Jeff Richards Movies

An exciting climax at a gymnastics competition highlights this sports-themed drama. Steve (Olympic champion Mitch Gaylord) finds his hopes for a successful career are in doubt when his family relationships suddenly fall apart. He and his father are continually at odds while his younger brother and mother can do nothing about it. Gymnast Julie Lloyd (Janet Jones) arrives on the scene and a romantic liaison with Steve is in the works. A big championship competition looms ahead on the horizon as both Steve and Julie prepare for a final challenge. ~ Eleanor Mannikka, Rovi

In this family film, a rare Golden Bear is being held captive in a circus and it is up to a parentless child and a gold prospector to save it. ~ Iotis Erlewine, Rovi

In this western, a gunfighter is hired to clean up the chaotic streets of Emporia, Wyoming. The gunfighter arrives and finds that his ex-lover is there and is married to the town preacher. Though the two are still attracted, they resist temptation. When he sees how violent the town really is, the gunman sends for help. As soon as his friend gets there, the two begin cleaning up the town. ~ Sandra Brennan, Rovi

In this adventure, a pilot and a radio commentator crash on an island just off the Australian coast and discover a crazed scientist and his three lovely daughters Venus, Urana, and Mercuria. The girls have never seen a man other than their father. When the commentator realizes that the scientist has been working on atomic experiments, he threatens to expose the scientist. In retaliation, the scientist destroys their airplane. Fortunately, the lovely daughters help them build a raft. Unfortunately, the mad mad scientist sets off a dreadful explosion. The ensuing blast attracts the attention of the Australian authorities. The survivors are soon rescued. ~ Sandra Brennan, Rovi

Obviously inspired by such service comedies as Mister Roberts and Operation Mad Ball, Don't Go Near the Water is a tribute to those "unsung heroes" of WW2: the men and women of the Navy's Public Relations Department. Thousands of miles away from the shooting war, Lt. Max Siegel (Glenn Ford) and the rest of the PR staff spend their time issuing colorful reports of Naval heroism and sucking up to visiting US dignitaries on a tiny South Sea island. Siegel and company also battle the anal-rententive pettiness of such superior officers as Lt. Cmdr. Clinton T. Nash (Fred Clark) and such potential foes as abrasive war correspondent Gordon Ripwell (Keenan Wynn). The feminine angle is provided by Gia Scala as Melora, a European-educated local girl, Anne Francis as by-the-book nurse Lt. Alice Tomlen, and Eva Gabor as women's magazine writer Deborah Aldrich. Particularly amusing is Mickey Shaughnessy as foul-mouthed seaman Farragut Jones, whose periodic barrages of profanity are invariably drowned out by the sound of a ratchet-horn (this was, after all, 1957). Don't Go Near the Water was based on the comic novel by ex-PR man William Brinkley. ~ Hal Erickson, Rovi

Packaged and sold as an outdoor actioner, Many Rivers to Cross is as much a comedy as anything else. Robert Taylor stars as 18th century trapper Bushrod Gentry, who is himself entrapped into marriage by the spunky Mary Stuart Cherne (Eleanor Parker). Escaping his marital responsibilities (which were impressed upon him on threat of death), Gentry heads into the North Country, with Mary in hot pursuit. Hero and heroine spend the rest of the picture taking turns rescuing each other from hostile Indians. Some of the humor is predicated upon the wholesale slaughter of the "redskins", and as such is a bit hard to take when seen today. Supporting Taylor and Parker are Victor McLaglen as the heroine's burly father, and TV-stars-to be James Arness (Gunsmoke) and Russell Johnson and Alan Hale Jr. (Gilligan's Island). ~ Hal Erickson, Rovi

During her brief stay at MGM, starlet Jarma Lewis received starring roles in two programmers. One of these was The Marauders, in which she appeared with Dan Duryea, Keenan Wynn and Jeff Richards. The bulk of the film's drama is handled by Richards, cast as a homesteader who refuses to move despite the threats of land baron Harry Shannon. After Shannon's death, the persecution of Richards is supervised by Dan Duryea, an unhinged frustrated soldier who fancies himself a second Napoleon. The looney Duryea manages to kill James Anderson, weak-willed husband of Jarma Lewis, with the help of hired gun Keenan Wynn. But Richards stands his ground, winning Jarma in the process. ~ Hal Erickson, Rovi

Based extremely loosely on the Stephen Vincent Benet story Sobbin' Women," Seven Brides for Seven Brothers is one of the best MGM musicals of the 1950s. Most of the story takes place on an Oregon ranch, maintained by Adam Pontabee (Howard Keel) and his six brothers, played by Jeff Richards, Russ Tamblyn, Tommy Rall, Mark Platt, Matt Mattox, and Jacques d'Amboise (it is no coincidence that five of those six boys are played by professional dancers). When Adam brings home his new bride Milly (Jane Powell), she is appalled at the brothers' slovenliness and sets about turning these unwashed louts into immaculate gentlemen. During the boisterous barn-raising scene, the brothers get into a scuffle with a group of townsmen over the affection of six comely lasses: Virginia Gibson, Julie Newmeyer (later Newmar), Ruth Kilmonis (later Ruth Lee), Nancy Kilgas, Betty Carr, and Norma Doggett (yep, most of the girls are dancers, too). Yearning to become husbands like their big brother, they ask Adam for advice. Alas, he has been reading a book about the abduction of the Sabine Women (or, as he puts it, the Sobbin' Women); and, in order to claim their gals, Adam explains, the boys must kidnap them--which they do, after blocking off all avenues of escape. Vowing to remain on their best behavior, the boys make no untoward advances towards their reluctant female guests--not even during one of the coldest winters on record. Comes the spring thaw, the angry townsfolk come charging up the mountain, demanding the return of the stolen girls (who, by this time, have "tamed" their men). A happy ending is ultimately had by all in this delightful if politically incorrect concoction. ~ Hal Erickson, Rovi

