Donna Reed Movies

As season eight of Dallas gets under way, Bobby Ewing (Patrick Duffy) painfully convalesces from the gunshot wound that felled him at the end of season seven. The most likely suspect would seem to be Cliff Barnes (Ken Kercheval), the brother of Bobby's ex-wife, Pam (Victoria Principal), but in fact the would-be killer is Cliff and Pam's obsessive half-sister, Katherine (Morgan Brittany), who was incensed that Bobby had spurned her in favor of his fiancée, Jenna (Priscilla Presley). Had Katherine but waited a while, she could have saved a bullet; Bobby breaks up with Jenna, who ends up wedding a former lover, Renaldo Marchetta (Daniel Pilon) -- and is then accused of Marchetta's murder! In other romantic developments, despite all of the evil J.R. Ewing's (Larry Hagman) efforts, his mother, Miss Ellie (Barbara Bel Geddes), has tied the matrimonial knot with Clayton Barlow (Howard Keel), millionaire father of Dusty Barlow, the former lover of J.R.'s wife, Sue Ellen (Victoria Principal). But is it really Miss Ellie who walks down the aisle? Well, technically, it is -- but it isn't the same actress who has been playing the character since Dallas began. Citing illness and exhaustion, Barbara Bel Geddes had left Dallas at the end of its seventh season. Her replacement is Donna Reed, light years removed from the innocuous 1950s sitcom that bore her name in the title. Getting back to the Miss Ellie-Barlow nuptials, all is not peach blossoms and roses. It turns out that Clayton has a demented sister named Jessica (Alexis Smith) -- who very nearly commits wholesale murder before she's caught and institutionalized.

Newcomers to the cast this season include Joshua Harris as Christopher Ewing, Bobby and Pamela's adopted son; Jenilee Harrison as cousin Jamie Ewing, who is destined to wed Cliff Barnes after aligning with him to wrest a piece of Ewing Oil from J.R.; and Deborah Shelton as Mandy Winger, who arouses the libido of both J.R. and Cliff, but who definitely prefers one over the other. Conversely, two of Dallas' stalwart leading players make their exits this season: Charlene Tilton as Lucy Ewing (though she'd eventually return), and more spectacularly, Patrick Duffy as Bobby Ewing. Honoring Duffy's insistence that he wanted to leave the series to pursue different roles, the writers contrived to have Bobby get killed while trying to save Pamela from a deranged hit-and-run driver (Katherine Wentworth again!). Thus, the season ends with the hospitalized Bobby "flatlining" -- thereby setting the stage for the series' notorious "dream" season. ~ Hal Erickson, Rovi

This attenuated adaptation of Helen Van Slyke's novel stars Donna Reed (her first TV appearance in 12 years) as a widow with financial and domestic problems. Her adult daughter Stephanie Zimbalist has turned to drugs; her sons Michael Shannon and Tim Hutton have less severe but no less time-consuming personal difficulties; and her mother Mildred Dunnock is aloof and remonstrative. In addition, Reed is torn between two loves: old flame Efrem Zimbalist Jr., and doctor John Phillip Law, who is young enough to be her son. The above-mentioned plot contrivances would seem to be sufficient to fill the four hours (and two parts) of The Best Place to Be several times over; still, there's time enough left over for a tragedy to strike Reed's family before she finally settles down with the elder Zimbalist. ~ Hal Erickson, Rovi

Popular Mexican comedian Cantinflas (Mario Moreno) plays the title character in this star-studded, amusing comedy drama by George Sidney. Pepe is the same sort of impoverished stereotype Cantinflas made famous in several of his comedies; in this case he is a hired hand on a ranch who chases down a horse for his employer. A boozing Hollywood director buys a white stallion belonging to Pepe's boss and the determined ranch hand decides to take off for Hollywood to get the horse back. Once in this new and strange environment -- where a lot of cameos by the likes of Jimmy Durante, Frank Sinatra, Zsa Zsa Gabor, Bing Crosby, Maurice Chevalier, and many others enliven the action -- Pepe becomes a friend to the alcoholic director. Unfortunately, what is missing here is "Cantinfletico." That is the nickname for the rambling non-sequitur characteristic of Cantinflas that no one else could master. The film was originally released at 195 minutes, then edited down to 157. ~ Eleanor Mannikka, Rovi

This video contains a star-studded broadcast of the 1959 Emmy Awards Ceremony. It also contains a lively comedy short from 1931. ~ Sandra Brennan, Rovi

In this mystery, a movie producer gets bored with his wife and begins an affair with a fiery actress. In the end, he jilts his mistress and returns to his wife. The trouble begins when someone stabs the actress and he is labelled the prime suspect by a detective. Later the producer discovers that the actress is still alive, and that the detective was her husband. A real murder follows and the producer is arrested. His loyal wife launches her own investigation and proves that her husband was innocent. The real killer, the husband of the actress, ends up killed in a car wreck. ~ Sandra Brennan, Rovi

