been driven to desperate measures because the US government has ignored their pleas for food and shelter. Since the Cheyennes' trek is in defiance of their treaty, Captain Thomas Archer (Richard Widmark), who agrees with the Indians in principle, reluctantly leads his troops in pursuit of the tribe. While there was never any intention to shed blood, the white press finds it politically expedient to distort the Cheyennes' action into a declaration of war. Thanks to the cruelties of such chauvinistic whites as Captain Oscar Wessels (Karl Malden), the Cheyennes are forced to defend themselves--and whenever Indians take arms against whites in the 1880s, it's usually misrepresented as a massacre. Only the intervention of US secretary of the interior Carl Schurz (Edward G. Robinson) prevents the hostilities from erupting into wholesale bloodshed. Based on a novel by Mari Sandoz, Cheyenne Autumn is a cinematic elegy--not only for the beleaguered Cheyennes, but for John Ford's fifty years in pictures. It is weakest when arbitrarily throwing in a wearisome romance between Richard Widmark and pacifistic schoolmarm Carroll Baker, who out of sympathy for the Indians has joined them in their 1500-mile westward journey. When the Warner Bros. people decided that the film ran too long, they chopped out the wholly unnecessary but very funny episode involving a poker-obsessed Wyatt Earp (James Stewart). Contrary to popular belief, this episode was included in the earliest non-roadshow prints of Cheyenne Autumn; the scene was excised only when the film went into its second and third runs in 1966 (it has since been restored). ~ Hal Erickson, All Movie Guide

George Washington McLintock (John Wayne) has a saddlebag full of trouble. The owner of the largest ranch in the territory, which also includes a mine and a lumber mill that he built up himself, should be a happy, fulfilled man, but he isn't. His wife, Katherine (Maureen O'Hara), walked out on him two years ago without a word of explanation and has been living back east and running in very fancy circles. He's getting older, a fact of which he's constantly reminded as friends around him decline in health. He's being challenged by their sons, eager to make their mark on the territory, and by the homesteaders who are pouring in with the support of the government, hoping to farm on land that's just barely adequate for cattle to graze on; he's got government officials underfoot, including an inept Indian agent (Strother Martin) and a corrupt land agent (Gordon Jones); the thick-headed, longwinded territorial governor, the honorable Cuthbert H. Humphrey (Robert Lowery), and the government back east are trying to push the Indians -- whose chiefs are some of McLintock's oldest enemies and his best and most honored friends -- by shipping them off to a reservation, where they'll be cared for like old women; and to top it all off, Katherine is coming back to secure a divorce and take custody of their 17-year-old daughter, Rebecca (Stefanie Powers), who's been at school back east and no longer likes anything to do with the West, any more than her mother does. All of that -- plus the presence of a young hired hand (Patrick Wayne) who's interested romantically in McLintock's daughter -- is the setup for a sprawling comedy Western with serious overtones, part battle-of-the-sexes and part political tract.

McLintock! was made mostly to keep John Wayne's production company solvent in the wake of the losses incurred from the production of The Alamo. Wayne needed a film that could be made quickly and have mass appeal, and he got more than he bargained for in James Edward Grant's screenplay, which owed a little to both The Taming of the Shrew and The Quiet Man. Shot in the spring of 1963 and premiered in late November of that year, McLintock! proved to be one of the star's most popular and successful films of the '60s. It was a prized possession of the Wayne estate and was held unavailable for all of the '80s and beyond until they missed the copyright renewal in 1991 -- after that, it emerged in numerous substandard videocassette and DVD editions. There was an authorized VHS edition from MPI in the early '90s, and there were legitimate showings on WTBS, but until 2005 there was no decent quality DVD version. Late that year, Paramount Home Video, working under license from the Wayne estate, released a beautiful letterboxed DVD edition loaded up with extras. ~ Bruce Eder, All Movie Guide

When their TV antenna is blown off their roof in a storm, Lucy (Lucille Ball) and Viv (Vivian Vance) decide to get another one installed. This, alas, requires a lot of money, and the coffers are far from full in the Carmichael-Bagley household. At this point, Lucy gets another of her bright ideas: Wouldn't it make sense for herself and Viv to save some cash by putting up the antenna themselves? If the hilarity that follows seems a bit abrupt at times, it is because this episode had to be extensively edited to fit within the usual 30-minute confines (there was simply too much funny material!) ~ Hal Erickson, All Movie Guide