In his only MGM film, Humphrey Bogart plays the commanding officer of a M*A*S*H unit during the Korean War. Bogart runs his operation by the book, though he can take time out now and again for compassion. When nurse June Allyson shows up, Bogie is irritated by her foolhardiness and misplaced idealism. Need we tell you that the two "opposites" eventually fall in love? Keenan Wynn steals the show as the camp's wheeler-dealer, a sort of ancestor for such future insouciant M*A*S*H characters as Hawkeye, Trapper John and B.J. Hunnicutt. According to Hollywood scuttlebutt, Humphrey Bogart liked writer/director Richard Brooks because he could walk all over him. Brooks doesn't appear too servile in his disciplined handling of the film, though one can detect a slight lack of enthusiasm on his part. ~ Hal Erickson, Rovi

Above and Beyond is the story of the atomic bombing of Hiroshima, as told from the perspective of the man who flew the mission. Robert Taylor stars as Col. Paul Tibbetts, commander of the Enola Gay. Once selected for this extremely dangerous mission, Tibbetts must hand-pick a crew worthy of the task. He is also forced to keep his mission a closely guarded secret, even unto withholding all information from his loving and patient wife Lucey (Eleanor Parker). The film concentrates on the strain placed upon Tibbetts, his crew and their families in the crucial days before the "big drop". The bombing itself is handled with taste and decorum, though the horror and mixed emotions of the moment are brilliantly conveyed on the faces of Tibbetts and his men. Above and Beyond represents a rare noncomedy endeavor from the writer-director team of Melvin Frank and Norman Panama. ~ Hal Erickson, Rovi

The Tall Target is based on a true story: the attempted assassination of President-elect Abraham Lincoln, even before he was able to assume his duties in Washington. Dick Powell stars as New York detective John Kennedy, who learns of the assassination plot early on. When his superiors refuse to believe his wild tale, Kennedy quits the force and boards the Presidential train, hoping to prevent the killing on his own. The problem: who can he trust on board, and who can't be trusted? Ginny Beaufort (Paula Raymond), the sister of the would-be assassin, might be able to prevent the tragedy -- if she isn't in on the conspiracy, that is. The supporting cast includes Adolphe Menjou, Marshall Thompson, Will Geer, and, as a slave, a young Ruby Dee. The film's nail-biting climax is brilliantly handled by Anthony Mann, whose directorial expertise was becoming sharper with each successive film in the early 1950s. ~ Hal Erickson, Rovi

Fish-market worker Johnny O'Hara (James Arness) is named as a suspect when his boss -- with whom he had a dispute the previous day -- is shot to death in an apparent robbery. When he's arrested, his family appeals to their old friend James Curtayne (Spencer Tracy), who was once a renowned criminal attorney but is now in civil practice. He resists their entreaties until he realizes that no decent attorney will handle the case properly; his daughter (Diana Lynn) watches with alarm, however, for we soon learn that Curtayne is an alcoholic, and that the major factor in his life that pushed him over the edge was the stress of having someone's life in his hands. He discovers soon enough just how much Johnny's life is in his hands when his client refuses to level with him about his real whereabouts on the night of the murder. He also realizes as the trial starts precisely how rusty he is in the courtroom, and the old stresses return -- and with them, his drinking. Curtayne not only manages to lose the case but destroys his career when he tries to buy off a larcenous prosecution witness. His client facing a death sentence and his own life and career in ruins, he's seemingly hit bottom, but then new evidence surfaces, of a nature that not even the ambitious prosecutor (John Hodiak) can ignore. Recognizing that his client was actually innocent and also acting in his silence -- however stupidly -- from the noblest of motives, Curtayne is willing to redeem himself by putting his own life on the line, confronting a killer who has taken more than one life without any compunction whatsoever, and who has no reason to spill anything.

The People Against O'Hara was a well-made, largely location-shot crime drama set in New York City, but it wouldn't have been nearly so prestigious a movie were it not for the presence of Spencer Tracy in the role of Curtayne. Ironically enough, he only agreed to do the film on the condition that his friend Pat O'Brien, who hadn't been in a major studio release in a couple of years, be given a large role, which he got as the lead detective on the case, and O'Brien and Tracy get a couple of really good scenes together. The film also includes an unbilled appearance by Charles Bronson, who was still working as Charles Buchinski in 1951, and is highlighted by a superb prominent supporting performance by William Campbell, who seems to quietly relish every nuance of his portrayal of a totally slimy character. ~ Bruce Eder, Rovi