The breathtakingly beautiful Technicolor cinematography of Irving Glassberg is but one of the many small pleasures of the big-budget western Backlash. Set in post-Civil War Arizona, the film stars Richard Widmark as Jim Slater, who hopes to prove that his down-and-out father (John McIntire) was not involved in a gold robbery. To prove this, Slater has to find the money, which is also the goal of Karyl Orton (Donna Reed), the supposed widow of one of the thieves. Eventually, Slater discovers that his father is every bit as rotten as the law claims he is, though he can take some comfort in the fact that Karyl is now in love with him. As in his earlier Bad Day at Black Rock, Backlash director John Sturges is more concerned with building tension than with overt displays of wanton violence. ~ Hal Erickson, Rovi

Hot on the heels of Safari came another Columbia-released, African-filmed adventure, Beyond Mombassa. Matt Campbell (Cornel Wilde) arrives in Kenya on a double quest. He hopes to locate a valuable uranium mine, and also to learn the "whos, whats and whys" of his brother's murder. Joing Campbell's safari are missionary Ralph Hoyt (Leo Genn) and Hoyt's niece Ann Wilson (Donna Reed). After several attempts are made on Campbell's life, he comes to the conclusion that one of his travelling companions was responsible for his brother's death. Sure enough, the villain has not only dispatched Campbell's brother, but has also arranged the evidence so as to place the blame on a legendary tribe of "leopard men". As for why he does it, it is best to see Beyond Mombassa for further details. ~ Hal Erickson, Rovi

The Untamed West is the reissue title of the Pine-Thomas production The Far Horizons. This romanticized retelling of the Lewis and Clark expedition of 1803-06 stars Fred MacMurray as Meriwether Lewis and Charlton Heston as Bill Clark. The film doesn't delve much into the real-life animosity between the two, though it's clear that there's little love lost between the cerebral Lewis and the two-fisted Clark. Aiding the men in their expedition is Indian maiden Sacajawea, played with fist-in-the-air defiance by Donna Reed. Since interracial romances were still largely taboo in American films of the early 1950s, Sacajawea can only pine and sigh as Lewis and Clark square off over the affections of white-woman Julia Hancock (Barbara Hale). This Technicolor-and-Vistavision film works best as an outdoor adventure; its dramatic scenes tend to bog down in an excess of verbiage. The Far Horizons was based on Sacajawea of the Shoshones, a novel by Della Gould Edmonds. ~ Hal Erickson, Rovi

Three Hours to Kill is a "message" Western that manages to entertain without preaching. Jim Guthrie (Dana Andrews), unjustly accused of murder, is forced out of town by an angry mob. After several tough years living off the land, Guthrie returns to clear his name. Fearing that Guthrie is out for blood, the townsfolk arrange a "necktie party." The one person who might show some compassion is ex-fiancée Laurie Mastin (Donna Reed), who'd been left pregnant by Guthrie and had married another man on the rebound. But Laurie's brother was the murder victim, so she's just as determined to rid the world of Guthrie as everyone else. With the help of sympathetic Chris Plumber (Dianne Foster), Guthrie traps the real murderer. The mentality of mob rule is exposed for all its ugliness in Three Hours to Kill, ironic in that real-life Hollywood had been governed by mob pressure to enforce the Blacklist during the same period. ~ Hal Erickson, Rovi

"Winning isn't everything -- it's the only thing." These words were spoken not by Green Bay Packers coach Vince Lombardi but by Steve Williams, the fictional college athletics instructor played by John Wayne in Trouble Along the Way. Recently divorced, Williams has trouble finding a job due to his inability to get along with his superiors. If he doesn't find work soon, he'll lose custody of his daughter Carole (Sherry Jackson). Meanwhile, St. Anthony's College, heavily in debt, may have to close its doors. Father Burke, rector of St. Anthony's, reasons that the school could get back on its feet if it had a winning football team, thereby securing the support of the alumni. Thus, against his better judgment, Father Burke hires the troublesome Steve Williams, who'll stop at nothing to assemble a winning team. Somehow, Williams has to turn into a regular human being, and that's where social worker Alice Singleton (Donna Reed) comes in. More sentimental than most Wayne vehicles, Trouble Along the Way is well worth the ride. ~ Hal Erickson, Rovi

Originally shot in 3-D, Gun Fury opens with wealthy rancher Ben Warren (Rock Hudson) and his fiancée Jennifer Ballard (Donna Reed) aboard a stagecoach bound for California. Having recently fought in the Civil War, Ben is looking forward to returning to a peaceful life with his soon-to-be wife. Unfortunately, the coach is set upon by embittered ex-Confederate soldier Frank Slayton Philip Carey) and his gang. In the ensuing conflict, Ben is shot and left for dead, while Jennifer is kidnapped by Slayton, who claims her for his own interests. Ben recovers from his wounds and sets off to find Jennifer, trying to enlist the aid of others in his fight against Slayton. Most are unwilling to help, a fact which impresses upon Ben the responsibility every man must have in protecting society from people like Slayton. Eventually he succeeds in putting together a team of his own -- including a former member of Slayton's gang and a Native American with a grudge against the crooks -- and sets off for the border to bring about justice. ~ Craig Butler, Rovi